| Here is my list of Audio CDs (updated 01.17.05). My trading rules are simple: | ||||||
| I'm in this for the music and for fun. | ||||||
| I only trade audio discs that are recorded in disc-at-once (DAO) format. | ||||||
| I do not trade for audio CDs burned from MP3s. | ||||||
| I prefer to trade for CDs with lineage information (unless it is a show on my want list below). | ||||||
| I prefer to trade SHNs/FLACs whenever possible (if you see a checkmark in the last column for a show, I've got it in data format). | ||||||
| Don't forget to check the very last sectionÉit has a list of the various festivals, benefits, and other shows that don't fall neatly under one artist. | ||||||
| And since I'm always behind on adding shows to my list, if you don't see something here that you're looking for, just ask...I may very well have it. | ||||||
| You can contact me at jon@seff.net | ||||||
| I'm looking for any of the following shows on CD or DAT (digital sources only, no MP3s). If you have any, please get in touch: | ||||||
| Rolling Stones/Gun 'n' Roses/Living Colour 10-21-89 LA Coliseum | ||||||
| Billy Joel 04-03-90 LA Sports Arena | ||||||
| Jesus and Mary Chain 11-20-92 Warfield | ||||||
| Sting 04-30-93 Greek Theatre | ||||||
| Santana/Bob Dylan 10-07-93 Concord Pavilion | ||||||
| Bridge School Benefit 11-06-93 Shoreline | ||||||
| Ratdog 12-14-95 Santa Cruz Civic Auditorium | ||||||
| Bridge School Benefit 10-19-96 Shoreline | ||||||
| Kula Shaker 04-02-97 Fillmore | ||||||
| Farm Aid '97 10-04-97 New World Music Theatre | ||||||
| Ratdog 09-12-98 Wiltern Theatre | ||||||
| Bridge School Benefit 10-18-98 Shoreline | ||||||
| Maceo Parker 10-14-99 Fillmore | ||||||
| Frank Black & the Catholics 03-07-00 Slim's | ||||||
| James Brown/Tower of Power 05-16-00 Paramount Theatre | ||||||
| Ratdog 10-23-00 Fillmore | ||||||
| Widespread Panic 11-03-00 Bill Graham Civic Aud | ||||||
| Jimmy Smith 05-08-01 (Early) Yoshi's | ||||||
| Frank Black & the Catholics 05-18-01 Slim's | ||||||
| Mike Clark's Prescription Renewal 06-23-01 Fillmore | ||||||
| Rex Foundation Benefit 12-01-01 Warfield | ||||||
| Wilco 12-05-01 El Rey | ||||||
| Charlie Hunter 12-21-01 (Early) Yoshi's | ||||||
| The Word 01-24-02 Fillmore | ||||||
| Garage a Trois 09-26-03 Fillmore | ||||||
| Steve Winwood 09-28-03 Fillmore | ||||||
| Charlie Hunter 12-17-03 (Late) Yoshi's | ||||||
| Dark Star Orchestra 05-08-04 Fillmore | ||||||
| Santana 06-23-04 Warfield | ||||||
| Van Halen 08-10-04 HP Pavilion | ||||||
| I will almost always do a B&P, so if you see something you like and don't have anything to trade, let me know. I just ask that you follow some simple rules: | ||||||
| 1. Send CDs/DVDs in sleeves or, if need be, thin cases. | ||||||
| 2. Try and use name-brand CD-R media—it will fail less often and last longer. | ||||||
| 3. Don't forget to include a note (or even a printout of our e-mail) to remind me what show(s) I'm burning for you—I can't tell you how many times people send blanks with no indication of what I'm supposed to do with them. | ||||||
| 4. When mailing to me, please include a second mailer inside the first, with you name and address already printed on it as well as postage affixed to the envelope. Please don't send labels and stamps and ask me to put them on and reseal your mailer, and DO NOT send cash and ask me to go buy postage. Also, DO NOT put tape over the stamps—the post office will not accept them. | ||||||
| Date | Location | Sets | # of CDs | Notes | Source | SHN or FLAC available? |
| PHISH | ||||||
| 12/01/84 | Nectar's | All | 2 | w/full 10/17/85 as filler | SBD > Cass1 > DAT > CDR | |
| 10/30/85 | Burlington, VT | All | 2 | SBD > Cass/1 > DA-P1 > D8 > CDR > EAC > NR > SHN > CDR | ||
| 11/23/85 | Plainfield, VT | All | 1 | Cass/1 > digital remastering > D8 > CDR | ||
| 04/01/86 | Burlington, VT | I, II | 2 | AUD > Cass/1 > DA-P1 > D8 > CDR | ||
| 03/06/87 | Plainfield, VT | All | 1 | Fits on 1 80 min CD | SBD(?) > Cass/1 > D8 > CDR > EAC > SF4.5 (pitch fix, NR, normalizing) > SHN > CDR | |
| 09/27/87 | Burlington, VT? | All? | 2 | HFB says Burlington, but the info file says Canton, NY | cass > NAD 6300 tape deck > midiman p.c. card > wav > soundforge noise reduction > cdwav > shn | X |
| 02/10/90 | Ardmore, PA | All | 2 | SBD + Sennheiser ME80 > DAT > Archive Python DDS/dat2wav > .wav > mkwACT > SHN | X | |
| 06/17/90 | Boston, MA | N/A | 2 | complete Wendell Studio sessions | Studio SBD > ??? > CD-R > EAC > CD-R > FLAC | X |
| 12/28/90 | New York, NY | I, II | 3 | w/John Popper | Denon DTR-80P > Hosa Coax via digi out > datport > coax out > HD via Cool Edit Pro v1.2 > 48/44.1 resampling via Dart Pro 98 > tracking via cdwav | |
| 03/17/91 | Aspen, CO | I, II | 3 | DATSBD > DAT(x3) > Prodif24 > Samplitude (48k->44.1k on the fly re-sample) > SHN | X | |
| 03/31/91 | Berkeley, CA | I, II | 2 | FOB Calrad 10-30 > Panasonic SV-255 > Sony D7 > Zoltrix > SF 4.5c > CDWav > SF 4.5c > WAV > FLAC | X | |
| 04/12/91 | Madison, WI | I, II | 3 | w/soundcheck | SBD > Cass/0 > DAT > Fostex D5 > Tascam CDRW 700 > CDR (master) > EAC (secure) > CDWav > SF4.5 > shntool > FLAC | X |
| 07/24/91 | Charlottesville, NC | I, II | 2 | Schoeps CMC64 > Aerco > Apogee500E | ||
| 11/30/91 | Port Chester, NY | I, II | 3 | SBD > DAT(CLONE) > SOUNDFORGE4.5 > CDWAV > SHN | X | |
| 03/14/92 | New York, NY | I, II | 3 | DSBD > Denon DTR-80P > Opcode Datport via HOSA coax cable > Cool Edit Pro v1.2 > Hard Drive > Dart Pro 98 (48 > 44.1) > CDWAV (tracking) > WAV > SHN | X | |
| 04/15/92 | Los Angeles, CA | I, II | 2 | SBD > Cass/0 > DAT > HHb CDR880 > CDR > EAC > SHN | X | |
| 07/21/92 | Mansfield, MA | All | 1 | Opening for Santana | DSBD > Dat clone in Tascam DA20mkII -> RME digi 96/8 PST-> CDwav editor -> mkw -> .shn | X |
| 08/13/92 | Los Angeles, CA | All | 1 | Opening for Santana | SBD > Cass0 > DAT > Digi Coax > SB Live 2 > SF 6.0 > wav > shn | X |
| 08/14/92 | Los Angeles, CA | All | 1 | Opening for Santana | SBD > Cass0 > DAT > Digi Coax > SB Live 2 > SF 6.0 > wav > shn | X |
| 08/15/92 | Los Angeles, CA | All | 1 | Opening for Santana | SBD > dat > CD > SHN | X |
| 08/17/92 | San Juan Capastrano CA | I, II | 3 | SBD > CASS(0) > DAT > Tascam DA-20 > COAX > WAV > COOL EDIT > CDWAV > SHN | X | |
| 12/31/92 | Boston, MA | I, II, III | 3 | Matrix (DSBD+Elektra AUD) > DAT > Fostex D5 > HHb 850 > WAV > SHN > CDR | ||
| 07/24/92 | Long Island, NY | All | 1 | Opening for Santana, My Sweet One cut | DSBD > DAT > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > CDR | X |
| 02/00/93 | Various | N/A | 2 | Soundchecks from 2/17, 2/18, and 2/19 | cSBD > DAT (44.1) > Casio DA-R100 > M-Audio 24/96 via Coax SPDIF > Wavelab > CD-WAV > SHNv3 | X |
| 02/10/93 | Geneva, NY | All | 3 | FOB akg 460b's > tascam da20 mkII > za2 > wav > shn | X | |
| 02/21/93 | Atlanta, GA | I, II | 2 | On 1 74 min and 1 80 min CD | AKG 460b's > Tascam dap20mkII > za2 > soundforge > CDWAV > SHN > CDR > soundforge > CDWAV > SHN > CDR | |
| 03/26/93 | San Francisco, CA | I, II | 3 | Nuemann km 54's > Dat(unknown model) > Fostex D5 > Optical > Zoltrix > Sf 6.0 (*48k to 44.1) w/fades > Cd Wav > Mkw | X | |
| 04/09/93 | Minneapolis, MN | Soundcheck | 1 | SBD > DAT > Fostex D5 > Tascam CDRW 700 > CDR(x1) > EAC > SHN | X | |
| 08/11/93 | Grand Rapids, MI | I, II | 3 | B+K4011(mod.) > Neumann PS > D10IIPro 48k > Montego II @ 48k > Sound Forge @ 44.1k > HD > CDWav | ||
| 08/20/93 | Morrison, CO | I, II | 3 | SBD:(FM) > D > CD > SHN (via EAC) | X | |
| 08/28/93 | Berkeley, CA | I, II | 3 | Neumann KM56s > DAT > Montego II @ 48k > Sound Forge @ 44.1k > HD > CDWav > SHN > CDR | X | |
| 05/25/94 | San Francisco, CA | I, II | 3 | Will fit on 2 80min CDs | Schoeps CMC5/Mk4 (ORTF) > Sonosax SX-M2 > Apogee AD-500E > Sony D-10 @ 48KHz > Tascam DA-20 MkII > Monster Coax > M-Audio Audiophile 24/96 > Soundforge 5.0b (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter) > CD Wave 1.61 > mkwACT v0.97 | X |
| 05/26/94 | San Francisco, CA | I, II | 2 | DSBD/Matrix? > DAT > Sony R500 > AES/EBU monster cable > ZA2 > CDR > SHN > CDR | ||
| 06/17/94 | Milwaukee, WI | II | 1 | SBD > C0 > DAT @ 48KHz (Unknown DAT generations) > Tascam DA-20 MkII > Monster Coax > M-Audio Audiophile 24/96 > Soundforge 5.0b (48KHz->44.1KHz at highest setting [4 of 4] with anti-alias filter) > CD Wave 1.61 > mkwACT v0.97 | X | |
| 07/13/94 | Big Birch Concert Pavillion, Patterson, NY | I | 1 | AKG 460b/ck63 (hypercards) > AKG preamp > DAT | ||
| 10/29/94 | Spartanburg, SC | I, II | 3 | Schoeps CMC4+MK41 > Oade > SV-250(modified) > DAT > ZA2 > Soundforge 4.0 > CDWav editor > SHN > CDR | ||
| 10/31/94 | Glen Falls, NY | I, II, III | 3 | 'White Album' Halloween Show | FOB: Schoeps CMC6+MK4 > DAT > ZA2 > Soundforge 4.0 > CDWav Editor > CDR | |
| 11/17/94 | Dayton, OH | I, II | 3 | FOB Schoeps cmc54 > Aerco > Casio DAR-100 > DA20mkII > Audio Magic Presto II > ZA2 > Soundforge > CDWav > .shn | X | |
| 12/02/94 | Davis, CA | I, II | 2 | [DAUD] Neumann KM140-> Oade PS-> Denon DTR-100P @ 48k > CTD8000H-S-> VDAT 0.6f (each dat extracted twice and compared) > Sound Forge 5.0d (48 > 44.1 (highest setting w/ anti-alias filter), edits) > CDWave 1.62-> shorten 3.3 > SHN3 (w/ seek tables) | X | |
| 12/03/94 | San Jose, CA | I, II | 2 | My first show, w/Giant Country Horns | NAK 100s > D7 @48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (normalized) > WAV @44.1k > SHN (no extraction) > CDR | X |
| 12/03/94 | San Jose, CA | I, II | 2 | My first show, w/Giant Country Horns; Dankseek | Neumann KM140 > Oade PS > Denon DTR-100P @ 48k > CTD8000H-S > VDAT 0.6f (each dat extracted twice and compared) > Sound Forge 5.0b (48 >44.1 (highest setting w/ anti-alias filter), edits) > CDWave 1.61 > mkwACT 0.91b1 > SHN3 (w/ seek tables) | X |
| 12/08/94 | San Diego, CA | I, II | 2 | Mix of SDB and AUD | SBD: DSBD > Master DAT > DAT clone > Fostex D5 > optical cable > HOSA ODL-276 > coax cable > Waveterminal 2496 > coax cable > Waveterminal 2496 > CoolEdit 2000 Static removal & other fixes > CDWave 1.6 > WAV > mkwACT 0.97b1 > SHN v3; AUD: FOB AKG460 (13 Ft. pole, front row, center-right {12-7}, center-left {12-8}) > 10' XLR > PS > 3' XLRs > Technics SV260A > DAT > Technics SV260A > COAX > Cool Edit WAV (editing done here) > CDWAV > mkwACT v3 > SHN | X |
| 12/31/94 | Boston, MA | I, II, III | 3 | AKG 460's > DA-20 > ZA2 > Soundforge 4.0 > CD Wav editor > SHN > CDR | ||
| 05/16/95 | Lowell, MA | I | 2 | Voters for Choice benefit, one set only | B&K 4011 > ? > SHN | |
| 09/30/95 | Shoreline | I, II | 2 | Audio Tech & Nak 300--four mic mix > DAT > CD | ||
| 10/31/95 | Chicago, IL | I, II, III | 4 | 'Quadrophenia' Halloween Show | DAT | |
| 11/11/95 | Atlanta, GA | I, II | 3 | Schoeps CMC6/41 > Sonosax > PDR1000 > D8 > WAV (via TB Fiji S/PDIF) > SHN > CDR | ||
| 12/08/95 | Cleveland, OH | I, II | 2 | Schoeps CMC34 > Sonosax SX-M2 > Panasonic SV-255 > Sony DTC-A6 > Dio 2448 > CDWAV @ 48K > Soundforge 4.5, (resample, add fades) > CDWAV > SHN | X | |
| 08/06/96 | Morrison, CO | I, II | 2 | Schoeps64V > Oade > 250 > DAP1 > D(1) > Tascam DA-P1 > M-Audio 24/96 via Coax SPDIF > Wavelab (fades, normalize, sample rate conversion) > CD-WAV > SHNv3 | X | |
| 08/17/96 | Plattsburgh, NY | I, II, III | 3 | Clifford Ball Day 2 | DSBD > DATx3 @44.1kHz > Event Gina S/PDIF IN @44.1kHz > WaveLab 3.0 > SHN [EXCEPT Slave: FM SBD > DAT > CD > EAC >WaveLab 3.0 (editing & hiss reduction) > SHN] > CDR | X |
| 10/31/96 | Atlanta, GA | I, II, III | 4 | "Remain in Light" Halloween show | Set I: Schoeps CMC641s >SX-M2 >AD1K(taper section) > D8 > Active Oade> Monster Coax > CMI8738 > SF4.5 @48khz > (resampled w/ anti-alias on and quality setting 4)> CDWAV> SHNv3 -- Set II and III: Neumann KM140s (FOB) > SX-M2 > D10ProII > D8 > Turtle Beach Fiji > Samplitude@44.1khz > CDWAV > SHN | X |
| 11/02/96 | West Palm Beach, Florida | p | 1 | SBD > DAT > ? > CD > EAC > SHN | X | |
| 11/29/96 | San Francisco, CA | I, II | 3 | DFOB (Neumann KM140 > DA-P1 @ 44.1) > clone 1 > clone 2 (PCM-R500) > SPDIF to Egosys U2A > Soundforge 4.0 > CDWAV > SHN via MKW 0.97b, w/seek tables appended | X | |
| 12/04/96 | San Diego, CA | II | 1 | SBD (set2) > Cass/x > DAT > CDR > EAC > SHN | X | |
| 02/13/97 | London, England | I, II | 3 | Schoeps cmc64 > DAT > ? > SHN > CDR | X | |
| 02/18/97 | Paris, France | I, II | 2 | Disc II is on an 80 min CD | Schoeps CMC64V > Sonosax > Apogee AD-500 > DA-P1 > Turtle Beach Fiji SPDIF > Samplitude 48 > 44.1 Resample > CdWav > SHN > CDR | |
| 02/20/97 | Milan, Italy | I, II | 2 | Missing Sweet Adeline, Julius | DSBD > CD > EAC > SHN | X |
| 02/25/97 | Munich, Germany | I, II | 2 | Schoeps cmc64 > oade > sbm-1 > DA-P1 > ? > SHN > CDR | X | |
| 06/06/97 | Charlotte, VT | II | 2 | SBD/AUDmix(?) > DAT > CD > DAE > SHN | X | |
| 06/13/97 | Dublin, Ireland | I, III | 3 | 6 song debuts | AKG 414 (cartoid) > Oade > D8 > da-20mkii > Turtle Beach s/pdif > soundforge > cdwav > shn | X |
| 06/14/97 | Dublin, Ireland | I, II | 2 | AKG 414 TL2 > Oade > SBM-1 > DA-302 > Turtle Beach Fiji(S/PDIF) > Sound forge4.0 > CDcue > CD > EAC > SHN > CDR | X | |
| 06/24/97 | Strasbourg, France | I, II | 3 | Schoeps CMC6/mk4v > SX-M2 > D8 > DA-302 > Turtle Beach Fiji(S/PDIF) > Sound forge4.0 > CDcue > CD > EAC > SHN > CDR | X | |
| 06/25/97 | Lille, France | I, II | 3 | Schoeps CMC6/mk4v > SX-M2 > DA-P1 > DA-302 > Turtle Beach Fiji(S/PDIF) > Sound forge4.0 > CDcue > CD > EAC > SHN > CDR | X | |
| 07/22/97 | Raleigh, NC | I, II | 2 | Disc II is on an 80 min CD | neumann km84i's > aerco just left of sbd > tascam da20 mkI I> za2 > wav > shn using soundforge and cdwav | X |
| 07/31/97 | Mountain View, CA | I, II | 3 | Schoeps MK5 cardioids > Oade Custom Pre-Amp > Sony SBM-1 At 44.1Khz > Tascam DA-20MKII > Turtle Beach Montego Home Studio > Soundforge 4.5 > SHN | X | |
| 11/17/97 | Denver, CO | I, II | 3 | Neumann KM184 > apogee > DA-P1 > Tascam DA/20 mkII > ZA2 > Sound Forge XP > CDRWIN > HP6020i | X | |
| 12/03/97 | Philadelphia, PA | I, II | 2 | Source info is listed as set II only | schoeps cmc6mk41/mk8 > oade m148 > sbm1 > dat > tascam da20mkII > rme 96/8 > cdwav > cool edit pro(digital matrixing) > cdwav(track splits+sector boundries set) > mkw > shn.(44.1) | X |
| 12/07/97 | Dayton, OH | I, II | 2 | SBD > DAT > CDR > EAC > SHN | X | |
| 12/11/97 | Rochester, NY | I, II | 2 | DSBD > DAT > CDR> EAC > SHN | X | |
| 12/12/97 | Albany, NY | I, II | 3 | Encores are on Planet Drum 12-31-99 disc I | Neumann U87 > Sonosax SX-M2 > DA-P1 DA20mkII > ZA2 > SoundForgeXP | |
| 12/13/97 | Albany, NY | I, II | 3 | B&K 4021 > Apogee AD1000 > Tascam DA20mkII > ZA2 > Soundforge XP | X | |
| 12/29/97 | New York, NY | I, II | 3 | FOB Neumann KM140 > MV100 > SBM-1 @ 44.1 Khz > Tascam DA-20 mkII > Apogee SPDIF > Audiophile 2496 >Sounforge 4.5 (minor edits) > CDWav > SHN via mkwACT 0.97 | X | |
| 12/30/97 | New York, NY | I, II | 3 | Best recording I've found of this night | Schoeps CMC641 > Apogee AD1000 > DAT > CDR | X |
| 12/30/97 | New York, NY | I, II | 3 | FOB Neumann KM140 > MV100 > SBM-1 @ 44.1 Khz > Tascam DA-20 mkII > Apogee SPDIF > Audiophile 2496 >Sounforge 4.5 (minor edits) > CDWav > SHN via mkwACT 0.97 | X | |
| 12/30/97 | New York, NY | I, II | 3 | Neumann U89 (hypercard) > Sonosax > SBM1 > DA-P1 @48K > Tascam DA-302 > Digipro 001 > Protools LE @48K, 48k > 44.1 (via protools) > CD Wave > MKW ACT > SHN | X | |
| 12/30/97 | New York, NY | I, II | 3 | Sneakin' Sally! | Schoeps CMC6/MK412 > DAT > ZEFIRO ZA2 > CDR | X |
| 04/02/98 | Nassau Coliseum | I, II | 3 | B&K 4021 > AD1000 > ? | ||
| 04/05/98 | Providence, RI | I, II | 3 | CMC641 > Sonosax SX-M2 > Tascam DA-P1 @44.1kHz > DAT Master; Sony PCM-2600 > Audioquest coax > Turtlebeach Fiji > Soundforge 4.5 > mkwAct 0.97b (seek tables appended) | X | |
| 07/01/98 | Copenhagen, Denmark | I, II | 2 | Schoeps > DAT > CDR880 | ||
| 07/02/98 | Copenhagen, Denmark | I, II | 2 | Schoeps MK4 (FOB; mics in a hat) > VMS IO2b > KCY > DA P1 > 1st gen clone > RME 96/8 > samplitude > CD Wave > MKW Act(shn) | X | |
| 07/15/98 | Portland, OR | I, II | 3 | Set I : Schoeps CMC64 > Lunatec V2 > DA-P1, Set II: Neumann KMi84 > Sonosax > SBM-1; Both: D7 > Coresound > Prodif Plus > Sampiltude 5.5 > CDwav > mkw > shn | X | |
| 08/08/98 | Columbia, MD | I, II | 2 | First Sweet Jane, Sabotage | Neumann KM184 > Oade->SBM-1 > DA-P1 @44.1 (except encore: Schoeps CMC641 > SX-M2 > AD500E > M1 @44.1) > DA-20 > Delta Dio 2496 > Soundforge 4.5 > CDWAV > SHN | X |
| 08/08/98 | Columbia, MD | I, II | 2 | First Sweet Jane, Sabotage | DSBD > DAT > HD > CD > EAC > SHN | X |
| 08/09/98 | Virginia Beach, VA | I, II | 3 | Terrapin Encore | DAT | |
| 08/15/98 | Limestone, ME | I, II, III, IV | 5 | Schoeps MK21 > VMS021B > SBM@44.1K > DAT > DAT > SPDIF > VX Pocket > Soundforge 5.0 (trim and fade sets only) > CDWAV1.53 > MKW0.97b > SHN w/seek tables appended | X | |
| 08/16/98 | Limestone, ME | Soundcheck | 1 | FM? | ||
| 10/15/98 | San Francisco, CA | I, II | 3 | Fillmore Show | AKG 414 (hyper) > Sonosax and AKG CK-61 caps > JK Labs DVC mixed into a Roland MX-5 > SBM-1 > DA-20 > Delta Dio 2496 > Soundforge 4.5 (48 > 44.1 resampling on highest accuracy setting with anti alias filter) > CDWAV > SHN | X |
| 10/17/98 | Mountain View, CA | All | 1 | Bridge School Benefit | (Unknown Schoeps) probably Schoeps CCM4 > Aerco > SBM > DAT > CD > EAC > WAV > MKW > SHNv3 | X |
| 10/18/98 | Mountain View, CA | All | 1 | Bridge School Benefit | Schoeps CCM4 > Aerco > SBM | X |
| 10/20/98 | New York, NY | All | 1 | Complete Sessions @ West 54th | soundboard > dat > cd > eac > mkACT(shn) | X |
| 10/30/98 | Las Vegas, NV | I, II | 2 | Schoeps CMC6/MK41 > Lunatec V2 > Sony PCM 300 > ZA2 | ||
| 10/31/98 | Las Vegas, NV | I, II, III | 4 | 'Loaded' Halloween Show | Schoeps CMC6/MK41 > Sonosax SX-M2 > Apogee AD-1000 @ 44.1 khz > S/PDIF, TB Fiji > CDR | |
| 11/02/98 | West Valley City, UT | I, II | 3 | Dark Side of the Moon | B&K4011 > Audio Magic Sorcerer Cables> Lunatec V2> Apogee AD1000 (Marc Nutter's rig) > Dat Clone > PC via Event Gina S/PDIF 48k resampled to 44.1k with Cool Edit Pro at maximum quality > CD > EAC > SHN > CDR | |
| 11/09/98 | Chicago, IL | I, II | 3 | OTS/DFC > B&K 4011's >Audio Magic Cables > V2* > A/D 1000 > Patch Bay > M1 > Fostex D5 > Stand Alone Cdr > EAC > Flac | X | |
| 11/28/98 | Worcester, MA | Soundcheck | 1 | DSBD | X | |
| 07/09/99 | Columbia, MD | I, II | 3 | Merriweather Post | DAT | |
| 07/17/99 | Volney, NY | I, II | 3 | Oswego Day 1 | Schoeps cmbi + mk2s > AD1000 15" spread 130 degrees FOB | |
| 07/24/99 | Alpine Valley | I, II | 2 | Disc II is on 80min CD | Schoeps M222 > mk4 > Lunatec V2 > Apogee AD1000 > HHB | |
| 07/25/99 | Noblesville, IN | I, II | 3 | Deer Creek | Schoeps CMC641 > Lunatec v2 > Graham Patten adc20 > dap1 | |
| 08/01/99 | Niigata, Japan | II | 2 | Fuji Rock Festival | DAT | |
| 09/16/99 | Mountain View, CA | I, II | 4 | Schoeps CMC64 > EAA PSP-2 > Apogee AD-1000 @ 48 > P1 | ||
| 09/16/99 | Mountain View, CA | I, II | 4 | FOB Schoeps CMB1+MK4v > SX-M2 > SBM-1 > D8 > Turtle Beach Fiji w/Digi I/O (S/PDIF) > WAV> SHN | X | |
| 09/17/99 | Mountain View, CA | I, II | 3 | w/Phil Lesh and Warren Hayes | DAT | |
| 09/17/99 | Mountain View, CA | I, II | 3 | DAUD (Schoeps M222 tubes/Mk4 > Elvo NT222 > HHB PortaDAT) > ZA2 (48 kHz to 44.1 kHz resampling) > HD > CDWav (track splitting) > shn | X | |
| 09/18/99 | Chula Vista, CA | I, II | 3 | AKG c1000s > za inbox > d7 > datport > cdr | ||
| 09/18/99 | Chula Vista, CA | I, II | 3 | Schoeps CMC6 + mk41 > Oade m148 > DA-P20 > Delta Dio 2496 > Soundforge 4.5 (48 > 44.1 resampling on highest accuracy setting w/anti alias filter) > CDWAV > SHN | X | |
| 09/25/99 | Houston, TX | I, II | 3 | AKG 480/ck63 > dmic-20 > dap1 > Panasonic 7502-b > DAT > Opcode DatPort > HD | ||
| 10/02/99 | Minneapolis, MN | 3 | Target Center | Schoeps CMC6MK4 > V2 > Graham Patten ADC20 > DAP1 | ||
| 10/09/99 | Albany, NY | I, II | 3 | Encore is on 12-28-90 disc 3 | AKG 480/ck63 > SBM-1 > DA-P1 | |
| 10/10/99 | Albany, NY | I, II | 3 | Encores are only thing on disc 3 | Schoeps 641 > V2 > AD620 > DA-P1 | |
| 12/03/99 | Cincinati, OH | I, II | 2 | Disc II is 80 min CD | Nakamichi 300 Guns > SBM-1 > D8 | |
| 12/07/99 | Portland, ME | I, II | 3 | Schoeps CMC641 > Lunatec V2 > Apogee > DAT > CDR > EAC > CDWAV > SHN | ||
| 12/08/99 | Portland, ME | I, II | 3 | B&K 4021 FOB > Lunatec V2 > DAT > ZA2 (48/44.1) > CEP (.wav) > .shn > CDR | ||
| 12/11/99 | Spectrum, Philly, PA | I, II | 2 | Disc II is 80 min CD | OTS Schoeps cmc6/mk41 > Apogee AD1000 > D8 | |
| 12/16/99 | Raleigh, NC | I, II | 2 | Fits on 2 discs with 1 80 min CD (encores at the end of disc I) | Phulcrum's Mystery Patch > Montego II DIGI I/O > GoldWave > SHN > CDR | |
| 12/17/99 | Hampton, VA | I, II | 3 | AKG 480/CK63 > Graham Patten DMIC-20 > Tascam DA-P1 | ||
| 12/18/99 | Hampton, VA | I, II | 3 | FOB Schoeps mk2h (in hat spaced 7") + kc 2.5 + cmc6 > Sonosax sx-m2 > HHb Portadat | ||
| 12/30/99 | Big Cypress, FL | All | 5 | Earthworks SR-77 > Lunatec V2 > ADC-20 > DA-P1 & M1 (concurrent) | ||
| 12/31/99 | Big Cypress, FL | All | 2 | Afternoon Set | B&K 4011 > Lunatec V2 > Apogee A/D 500 | |
| 12/31/99 | Big Cypress, FL | All | 10 | Afternoon and Midnight Sets | FOB Neumann U89 (omni Setting) Split 12' > Apogee AD1000 > DAT (44.1k master) > Montego II Plus > HD via Soundforge > CDWav > Plextor 820 | X |
| 12/31/99 | Big Cypress, FL | All | 8 | Midnight Set | Earthworks SR-77 > Lunatec V2 > ADC-20 > DA-P1 & M1 (concurrent) | |
| 05/15/00 | Radio | All | 1 | pre-FM > DAT > CDR | X | |
| 05/18/00 | Berkeley, CA | All | 1 | FM > MD? > SHN > CDR | ||
| 05/21/00 | New York, NY | I, II | 3 | Neumann u89 > Apogee AD1000 > Tascam DA-P1 > Awia HHB/pro > Datport > Soundforge 4.0xp > CDWav > SHN > CDR | ||
| 05/23/00 | New York, NY | I, II | 3 | Shoeps m222(tubes)/mk41 > nt222 > apogee ad-1000 > DA-P1 > Sony D8 w/OADE cable > da-20 MkII dat > audiowerk 2 digital PC card (48K > 44.1 resampled) > Logic Audio composer 3.6 > WAV > SHN > WAV > CDWAV > SHN (no DAE) | ||
| 05/23/00 | New York, NY | I, II | 3 | SBD > CD > EAC > WAV > Cool Edit Pro 2.1 > mkwACT > SHN (+Patch Source: Shoeps m222(tubes)/mk41) | X | |
| 06/13/00 | Nagoya, Japan | I, II | 3 | Schoeps MK4V->KC5->CMC6->Sonosax SX-M2->Apogee AD1000 @ 44.1 Khz > PC (S/PDIF, TB Fiji) > SHN [No DAE] | ||
| 06/23/00 | Atlanta, GA | I, II | 3 | AKG 480/ck63 > Graham Patten DMIC-20 > Tascam DA-P1 (44.1k) > Sony M1 > Prodif Plus > SoundForge XP 4.0 > CD Wave > SHN > CDR | ||
| 06/28/00 | Holmdel, NJ | I, II | 3 | Neumann ak40s > Neumann lc-3 active cables > Neumann km100s > Lunatec V2 > Audio Magic Presto II XLRs > Apogee AD-1000 > PCM-R500 > Audiomedia III/Powermac G3/233 > Pro Tools 4.3.2 > Panasonic 7502 (burn/extract) | ||
| 06/29/00 | Holmdel, NJ | I, II | 3 | Neumann ak40s > Neumann lc-3 active cables > Neumann km100s > Lunatec V2 > Audio Magic Presto II XLRs > Apogee AD-1000 > PCM-R500 > Audiomedia III/Powermac G3/233 > Pro Tools 4.3.2 > Panasonic 7502 (burn/extract) | X | |
| 07/06/00 | Toronto, Ontario | I, II | 3 | Schoeps MK64v's > Lunatec V2 > Apogee AD1000 > D8 > Sonic Sense Digital Coaxial Cable > Montego II > CD Wave Editor > SHN > CDR | ||
| 07/10/00 | Noblesville, IN | I, II | 3 | Schoeps CMC641 (Split 20') > Apogee AD-100 > DA-P1 > D8 (Taylor Caine's Rig) > D8 > CMI8738 SPDIF (44.1k) > WAV > CDWAV > SHN (no DAE) > CDR | ||
| 07/11/00 | Noblesville, IN | I, II | 3 | B&K 4011 > EAA PSP-2 > Sony SBM-1 > Sony M1 (Patch) > CDR > SHN > CDR | ||
| 07/12/00 | Noblesville, IN | I, II | 3 | Microtech Geffel M210s (hypercards) > Aerco > SBM-1 > Tascam DA-20 > PC via S/PDIF on-board > SoundForge 4.5 > CDWav | X | |
| 07/14/00 | Columbus, OH | I, II | 3 | Schoeps CCM4v > Lunatec V2 > SBM-1 > D8 | X | |
| 07/15/00 | Columbus, OH | I, II | 3 | Schoeps CMC64V > Sonosax SX-M2 > Graham Patton ADC-20 > DAT > Soundforge 4.5 > CDR | X | |
| 07/17/00 | Austin, TX | TV portion | 1 | Austin City Limits Broadcast | Satellite > (via analog input) > Fostex D-10 DAT > HHB 800 professional > EAC > SHN | X |
| 09/11/00 | Mansfield, MA | I, II | 3 | Neumann ak40s > neumann lc-3 active cables > neumann km100s > Lunatec V2 > Audio Magic Presto-II XLRs > ADC-20 > PCM-R500 > Audiomedia III/Powermac G3/233 > Pro Tools 4.3.2 > Plextor 12x/4x/32x (burn/extract) | X | |
| 09/17/00 | Columbia, MD | I, II | 3 | Microtech-Geffell M210 > Aerco Preamp > Sony SBM-M1 > Sony TCD-D8 > Zoltrix Nightingale > Sound Forge 4.5 > CDWav > WAV > SHN > CDR | ||
| 09/18/00 | Cuyahoga Falls, OH | I, II | 3 | Schoeps CMC641 > Canare Ownzyerass Cables > Apogee AD1000 DFC OTS (44.1 kHz) > Tascam DA-P1 > Audio Magic Presto II digi-cable > Opcode DATport > CDwav > Cool Edit v1.53 > SHN > CDR | ||
| 10/06/00 | Mountain View, CA | I, II | 3 | AKG 483 > V2 > ADC 20 > PCM1 > TASCAM 700 CDR > Sound Blaster Live Platinum > SHN > CDR | X | |
| 10/07/00 | Mountain View, CA | I, II | 3 | OTS Schoeps CMC641v > Lunatec V2 > Sonic AD2k @ 48k > Roach > SPDIF > Audiowerk2 > Waveburner @44.1k > Peak > Jam | X | |
| 12/31/02 | New York, NY | I, II, III | 3 | Schoeps M2224 1> Elvo NT222 > AD1000 > Dat > Panasonic SV 3800 > HHB CDR850 > EAC (secure mode) > WAV > SHN | X | |
| 01/02/03 | Hampton, VA | I, II | 3 | ? | X | |
| 01/03/03 | Hampton, VA | I, II | 3 | Schoeps MK41 > KCY > VM502IB > Apogee AD1000 > D8 | X | |
| 01/04/03 | Hampton, VA | I, II | 3 | Schoeps MK41 > KCY > VM502IB > Apogee AD1000 > D8 | X | |
| 02/14/03 | Los Angeles, CA | I, II | 2 | Schoeps MK4V/CMC6 > Lunatec V3@16/44.1 > S/PDIF > VX Pocket > .wav > .shn | X | |
| 02/15/03 | Las Vegas, NV | I, II | 2 | km140's > v2 > ad2k > p1 > rme96 > cdwav > shn3 | X | |
| 02/16/03 | Las Vegas, NV | I, II | 2 | km140's > v2 > ad2k > p1 > rme96 > cdwav > shn3 | X | |
| 02/18/03 | Denver, CO | I, II | 3 | km140's > v2 > ad2k > p1 > rme96 > cdwav > flac1.1 > WAV >SHN | X | |
| 02/20/03 | Chicago, IL | I, II | 3 | DAUD/FOB Schoeps MK4V (ORTF) > KC-5 Actives > CMC6 > Apogee Mini-Me > Sony TCD-D8 @ 44.1 kHz > Tascam DA-20MKii > RME DIGI96/8 PST > Samplitude v5.5 > CDwav > mkwACT v0.97 | X | |
| 02/21/03 | Cincinati, OH | I, II | 3 | DFC OTS Schoeps MK41 > M222 > ElvoNT222 > Grace Designs V3 > Apogee MiniMe > DA-P1@48K > D8 > Audiophile2496 > Samplitude@44.1 > MKWact | X | |
| 02/22/03 | Cincinati, OH | I, II | 3 | Schoeps CMC641 > Lunatec v3@44/16 > VX Pocket > .wav > .shn w/ seek tables | X | |
| 02/24/03 | East Rutherford, NJ | I, II | 3 | w/BB King | Audio Technica At825 > Mp2 > Adc-20(44.1) > Aiwa Hd-S1 > Sony D10 Pro > Audiophile 2496 > Cdwave > Shn | X |
| 02/25/03 | Philadelphia, PA | I, II | 3 | Schoeps CMC6/mk41's (DIN) > Lunatec V3 > D100 | X | |
| 02/26/03 | Worcester, MA | I, II | 3 | DFC 20cm @ 60 degrees AKG 393s > Mp2 > D7 > Edirol UA-1D > CDWav > mkw > shn | X | |
| 02/28/03 | Uniondale, NY | I, II | 3 | AKG 480/ck61 (90 degree XY) > DMIC-20 > D8@48kHz > Waveterminal 2496 > SF 4.5 > CDWav 1.52 > mkw .97 > flac v1.1.0 > WAV > SHN | X | |
| 03/01/03 | Greensboro, NC | I, II | 3 | FOB/DFC B&K 4022 > Mini-Me > DA-P1 @ 48k > D8 > VX Pocket > Soundforge > Downsampled to 44.1k > CDWav > shn | X | |
| 07/08/03 | Chula Vista, CA | I, II | 3 | Schoeps cmxy4v (@90o) > Sonosax SX-m2 > Apogee AD500e > D8 (@48) > D8 > Marantz cdr-615 > EAC > CDWAV > MKW | X | |
| 07/10/03 | Mountain View, CA | I, II | 3 | Oktava MC012 (cards, DIN, TS/DFC) > USBPre 1.5 > Sony Vaio PCG-FXA32 > Sound Forge 5.0 > 24-bit, 48khz WAV > Sound Forge 5.0 > 16-bit, 44.1khz WAV > CD Wave Editor > FLAC > SHNTOOL (fixed SBE's) | X | |
| 07/13/03 | George, WA | I, II | 3 | Oktava MC012 (cards, DIN, TS/DFC) > USBPre 1.5 > Sony Vaio PCG-FXA32 > Sound Forge 5.0 > 24-bit, 48khz WAV > Sound Forge 5.0 > 16-bit, 44.1khz WAV > CD Wave Editor > FLAC | X | |
| 07/15/03 | West Valley City, UT | I, II | 3 | AKG 461 > MP-2 > ADC-20 > D8 > Tascam DA-302 > SB Audigy 2 > CEP 1.2 > CDWave > .flac16 | X | |
| 07/17/03 | Bonner Springs, KS | I, II | 3 | AKG 461's > Sony M1 > Dio 2448 > Cool Edit 2k Pro > .Wav > .Shn | X | |
| 07/18/03 | East Troy, WI | I, II | 3 | mg300 > minime > wavelab (16/48 picturebook) | X | |
| 07/19/03 | East Troy, WI | I, II | 3 | mg300 > minime > wavelab (16/48 picturebook) | X | |
| 07/21/03 | Noblesville, IN | I, II | 3 | mg300 > minime > wavelab (16/48 picturebook) | X | |
| 07/25/03 | Charlotte, NC | I, II | 3 | AKG 480/ck61 > PS-2 > USBPre > Vaio PCG-SRX87 (16/44.1) > WaveLab 4.0 > CD Wave > mkwACT > .shn | X | |
| 07/26/03 | Atlanta, GA | I, II | 3 | AKG 480/ck61 > PS-2 > USBPre > Vaio PCG-SRX87 (16/44.1) > WaveLab 4.0 > CD Wave > mkwACT > .shn | X | |
| 07/27/03 | Raleigh, NC | I, II | 3 | AKG 480/ck61 > PS-2 > USBPre > Vaio PCG-SRX87 (16/44.1) > WaveLab 4.0 > CD Wave > mkwACT > .shn | X | |
| 07/31/03 | Camden, NJ | I, II | 3 | AT 4051a > AT 8202 > PS/2 > AD-20 > D100 > UA5 > Toshiba Satellite > SF6 > cdwave > shn | X | |
| 08/02/03 | Limestone, ME | I, II, III | 4 | It | 3 mic mix: Nak 300's 2 x cp-4 + 1 cp-2 > Presance ua-5 > d7 > edirol ua-1d > cdwav > mkwact (shn) | X |
| 08/03/03 | Limestone, ME | I, II, III | 4 | It | 3 mic mix: Nak 300's 2 x cp-4 + 1 cp-2 > Presance ua-5 > d7 > edirol ua-1d > cdwav > mkwact (shn) | X |
| 08/03/03 | Limestone, ME | All | 1 | It Tower Jam | Schoeps 21's > V2 > AD2K > D8 | X |
| 11/28/03 | Uniondale, NY | All | 3 | w/Dude of Life | [DFC/OTS] Neumann u89i (caridioid/DIN) > Lunatec v3 > Sonic AD2k+ > RME Multiface > Vaio > WaveLab > wav @24bit/96kHz > WaveLab > UV22HR (Dither to 16bit/44.1kHz) > wav > CDWave > wav > FLAC > Wave > SHNTOOL > CD WAVE > SHNv3 | X |
| 11/29/03 | Philadelphia, PA | All | 3 | w/Tom Marshall | FOB Schoeps CMXY4V > V3 @ 44.1 > PCMR500 > CDRW2000 > EAC > SHN | X |
| 12/01/03 | Albany, NY | All | 3 | w/Jeff Holdworth | Neumann Km184 > PS-2 > AD-20 (44.1 kHz) > PCM-M1 > PCM-R300 > DIO 2448 > Cool Edit Pro 2.0 > cdWave > mkw > shn | X |
| 12/02/03 | Boston, MA | All | 3 | Schoeps mk41 > kc5 > cmc6 > Lunatec V2 > AD2K+ > vx pocket > Toshiba 3490ct(24/48) > Vegas 3.0 > Soundforge (dithering and resample) > CDWav Editor > FLAC | X | |
| 12/28/03 | Miami, FL | All | 3 | ADK TL's (hyper) > Mogami XLR w/ Neutrik > AD1000 @ 44.1 > D8 > 7pin sony optical > zoltrix 6.0 > CDWave > SHN via MKWact | X | |
| 12/29/03 | Miami, FL | All | 3 | Cmc6/mk41v > V2 > MiniMe > Toshibaportege3440 (16/44.1) > flac | X | |
| 12/30/03 | Miami, FL | All | 3 | ; w/P Funk | Neumann u89i (caridioid/DIN) > Lunatec v3 > Sonic AD2k+ > RME Multiface > Vaio > WaveLab > wav @24bit/96kHz > WaveLab > UV22HR (Dither to 16bit/44.1kHz) > wav > CDWave > wav > FLAC | X |
| 12/31/03 | Miami, FL | All | 3 | Neumann AK50's (ortf) > LC3's >M100's > Lunatec V3 (44.1 khz) > DA-P1 > Sony D8 > M-Audio Audiophile 2496 > Soundforge 6.0 > CD Wav 1.71 > Flac Frontend | X | |
| 04/15/04 | Las Vegas, NV | All | 3 | Schoeps mk21 > kc5 > cmc6 > Lunatec V2 > AD2K+ > vx pocket > Toshiba 3490ct > Vegas 3.0 (24/48) > Wavelab (resample and uv22hr dither ) >CDwav Editor > FLAC | X | |
| 04/16/04 | Las Vegas, NV | All | 3 | Schoeps mk21 > kc5 > cmc6 > Lunatec V2 > AD2K+ > vx pocket > Toshiba 3490ct > Vegas 3.0 (24/48) > Wavelab (resample and uv22hr dither ) >CDwav Editor > FLAC | X | |
| 04/17/04 | Las Vegas, NV | All | 3 | BTP > Schoeps mk21's > Ortf Bar > Kc5 > Cmc6 > V2 > MiniMe (w/soft limit on) > Aes Out > M1 @ 48k > Fostex D5 > Zoltrix > Sound Forge 6.0 > 48 to 44.1 @ highest setting w/anti-alias filter > Cd Wave > Flac | X | |
| 06/17/04 | Brooklyn, NY | All | 3 | MK8/MK4v > KCY actives > VMS_5u > modSBM1 > JB3 > Wavelab4 w/ M-S matrix plugin > CDwave (tracks) > FLAC | X | |
| 06/18/04 | Brooklyn, NY | All | 3 | MK8/MK4v > KCY actives > VMS_5u > modSBM1 > JB3 > Wavelab4 w/ M-S matrix plugin > CDwave (tracks) > FLAC | X | |
| 06/19/04 | Saratoga Springs, NY | All | 3 | Neumann KM184 > Oade w-mod UA-5 (44.1 kHz) > optical > JB3 > firewire > Sound Forge 6.0 > cdWave > flac frontend > flac | X | |
| 06/20/04 | Saratoga Springs, NY | All | 3 | Schoeps mk41 > kc5 > cmc6 > Lunatec V2 > AD2K+ > vx pocket > Toshiba 3490ct > Vegas 3.0 (24/48) > Wavelab (resample and uv22hr dither) > cdwav editor > flac | X | |
| 06/21/04 | New York, NY | All | 1 | Marquee at Ed Sullivan Theater | Schoeps MK4 > KC5 actives > CMC5 > Sonosax SX-M2 > D100 > DAP1 > Echo Mia 2496 > CD Wave > flac | X |
| 06/23/04 | Noblesville, IN | All | 3 | Schoeps mk41 > kc5 > cmc6 > Lunatec V2 > AD2K+ > vx pocket > Toshiba 3490ct > Vegas 3.0 (24/48) > Wavelab (resample and uv22hr dither) > cdwav editor > flac | X | |
| 06/24/04 | Noblesville, IN | All | 3 | mg300 > v2 > minime > vx pocket > picturebook (24/48) > wavelab (24/48->16/44.1) > cdwav > flac | X | |
| 06/25/04 | East Troy, WI | All | 3 | Schoeps mk41 > kc5 > cmc6 > Lunatec V2 > AD2K+ > vx pocket > Toshiba 3490ct > Vegas 3.0 (24/48) > Wavelab (resample and uv22hr dither) > cdwav editor > flac | X | |
| 06/26/04 | East Troy, WI | All | 3 | mg300 > v2 > minime > vx pocket > picturebook (24/48) > wavelab (24/48->16/44.1) > cdwav > flac | X | |
| 08/09/04 | Hampton, VA | All | 3 | Oktava MK-012 > DMIC-20 (todd-mod, 44.1) > d8 > optical > ua-3 > soundforge 6.0 > CDWAV > flac | X | |
| 08/10/04 | Mansfield, MA | All | 2 | ADK TLs > V2 > modsbm-1 > NJB3 > Firewire > CD Wav ( for tracking) > FLAC Frontend (16/44.1hz) | X | |
| 08/11/04 | Mansfield, MA | All | 3 | AKG393's (Front Row OTS/Directly behind Paul) > Edirol UA-5 (Oade warm mod) -> NJB3 @ 44.1 Khz > Firewire > PC > CDWAV > Flac Frontend | X | |
| 08/12/04 | Camden, NJ | All | 3 | Neumann km150 > V3 > DA-P1 > D8 > Oade 7pin > Delta Dio 24/96 > Soundforge 6.0 (48>44.1) > CDWav > FLAC Frontend | X | |
| 08/13/04 | Coventry, VT | All | 1 | Soundcheck | SBD->FM(Bunny 92.1) > Sony Walkman with digital tuner (line out) > D8 @ 44.1 Khz > NJB3 > Firewire > PC > CDWAV > Flac Frontend | X |
| 08/14/04 | Coventry, VT | All | 5 | Microtech Gefell m210 > V2 > sbm-1 > d8@48kHz > Tascam DA-20 MKII > EgoSys Waveterminal U2A > Samplitude (48>44.1) > cdwav > MKWact | X | |
| 08/15/04 | Coventry, VT | All | 5 | Final show | Neumann ak40 > lc3 > km100 > Lunatec V3 > VX Pocket (24 Bit/48 Khz) > Samplitude 7.0 > FLAC v1.7.1 | X |
| OYSTERHEAD | ||||||
| 05/04/00 | New Orleans, LA | All | 2 | Trey, Les Claypool, Stewart Copeland | ORTF Neumann KM-140 > Lunatec V2 > Apogee AD-1000 > CDR > SHN | |
| 10/26/01 | Berkeley, CA | All | 2 | Trey, Les Claypool, Stewart Copeland | OTS, Neumann KM140 > Lunatec V2 > Apogee AD1000@44.1K > DAT Master > Digigram VX Pocket > Soundforge 5.0 (fades at beginning and end of set) > CDWAV 1.53 > MKW 0.97b > SHN | X |
| TREY ANASTASIO | ||||||
| 05/10/99 | Asheville, NC | I, II | 3 | DAT Aud > DigiXfr > HD > CDR > EAC > CDR > EAC > SHN | ||
| 02/21/01 | Boston, MA | I, II | 3 | Neumann Km140s > Luantec V2 > Sonic AD2K+>DAP1 | X | |
| 02/22/01 | Syracuse, NY | I, II | 3 | Schoeps CMC6/MK4v > Sonosax 64 > Apogee AD-1000 > Tascam DA-P1 > Sony TCD-D8 > Zoltrix Nightingale > Sound Forge 4.5 > CDWav > WAV > SHN | X | |
| 02/23/01 | New York, NY | I, II | 3 | DAUD/OTS Schoeps CMC6/mk41 > EAA PSP-2 > DAP1 @44.1k > Fostex D5 > Monster Optical > Sek'd Prodif Plus > Samplitude v5.5 > CD Wave > mkwACT v0.97 | X | |
| 02/26/01 | Cleveland, OH | I, II | 3 | Neumann TLM170r (Cardiods) > Lunatec V2 > Sonic AD2K+ > DAP1 > Sony PCM-R500 > Audio Magic Presto II > Delta Di0 2496 > Samplitude 2496 > cdwav > MKWact (SHN) | X | |
| 02/28/01 | Richmond, VA | I, II | 3 | Nuemann TLM170 (cardiod) > Apogee AD1000 > DA-P1 (48k) > SBlive (platinum) > CDWAV (Soundforge 4.5b) > SHN | X | |
| 03/02/01 | Asheville, NC | I, II | 3 | Neumann u89i (Cardiod, ORTF) > EAA-PSP2 (Set I @ 35dB, Set II @ 41dB) > Graham Patten ADC-20 > Sony PCM-M1 > Montego II S/PDIF > Cool Edit 2000/CDWav > SHN V3.0 | X | |
| 03/03/01 | Columbia, SC | I, II | 3 | Neumann AK40 (ortf) > LC3 > KM100 > Apogee AD1000 > Tascam DA-P1 > Sony D8 > SB Digital I/O2 > CDWave > mkwACT (shnV3) | X | |
| 07/04/01 | Winooski, VT | I, II | 3 | Schoeps cmc64(approx. 90deg) > EAA PSP-3 > Apogee AD-1000 @44.1kHz > R500 > Audio Magic Presto II > ZA2 > Soundforge 4.5 > CDWav > .shn | X | |
| 07/13/01 | Berkeley, CA | I, II | 3 | Neumann KM184 > Aeta PSP3 > Apogee AD1000(44.1kHz) > D8 > Delta 1010 > Sound Forge > CDWAV > SHN | X | |
| 07/14/01 | Berkeley, CA | I, II | 3 | Will fit on one 74min and one 80min | Neumann ak40s > neumann lc-3 active cables > neumann km100s > Lunatec V2 > Audio Magic Excalibur-II XLRs > Apogee AD-1000 > Tascam DA-P1 > Phillips CDR-880 > Plextor 12x/4x/32x (extract) > SoundEdit 16 (tracking) > Plexter 12x/4x/32x (burn/extract) | X |
| 07/18/01 | Morrison, CO | I, II | 3 | Offical SHN seed, with 7/17/01 filler | DSBD/AUD reference > 48KHz DAT > Protools > CD-R > lextor PX-W8432T > EAC > SHN v3 | X |
| 07/21/01 | East Troy, WI | I, II | 3 | Schoeps mk4v > kcy active cables > Schoeps VMS 02 IB > Audiomagic Excalibur-II RCAs > SBM-1 > PCM-M1 @ 48khz > PCM-M1 > Oade Active Cable > Sek'd Prodif Plus > Samplitude v5.5 (48>44.1) > CDWAV | ||
| 07/27/01 | Raleigh, NC | I, II | 3 | Neumann u89i (hyper) > EAA-PSP7 > Graham Pattern - ADC - 20 > DA-P1 > CDWAVE > CD > SHN | X | |
| 08/03/01 | Wantagh, NY | I, II | 3 | DAUD/FOB Schoeps mk4(ortf) > kc5 actives > cmc6 > Lunatec 316(+48dB) > DA-P1 @44.1kHz > 500 > Canare Coax > Digigram VX/Pocket > Soundforge 5.0 (Fade in/outs) > CD Wave > mkwACT v0.97 | X | |
| 08/05/01 | Saratoga Springs, NY | I, II | 3 | Schoeps mk641 (split 25') > E.A.A PSP-3 > AD-1000 > D8 > Coresound > Prodif Plus > Samplitude 5.5 > CDwav > MKW > SHN | X | |
| 05/21/02 | Seattle, WA | I, II | 2 | AKG C2000B > Rolls > D8 > dat/m > DA-20 > AP2496 > CE2k > CDWav 1.71 > mkw | X | |
| 05/24/02 | San Francisco, CA | I, II | 2 | Disc II is on an 80min CD | Schoeps CMC641V > Lunatec V2 > Benchmark AD2K+ @ 24/48 > S/PDIF >VX Pocket > Vegas Audio 2.0 > .wav > Soundforge 5.0 (fades, and resample to 44.1K at highest quality (4/4) with anti-aliasfilter > bit depth convert to 16 bit*) > CDWAV v.1.53 >mkw0.97b > .shn w/ seek tables appended | X |
| 05/26/02 | Angel's Camp, CA | All | 2 | Schoeps MK4V > KC5 > Lunatec V2 > Apogee AD1000 @ 44.1K > Master DAT > S/PDIF > VX Pocket > Soundforge 5.0 > fades&edits > CDWAV v.1.53 > mkw0.97b > Shn w/ seek tables appended | X | |
| 05/28/02 | San Diego, CA | I, II | 3 | Neumann KM150's(at front right corner of sbd) > Lunatec V2 > Apogee AD-1000 @44.1 > Sony D8 > Sony PCM-R300(master dat-coax) > Ego-sys waveterminal 2496 > Soundforge 4.5 > CD Wave > MKW 0.97b w/ seek tables appended | X | |
| 05/29/02 | Los Angeles, CA | I, II | 3 | Disc I is on an 80min CD | Neumann KM150's (at front left corner of sbd) > Lunatec V2 > Apogee AD-1000 @44.1 > Sony D8 > Sony PCM-R300 (master dat-coax) > Ego-sys waveterminal 2496 > Soundforge 4.5 > CD Wave > MKW 0.97b w/ seek tables appended | X |
| 05/31/02 | Las Vegas, NV | I, II | 3 | Neumann ak40's > lc-3ka > km100 > Oade 148 > AD-500e > D7 @48kHz > Prodigital Active > Prodif Plus > Samplitude 5.5 > CDWav > MKW > SHN | X | |
| 06/01/02 | Las Vegas, NV | I, II | 2 | Schoeps MK4V (ortf bar) > KC5 > CMC6 > Sonosax SX-M2 > Apogee AD1000 > D8 > Turtle Beach Fij i> CDWav > MKW > Shn | X | |
| 06/06/02 | Chicago, IL | I, II | 3 | Set I Neumann ak40's > LC-3KA > KM100 > Sonosax SX-M2 > AD-500e > D7 @48kHz; Set II Neumann ak40's > LC-3KA > KM100 > Oade m148 > AD-500e > D7 @ 48kHz > D7 > Prodigital Active > Prodif Plus > Samplitude 5.5 > CDWAV > MKW > SHN | X | |
| 06/14/02 | Manfield, MA | I, II | 3 | Disc I is on an 80min CD; Encore with Mike Gordon | Schoeps M22241 > Elvo NT222 > AD1000 > DAT > CD > WAV > SHN | X |
| 06/23/02 | Manchester, TN | I, II | 4 | Bonnaroo | Neumann ak40's (ortf) > lc-3 > km100 > Lunatec V2 > AD2k+ > P1 > D7 > Prodigital Active > Prodif Plus > Samplitude 5.5 > CDwav > MKW > SHN | X |
| 07/06/02 | Hinesburg, VT | All | 1 | Private Party; sitting in with Doctor Jones | DSBD > DAT > Audio CD > EAC > wav > mkw act > SHN | X |
| 10/22/02 | Burlington, VT | I, II | 3 | Neumann U89's (Hyper setting) > Aeta PSP 3 > Apogee AD1000 > DAP1 > D8 > Oade Active 7-pin Cable > Delta DiO 2496 S/PDIF > CDWAv > WAV > SHN | X | |
| 10/24/02 | Portland, ME | I, II | 3 | schoeps mk4 > kc5 > cmc6 > Apogee AD1000 > Nomadj3@44.1kHz > nomadj3 > usb > creative play center > cd wav editor > mkw > shn | X | |
| 05/26/03 | New York, NY | I, II | 3 | Schoeps mk4v > kc5 > cmc6 > Lunatec V2 > AD2K+ > DAP-1 > Sony R500 > Delta 2496 > CDWAV Edito r >MKW | X | |
| 05/27/03 | New York, NY | Schoeps mk4v > kc5 > cmc6 > Lunatec V2 > AD2K+ > DAP-1 > Sony R500 > Delta 2496 > CDWAV Edito r >MKW | X | |||
| 05/28/03 | Philadelphia, PA | Schoeps mk4v > kc5 > cmc6 > Lunatec V2 > AD2K+ > DAP-1 > Sony R500 > Delta 2496 > CDWAV Edito r >MKW | X | |||
| 06/02/03 | Denver, CO | I, II | Neumann u89 (DIN, hypercard) > Lunatec V3 > GP-DA14 > FLAC | X | ||
| 06/07/03 | Burlington, VT | I, II | Schoeps mk4v > kc5 > cmc6 > Lunatec V2 > AD2K+ > DAP-1 > Sony R500 > Delta 2496 > CDWAV Edito r >MKW | X | ||
| 06/08/03 | Burlington, VT | I, II | Schoeps mk4v > kc5 > cmc6 > Lunatec V2 > AD2K+ > DAP-1 > Sony R500 > Delta 2496 > CDWAV Edito r >MKW | X | ||
| VIDA BLUE | ||||||
| 12/31/01 | New York, NY | All | 2 | Neumann TLM 170r (hypers) > Apogee AD1000 (@48) > D7 > Panasonic SV-3700 > ZA2 > Sound Forge 4.5 > CDWav > MKW (.shn) | X | |
| 07/24/02 | New York, NY | All | 2 | Encore with Mike Gordon | AKG se300b ck93 hypercardiod capsules > AKG b18s xlr-in/xlr-out > Denecke AD20 xlr-in/optical-out > Sony PCM-M1 7-pin dig in > TCDM-1 7 pin / optical > Mididman Co2 optical / spdif > SB Live Drive spdif digital > CDwav Record and Index > Mkw (shn seek append) | X |
| MIKE GORDON & LEO KOTTKE | ||||||
| 11/06/02 | Cambridge, MA | All | 2 | schoeps mk4v > kc5 > cmc6 > V2 > AD2K > da-p1@44.1kHz > dat clone in tascam da-20mkII > rmedigi96/8pst > CDWavEditor > mkw.97 > shn | X | |
| 11/12/02 | Atlanta, GA | All | 2 | Oade Bros. Micro Mics > Sony PCM-M1 DAT > ? > CDR > SHN | X | |
| 11/19/02 | Boulder, CO | All | 2 | fob km140's > mp2 > 500e > p420 > cdwav > shn3 | X | |
| MIKE GORDON BAND | ||||||
| 10/10/03 | Chicago, IL | All | 2 | Schoeps > MK4 > KC5 > CMC6 > Apogee Mini ME > D8 > Prodif Plus > Samplitude 5.5 > CDWAV > FLAC | X | |
| GRATEFUL DEAD | ||||||
| 02/23/63 | Palo Alto, CA | All? | 1 | Wildwood Boys (on d3 of Phish 6-23-00) | audience master reel > reel > FM > cassette > DAT > CD > SHN > CDR | |
| 07/01/66 | San Francisco, CA | p? | 1 | MSR > DAT > CDR > EAC(secure) > mkwact > SHN(seekable) | X | |
| 07/16/66 | San Francisco, CA | All? | 1 | Missing Midnight Hour | SBD > GDH Pre FM > CD > EAC > CD | X |
| 07/17/66 | San Francisco, CA | All? | 1 | With 7-16-66 on an 80min CD | SBD > GDH Pre FM > CD > EAC > CD | X |
| 01/22/68 | Seattle, Washington | All | 1 | SBD > MR > DAT > CD | X | |
| 03/30/68 | San Francisco, CA | All? | 1 | AUD > MR > D > PCM > D > CD > EAC > SHN | X | |
| 08/26/68 | San Francisco, CA | p? | 1 | S > ? > Latvala's Reel > PCM > CDr > EAC > CDr | X | |
| 10/30/68 | San Francisco, CA | All? | 3 | Mickey and the Hartbeats | Digitized from First Generation Reels -- Analog To Digital using a Revox A-77 Reel 2 Reel > Alesis Masterlink ML-9600 (24 bit sampled @ 96k) > 16 bit @ 44.1k downsample to CD>EAC>SHN | X |
| 12/20/68 | Los Angeles, CA | p | 1 | Soundboard cassette master > cassette > DAT/0 > CDR/0 > CDR/1 > iMac > SHN | X | |
| 01/24/69 | San Francisco, CA | I? | 1 | Missing Dark Star, Lovelight | MSR > C > DAT > CD > SHN > CDR | X |
| 01/25/69 | San Francisco, CA | All? | 1 | Goodnight cut | MSR > C > DAT > CD > SHN > CDR | X |
| 2/7/1969a | Pittsburg, PA | All? | 1 | SBD > MC (Bear Owsley) > DAT (Rob Eaton) > (Jim Wise) HHb > CDR > EAC (secure) > CD WAV > Cool Edit Pro > SHN (seekable) | X | |
| 03/02/69 | San Francisco, CA | Ip | 1 | missing Doin That Rag | SBDMR > DAT > CD | |
| 06/27/69 | Santa Rosa, CA | All? | 2 | Disc I is filler on 80min CD of 03-02-69 | SBD Reel > ? > cassette (Latvala) > CDR | |
| 08/23/69 | St Helen's, OR | All? | 2 | SBDMC (Bear's) > Dick's C > DAT > CDR | X | |
| 09/07/69 | San Francisco, CA | All | 1 | SBD > MR > DAT > CD | ||
| 09/29/69a | New York, NY | Early Show | 1 | may be wrong date | A:? > Ree l> DAT > ZA2 > DiamondCut Noise Reduction > CD | |
| 09/30/69a | New York, NY | Early Show | 1 | may be out of order | A:? > Cass X 2 > XLR into SV-3700 > ZA2 > SoundForge Noise Reduction > CDR | |
| 11/02/69 | San Francisco, CA | All | 1 | MReel > c1 > dat > turtle bch "Fiji" > SHN | X | |
| 01/02/70b | New York, NY | All? | 1 | SBD > ? > SHN | X | |
| 02/11/70 | New York, NY | Early and Late Shows? | 2 | DeadBase only lists one show this night | MSR > DATs > CDRs > EAC> SHN > CDR | |
| 05/06/70 | Cambridge, MA | All | 1 | Free concert to protest Kent State killings | MSR (MIT Reels) 1/2 Track Mono > Otari MX 55 2 track (playback) > TC 2000 Studio Effects Processor > Sonic Solutions > CD (using Sony SBM 2) > EAC > SHN > CDR | |
| 05/15/70a | Fillmore East, NY | Acoustic + Electric | 2 | w/NRPS partial | SBD > DAT > Cass > CDR | |
| 05/15/70b | Fillmore East, NY | Acoustic + Electric | 3 | w/NRPS partial | SBD > DAT > Cass > CDR | |
| 06/07/70 | San Francisco, CA | Acoustic + Electric | 2 | on 1 74min and 1 80min CD | MR > Cass > DAT > ZA2 > CDR > EAC > SHN > CDR | |
| 09/19/70 | Fillmore East, NY | IIp | 1 | Dark Star > Lovelight | SBD > Reel(0) > DAT > Mac (via Lucid PCI24) > CDR | |
| 02/18/71 | Port Chester, NY | I, II | 3 | SBD > Dolby A Reel > Dolby A decode > DAT > Sound Forge NR > CDR | ||
| 03/14/71 | Madison, WI | p? | 2 | Sbd > MR > Dat > CD > Kenwood TrueX > EAC(range/high/secure) > CDWav(split) > shn V3 | X | |
| 04/17/71 | Princeton, NJ | II | 2 | Lots of room on disc 2 | SBDR > DAT > ZA2 > CDR | |
| 04/29/71 | Fillmore East, NYC | I, II | 4 | MR > R > DAT > CDR | ||
| 08/15/71 | Berkeley, CA | I, II | 2 | MSDBR > cass > DAT > Serafin digital editing > CDR | ||
| 10/24/71 | Detroit, MI | All | 2 | Candyman cut | Master Soundboard Reel > Cassette > DAT > CDR > SHN > CDR | X |
| 12/31/71 | Winterland | I, II | 3 | FMS > reel > DAT > CDR | ||
| 04/08/72 | London, England | IIp | 1 | Dark Star > Saturday Night | SBD > Unknown Analog Source(s) > DAT > Mac (via Lucid PCI24) > CDR | |
| 05/04/72 | Paris, France | I, II | 4 | SBD > reel > DAT > CDR | ||
| 05/07/72 | Wigan, England | IIp | 1 | Dark Star > Saturday Night | MSR > Cassette > DAT > CDR > EAC > SHN | |
| 05/25/72 | London, England | IIp | 1 | UJB > Sugar Magnolia | MSBDR > 2 casstte gens > DAT > CDR | |
| 08/21/72 | Berkeley, CA | I, II | 3 | S:MR > PCM > DAT > CD > EAC > SHN | ||
| 08/27/72 | Veneta, OR | I, II, III | 3 | SBD MR > DAT > CDR > EAC > SHN | ||
| 09/09/72 | Hollywood, CA | I, II | 3 | SBDmR > Cass > D > CDR | ||
| 09/30/72 | Washington, DC | I, II | 3 | Splices in Rider and Playin'. Missing OMSN encore. Light left channel static (master reel flaw) in a few segments of He’s Gone and Sing Me Back Home | SBD > MSR > C > DAT > CD | X |
| 02/19/73 | Chicago, IL | Iip | 1 | Other One cut at the end (apparently on master) | SBD > MC > C > DAT > CDR > WAV > SHN | X |
| 03/16/73 | Uniondale, NY | I, II | 3 | Set 1: Betty MSR > PCM > DAT > CDR > EAC > SHN > CDR; Set 2: MSR > Reel > DAT > CD > EAC > SHN > CDR | ||
| 03/28/73 | Springfield, MA | IIp | 1 | Weather Report > JBG | MSR > DATs > CDRs > EAC > SHN > CDR | |
| 04/02/73 | Boston, MA | I, II | 3 | From David Gans discs | Master 7.5 ips 2 Track reel > DAT > DAT > SONIC SOLUTIONS > CD > CD > EAC[secure] > SHN | X |
| 05/26/73 | San Francisco, CA | I, II, III | 3 | Misssing Casey Jones encore | SBD > REEL > PCM > DAT > DIGI I/O > WAV | X |
| 09/11/73 | Williamsburg, VA | I, II | 3 | Vault Leak | ||
| 10/25/73 | Madison, WI | IIp | 1 | China Cat > Stella Blue | SBD > Unknown Analog Generation(s) > DAT > Mac (via Lucid PCI25) > CDR | |
| 02/24/74 | Winterland Arena, SF | I, II | 3 | SBD > Master Reel > PCM > DAT | ||
| 05/19/74 | Portland, OR | I, II | 3 | Missing Tennessee Jed > El Paso, Ship of Fools | SBDMR > DAT > CD > EAC > SHN > CDR | |
| 06/16/74 | Des Moines, IA | I, II, III | 4 | SBDMR > DAT > CD > EAC > SHN | X | |
| 06/30/74 | Springfield, MA | I, II | 3 | SBD > MR > DATx3 > Cassette > DATx2 > ZA2 > CDR | ||
| 07/19/74 | Fresno, CA | IIp | 1 | He's Gone > China Doll | MR > DAT > CDR (Gans) | |
| 07/29/74 | Landover, MD | 3 | S:MR > DAT > CD > TAE > SHN > CDR | |||
| 10/17/74 | Winterland, SF | I, II | 2 | Show is on 2 80 min CDs, missing Sugar Mags and encores | MSR > ? > DAT > Tascam DA-P1 > WaveCenter/PCI (S/PDIF) > Peak > Jam > CDR | |
| 10/18/74 | Winterland, SF | II | 1 | SDBMR > PCM > DAT > CDR | ||
| 10/19/74 | Winterland, SF | I, II | 3 | SBDR > DAT > CDR | ||
| 10/20/74 | Winterland, SF | I, II, III | 3 | AUD? > ? > DAT > CDR | ||
| 06/17/75 | Winterland, SF | I, II | 2 | Sony ECM-280 mics > Sony TC-152 SD cassette > playback on Nak Dragon > DAT > CD > EAC > SHM > CDR | ||
| 06/15/76 | New York, NY | I, II | 3 | SBD > Master Reel > PCM > DAT > WAV (via TB Fiji S/PDIF) > SHN > CDR | ||
| 06/18/76 | Passaic, NJ | I, II | 3 | ACM > C > DAT > CDR > EAC(secure) > Cool Edit (fix digital errors) > Pitch > Correction > tracking > mkwact | X | |
| 06/19/76 | Passaic, NJ | I, II | 3 | Missing E: NFA | FM > ? > DAT > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > | X |
| 07/17/76 | San Francisco, CA | I, II | 2 | Show is on 1 80 min CD and 1 74 min CD | SBD Master Reel > DAT > CD > SHN > CDR | |
| 10/09/76 | Oakland, CA | II | 1 | GDH PreFM DAT > ZA2 > CD > EAC > SHN | ||
| 03/19/77 | Winterland, SF | I, II | 3 | SBD > MR > DAT > DAT > Sonic Solutions > CDR | ||
| 05/05/77 | New Haven, CT | I, II | 3 | 7" 2-track BBD reel w/DBX-1 @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > Panasonic SV-3700 @ 48 kHz > Db 924 96kHz/24bit D/A > Dolby 361 module w/ DBX K9-22 cards(DBX decoded) > Db 1225 96kHz/24bit A/D >Db 3000s noise shaper/SBM > Panasonic SV-4100 > Panasonic SV-3700 > Sony PCM-R300 > Sony PCM-R300 > Tascam DA-20mkII > Delta DiO 2448 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV > MKW Audio Compression Tool v0.97b1 (no DAE) | X | |
| 05/19/77 | Atlanta, GA | I, II | 3 | SBDMR > CASS/1 > PCM BETA > DAT > EAC > SHN | ||
| 05/21/77 | Lakeland, FL | I, II | 2 | SDB > Reel > DAT > CDR | ||
| 05/25/77 | Richmond, VA | I, II | 3 | SDB > MR > DAT > CDR > SHN > CDR | X | |
| 10/29/77 | DeKalb, IL | I, II | 3 | SBD > Reel > DAT > WAV (via TB Fiji S/PDIF) > CDR | ||
| 11/06/77 | Binghamton, NY | I, II | 3 | Reel > DAT > CDR > EAC > Shorten 32 | X | |
| 01/31/78 | Chicago, IL | II | 2 | SBDMR > Cass > DAT > CDR > EAC > SHN | ||
| 02/05/78 | Cedar Falls, IA | I, II | 3 | MSR > CASS > DAT > CDR > SHN > CDR | ||
| 04/16/78 | Huntington, WV | I, II | 2 | SBD > R2R > PCM > DAT > CDR > SHN > CDR | ||
| 05/05/78 | Hanover, NH | I, II | 3 | Sony ECM-99A's>Sony TC-152 > Master Audience Cass > DAT's > prodif+ card>hard drive>cdwav > shntool (pad zeros @ end of sets to have complete sectors) >mkw (seekable) | X | |
| 05/13/78 | Philly, PA | I, II | 3 | Sony ECM33P7 + AKGD1000E > Teac PC-10 > Master Audience Cass > DAT's > Tascam DA-P1 dat @48 > Sek'd Prodif+ Card (resampled to 44.1) > Sek'd Red Roaster (edits*) > Cdwav > Mkw | X | |
| 07/07/78 | Morrison, CO | I ,II | 3 | Red Rocks | SBD > MR > ? > DAT > CDR | |
| 07/08/78 | Morrison, CO | I, II | 3 | Red Rocks | SDB > DAT > CDR | |
| 12/19/78 | Jackson, MS | I, II | 3 | FOB AUD Sony 540 > Sony TC158 > DAT > SoundForge > CDR > EAC > SHN | ||
| 05/09/79 | Binghampton, NY | I, II | 3 | FOB Naks > Teac PC-10 (cassette master) > DAT x2 > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (tracking, downsampling [Set II only]) > WAV > SHN (no extraction) | X | |
| 05/11/79 | Billerica, MA | I, II | 3 | FOB Sony ECM 280's > cassette master > 48k DAT > DA20 mkII > Audiowerk2 > Waveburner > Peak > Jam > Plex 8/2/20 (on-the-fly card resampling) > SHN | ||
| 01/13/80 | Oakland, CA | All | 2 | sbd > mr > dats > wav > shn | ||
| 05/16/81 | Ithaca, NY | I, II | 3 | Senn 421 > Sony TC-D5 (way up high on a mic boom stand right at the Soundboard). Maxell XL-II, Dolby B master > Nak Dragon > hard disk (a > d using a Sony PCM R-700) > CDR > SHN > CDR | X | |
| 12/31/81 | Oakland, CA | I, II, III, IV | 4 | Master Reels > cass > DAT > CDR | ||
| 08/10/82 | Iowa City, IA | I, II | 3 | SBD > Master Cassette > DAT > WAV (via TB Fiji S/PDIF) > SHN > CDR | ||
| 05/14/83 | Berkeley, CA | I, II | 2 | very end of Bertha cut | Sennheiser 441 FOB > 3800 > Montego II Plus@44k > HD via Soundforge > CDWav | |
| 03/01/87 | Oakland, CA | I, II | 3 | SBD > MC > DAT > SF > CDR | X | |
| 04/11/87 | Chicago, IL | I, II | 2 | ? | ||
| 06/19/87 | Berkeley, CA | I, II | 3 | Master Soundboard Cassette> DAT> CDR | X | |
| 06/20/87 | Berkeley, CA | I, II | 3 | Master Soundboard Cassette> DAT> CDR | X | |
| 08/11/87 | Morrison, CO | I, II | 2 | SBD > PCM > CD > EAC > SHN (Grateful Dead Hour Pre-FM Discs) | X | |
| xx-xx-88 | Unknown | N/A | 1 | "Inn By the Sea" tape; studio sessions | SBD > DAT > CT > CD > EAC > SHN | X |
| 07/02/88 | Oxford, ME | I, II | 3 | DTS 5.1 mix | FOB Schoeps CMC42s (8ft. spaced omni) > PCM F1/SL2000, then PCM 601ES > DAT > CDR + SBD > Dat > Sonic Solutions > CDR | X |
| 07/15/88 | Berkeley, CA | I, II | 3 | SBD/AUD > ? > DAT > ? > CD > SHN (Patch = Aud PCM Master >Sony PCM 601ES > RME Hammerfall > Soundforge 4.5/CD Architect > CDR > Shn) | X | |
| 07/16/88 | Berkeley, CA | I, II | 3 | SBD/AUD > ? > DAT > ? > CD > SHN | X | |
| 07/17/88 | Berkeley, CA | I, II | 3 | SBD/AUD > ? > DAT > ? > CD > SHN | X | |
| 12/28/88 | Oakland, CA | I, II | 2 | On 2 80min CDs | Vault / FM ? > DAT(44.1) > Gina > CDR | |
| 12/29/88 | Oakland, CA | I, II | 3 | sbd > dats > wave > shn | X | |
| 02/10/89 | Inglewood, CA | I, II | 3 | Master Cassette SBD > DAT(Fostex D-10 playback) > CD-R (hhb800 standalone) > EAC 0.9 >SHN (via MKWACT) | X | |
| 02/11/89 | Inglewood, CA | I, II | 3 | SBD > MC > DAT > CDR > EAC (secure) > CD WAV > SHN (seekable) | X | |
| 10/22/89 | Charlottle, NC | I, II | 3 | SBD > ? > CD > EAC > SHN (EAC) | X | |
| 02/26/90 | Oakland, CA | I, II | 3 | SDB > D100 > Montego II > CD > HD via EAC > SHN > CDR | ||
| 06/09/90 | Sacramento, CA | I, II | 3 | SBD (Matrix) > DAT > CDR > WAV > SHN | X | |
| 06/23/90 | Eugene, OR | I, II | 3 | SBD(matrix) > Cm > Dat > Samplitude > CD | X | |
| 07/23/90 | Tinley Park, IL | I, II | 3 | Brent's last show | sbd > dat > cd > shn | X |
| 10/28/90 | Paris, France | I, II | 3 | SB DATx3 > Sony M-1 > Midiman Optical > SPDIF SB Platinum > CoolEdit > CDWav > SHN > shntool | X | |
| 12/12/90 | Denver, CO | I, II | 3 | S:D > CDR > (eac'd)SHN | X | |
| 03/21/91 | Landover, MD | I, II | 2 | Slight cut in NFA | SBD > DAT > ZA2 > SHN > CDR | |
| 06/28/91 | Denver, CO | I, II | 3 | SBD > Dat > Samplitude > CD | X | |
| 09/08/91 | New York, NY | I, II | 3 | DSBD > DAT > CD > SHN > CDR | ||
| 09/10/91 | New York, NY | I, II | 3 | whole show w/Branford Marsalis | DSBD > DATs > CDRs > EAC > SHN | X |
| 09/24/91 | Boston, MA | I, II | 3 | SBD > Dat x 3 > Tascam DA20 > CD (Tascam CDRW700) > EAC > Samplitude v7.02 Professional > SHN | X | |
| 05/31/92 | Las Vegas, NV | I, II | 3 | SBD > DAT > SONY D8 (S/PDIF) > HD > SHN > CDR | ||
| 01/24/93 | Oakland, CA | I, II | 3 | My first show | SBD > DAT > C > DAT > CDR | X |
| 01/26/93 | Oakland, CA | I, II | 3 | SBD > Dat > Cassette Master > Dat > CD > EAC > SHN | X | |
| 01/26/93 | Oakland, CA | I, II | 3 | AUD > DAT @48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > CDR | X | |
| 02/21/93 | Oakland, CA | I, II | 2 | first Lazy River Road, Eternity, Liberty - On 1 80 min and 1 74 disc | FOB (mics unknown) > DAT @ 48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > downsampled to 44.1k/normalized to 98% > CDR | X |
| 08/25/93 | Mountain View, CA | I, II | 3 | SBD > ?? > DAT > CDR > EAC (secure) > CD WAV > Cool Edit Pro > SHN (seekable) | X | |
| 08/27/93 | Mountain View, CA | I, II | 2 | Two 80min CDs | SBD > CM > CDR > EAC (secure) > CD WAV > Cool Edit Pro > SHN (seekable) | X |
| 06/23/93 | Noblesville, IN | I, II | 3 | FOB AMS ST-250 (cardioid) > Modified D-10 Pro | ||
| 09/22/93 | New York, NY | I, II | 3 | AMS ST-250 run Blumlein on stand both sets at 6"3' > Panasonic SV 255 > Sony PCM-M1 > Oade 7pin/coax active cable > Midi-Man CO2 S/PDIF format converter (coax to toslink) > Zoltrix Nightengale > Cool Edit 2000 (also used for 48k to 44.1k downsample) > tracked with CD-WAV. Encoded to SHN via MKW-ACT. | X | |
| 02/25/94 | Oakland, CA | I, II | 3 | FOB (unknown mics) > DAT > ascam DA-20 > Harmon Kardon stand alone burner > Tascam CDRW700 | X | |
| 02/26/94 | Oakland, CA | I, II | 3 | FOB (unknown mics) > DAT > ascam DA-20 > Harmon Kardon stand alone burner > Tascam CDRW700 | X | |
| 06/24/94 | Las Vegas, NV | I, II | 3 | Senn K3U mics w/ ME80 capsules > Master DAT > CD > EAC > CD Wave > mkwACT > SHN | X | |
| 06/25/94 | Las Vegas, NV | I, II | 3 | SBD > DAT > CDR > EAC > WAV > CDWAV > SHN | X | |
| 06/26/94 | Las Vegas, NV | I, II | 3 | End of Dew cut, missing encore; fixed version | SBD > CASSETTE > DAT @48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > CDR | X |
| 07/23/94 | Chicago, IL | I, II | 3 | FOB [15th Row] Schoeps (Unknown Model) > DAT | ||
| 07/31/94 | Auburn Hills, MI | I, II | 3 | DSBD > CDR > EAC > SHN | X | |
| 09/16/94 | Mountain View, CA | I, II | 3 | AKG C61 Tube mics > DAT @48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction) | X | |
| 09/18/94 | Mountain View, CA | I, II | 3 | Nak 300's > Aiwa DAT > CDR > WAV > SHNv3 | X | |
| 12/08/94 | Oakland, CA | I, II | 3 | KM-140s > DAT Master > Tascam CD-RW700 > CD | X | |
| 12/09/94 | Oakland, CA | I, II | 3 | SBD > Dat > CD | X | |
| 12/11/94 | Oakland, CA | I, II | 3 | SDB > DAT > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > CDR | X | |
| 12/12/94 | Oakland, CA | I, II | 3 | AUD(Schoeps MK4s) > DAT > CDR > WAV > SHNv3 | X | |
| 12/15/94 | Los Angeles, CA | I, II | 3 | AKG 460B + CK8 > D3 @48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > CDR | X | |
| 12/16/94 | Los Angeles, CA | I, II | 3 | AUD (Nak 300 Shotguns) > Aiwa DAT > CDR > WAV > SHNv3 | X | |
| 12/18/94 | Los Angeles, CA | I, II | 3 | AKG 460B + CK8 > D3 @48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > CDR | X | |
| 12/19/94 | Los Angeles, CA | I, II | 3 | Schoeps MK-4 > DAT @48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction) | X | |
| 12/19/94 | Los Angeles, CA | I, II | 3 | DATSBD > Cass. > DAT > Cass. > CDR > EAC > Cool Edit Pro (Pitch & Patch w/Schoeps MK-4) > CDWAV > mkwact > SHN (seekable) | X | |
| 02/20/95 | Salt Lake City, UT | I, II | 3 | SBD > D > CD-R > EAC >SHN | X | |
| 02/21/95 | Salt Lake City, UT | I, II | 3 | SBD > D > CD-R > EAC >SHN | X | |
| 02/24/95 | Oakland, CA | I, II | 3 | AT 4071 > DAT @48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/normalizing) > WAV > SHN (no extraction) | X | |
| 02/25/95 | Oakland, CA | I, II | 3 | Unknown Mics > DAT @48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/normalizing) > WAV > SHN (no extraction) | X | |
| 02/26/95 | Oakland, CA | I, II | 3 | Unknown Mics > DAT @48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling) > WAV > SHN (no extraction) | X | |
| 03/18/95 | Philly, PA | I, II | 2 | SBD CD > EAC > WAV > SHN > CD | X | |
| 03/19/95 | Philly, PA | I, II | 2 | first Unbroken Chain | Schoeps MK41 (F.O.B.) > DAT @ 48KHz > ZA2 (48244) > SHN | X |
| 03/23/95 | Charlotte, NC | I, II | 3 | Set 1: SBD -> Dat > Cassette Master > Dat (44.1k), Set 2: SBD > Dat (44.1k); Dat (Sony R500) > SEK'D Prodif Plus > Samplitude v7.02 Professional > FLAC | X | |
| 05/25/95 | Seattle, WA | I, II | 3 | Nakamichi 300 mics (CP-4 capsule) > Sony D-7 DAT > ZA2 > Cool Edit Pro > Sound Forge > Memorex CRW-1622 > EAC > WAV > mkwACT.97beta > SHN | X | |
| 05/26/95 | Seattle, WA | I, II | 3 | SBD > DAT > Cass/1 > DAT > Montego II S/PDIF > CDWav > SHNv3 | X | |
| 06/02/95 | Mountain View, CA | I, II | 2 | w/Gyutu Monks | SBD > DAT > Boot CD | |
| 06/04/95 | Mountain View, CA | I, II | 3 | Sbd > C(x?) > CD | X | |
| 06/04/95 | Mountain View, CA | I, II | 3 | Different source spliced in at NFA that continues through Brokedown | AKG522 > DAT > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV > SHN (no extraction) | X |
| THE DEAD | ||||||
| 02/14/03 | San Francisco, CA | I, II | 3 | w/Sammy Hagar, Warrren Haynes, Joan Osborne, and Michael Kang | AKG c1ooos (hypercardiod caps) > samson mixpad 4 > vxpocket v2 > cooledit 2k (2352-byte boundary alignment, minor clip fixes at end of show "climax" peak, two drops patched as detailed below) > shn via shn2k, verified w/ shntool | X |
| 02/14/03 | San Francisco, CA | I, II | 3 | Fixed SBD version | DSBD > SHN | X |
| 06/15/03 | Manchester, TN | I, II | 3 | Bonnaroo | DPA4023 (ORTF) > Lunatec V3 > D8 > DA20mkii > TB Fiji > SF5 > CDWave > mkwACT | X |
| 06/27/03b | Philadelphia, PA | All | 1 | Post Tweeter jam with Rusted Root; benefit for Chris Schlemmer | AKG460+ck61 > ps2 > Zefiro Inbox > D8 | X |
| 08/02/03 | Joliet, IL | I, II | 3 | 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3 (super Omni) direct to dat using a Tascam Porta 1 mixing board / mic preamp | X | |
| 09/19/03 | Mountain View, CA | I, II | 3 | AKG C1oooS > Samson Mixpad 4 > VxPocket v2 (@ 44.1khz 16 bits) > cooledit 2k > shn (verified w/ shntool, encoded w/ mkw, shn > wav decoded, verified w/ md5sum again) | X | |
| 12/13/03 | Berkeley, CA | All | 2 | SEVA Foundation's Silver Anniversary Concert | 3 Nak CM300's - 2 CP4 (Guns) + 1 CP3 (Super Omni) - All X/Y | X |
| 12/30/03 | Oakland, CA | I, II | 3 | Nakamichi 300 Shotguns > Sony SBM-1@44.1 > Sony M1 > Tascam CD-RW5000 > CD > Peak 3.21 (extraction/tracking) > xACT V1.2 > SHN (SBE & md5 verified) | X | |
| 12/31/03 | Oakland, CA | I, II, III | 4 | AKG C1oooS > Samson Mixpad 4 > VxPocket v2 (@ 44.1khz 16 bits) > cooledit 2k > shn (verified w/ shntool, encoded w/ mkw, shn > wav decoded, verified w/ md5sum again) | X | |
| PHIL & FRIENDS | ||||||
| 09/24/94 | Berkeley, CA | All | 1 | Acoustic Jerry, Phil, Bob, Vince | Scheops CMC4 > DAT > ZA2 > WAV > SHN | X |
| 09/24/94 | Berkeley, CA | All | 1 | Acoustic Jerry, Phil, Bob, Vince | SBD > DAT(s) > CDR > EAC > mkwact > SHN | X |
| 04/20/98 | San Francisco, CA | I, II | 3 | Stan Franks, Bruce Hornsby, Phil Lesh, Branford Marsalis, John Molo, Bob Weir | (FOB) Neumann KM184 > V2 > Zefiro InBox > Dat > CD > cdr > eac(secure) > cdwav(re-tracking) > mkwact(seekable) | X |
| 04/15/99 | Warfield, SF | I, II | 4 | w/Trey and Page | FOB Schoeps CMC6/MK21 *subcardiod) > Apogee AD1000 @ 44.1 kHz | |
| 04/16/99 | Warfield, SF | I, II | 3 | w/Trey and Page | FOB Schoeps CMC6/MK21 *subcardiod) > Apogee AD1000 @ 44.1 kHz | |
| 04/17/99 | Warfield, SF | I, II | 3 | w/Trey and Page | Schoeps CMC64 > Apogee AD-1000 > DA-P1 > HHB | |
| 06/05/99 | Warfield, SF | I, II | 3 | w/Jorma | DAT > CD | |
| 07/02/99 | Warfield, SF | I, II | 3 | w/Billy K. and David Nelson; missing encore | SBD > DAT > spdif > Delta 66 > Sound Forge > CDWAV > SHN > CD | X |
| 07/03/99 | Warfield, SF | I, II | 3 | w/Billy K. and David Nelson; needs 1 80min CD | SBD > DAT > CDR > EAC > retrack/splice > SHN | X |
| 07/03/99 | Warfield, SF | I, II | 3 | w/Billy K. and David Nelson | Sony ECM-19B Mics > Sony PCM-M1 DAT > MARANTZ CDR-630 | |
| 08/13/99 | Red Rocks | All | 2 | AKG 1234>Rode mics+AT 835 > 4track mixer > 20 bit A/D | ||
| 08/21/99 | Greek Theater, Berkeley | All | 2 | AKG 460/CK8 > HHB > D8 | ||
| 10/07/99 | Warfield, SF | I, II | 3 | w/Zen Tricksters | Schoeps CMC6/mk4's > Sonosax > Apogee AD1000 | |
| 10/08/99 | Warfield, SF | I, II | 3 | w/Zen Tricksters | Schoeps Mk4 > KC5 > CMC6 > Sonosax > AD1000@44.1 > M1 | |
| 10/09/99 | Warfield, SF | I, II | 3 | w/Zen Tricksters; on 2 80min and 1 74min CDs | Schoeps mk4 > kc5 actives > CMC6 > Sonosax > Apogee AD1000 | |
| 10/22/99 | Denver, CO | I, II | 3 | B&K 4011 > Lunatec V2 > AD1000 | ||
| 11/03/99 | Columbus, OH | All | 2 | w/Dylan filler | Sony ECM-DS70P Stealth Mic > Mini Disc MZ-R37 > Sonic Forge | |
| 11/05/99 | Pittsburgh, PA | All | 2 | Sony ECM-DS70P Stealth Mic > Mini Disc MZ-R37 > Sonic Forge | ||
| 11/13/99 | East Rutherford, NJ | All | 2 | FOB [floor] Oade Stealth mics > Oade-modified D8 | ||
| 03/10/00 | Oakland, CA | I, II | 3 | Phil's 60th | DPA 4061 > Crackhead Audio Power Supply > D8 (line in) > Opcode SONICPort > CDRWav > SoundForge 4.5 (resample and remaster) > CDRWin > CDR > SHN > CDR | |
| 04/06/00 | Wallingford, CT | I, II | 3 | Scheops > DAT > SHN > CDR | ||
| 10/01/00 | Burlington, VT | I, II | 3 | DSBD > DAT > SHN > CD | X | |
| 10/06/00 | Boston, MA | I, II | 3 | DSBD > DAT > SHN > CD | X | |
| 10/16/00 | New York City, NY | I, I | 3 | DSBD > DAT > SHN > CD | X | |
| 10/21/00 | Chicago, IL | I, II | 3 | On 1 80 min and 2 74 min CDs | SBD > DAT (44.1kHz) > DA-20mkII > ZA2 > CDWAV > SHN | X |
| 10/24/00 | Denver, CO | I, II | 3 | re-tracked version | Master DSBD > Mac Hard disc > Peak > CDR > SHN > CDR | X |
| 10/27/00 | Las Vegas, NV | I, II | 3 | re-tracked version | DSDB > ? > SHN > CDR | X |
| 10/28/00 | Los Angeles, CA | I, II | 3 | re-tracked version | DSDB > ? > SHN > CDR | X |
| 12/15/00 | San Francisco, CA | p | 2 | Phil w/Lost at Last; includes soundcheck and sutff with Phil; also have complete show on 4 discs | SBD > SBM-1 > Master Dat (Sony D8) > CD > Toast Audio Extractor (overlap) > WAV > SHN | X |
| 12/31/00 | Oakland, CA | I, II, III | 5 | Needs 2 80min CDs | Nak 300's w/CP-4's & Coresound Stealth Cards > D7 > WAV > SHN > CDR | X |
| 02/10/01 | Denver, CO | I, II | 3 | Needs 1 80min CD | km140's > mp-2 > adc-20 > da-p1 | X |
| 02/15/01 | San Francisco, CA | I, II | 3 | 3 nak 300/CP1's > boss BX4 > SBM1 > Dat > CD | X | |
| 02/16/01 | San Francisco, CA | I, II | 3 | Needs 2 80min CDs | Nak 300/CP1 + AKG C1000S > BX4 > SBM-1 > D8 @48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > CDR | X |
| 02/17/01 | San Francisco, CA | I, II | 3 | Needs 2 80min CDs | Nak 300/CP1 + AKG C1000S > BX4 > SBM-1 > D8 @48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > CDR | X |
| 02/18/01 | San Francisco, CA | I, II | 4 | Nak 300/CP1 + AKG C1000S > BX4 > SBM-1 > D8 @48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > CDR | X | |
| 02/18/01 | San Francisco, CA | I, II | 4 | DSBD > DAT > ? > SHN | X | |
| 04/18/01 | Atlanta, CA | I, II | 3 | Needs 1 80min CD | Schoeps CMC6/MK4 > M148 > SBM-1 (modified) (13th Row fob dfc) > Panasonic 3700 > ZA2 > CDWAV > SHN | X |
| 04/20/01 | Charlltoe, NC | I, II | 3 | DSBD > ? > SHN | X | |
| 06/10/01 | Mill Valley, CA | I, II | 3 | Crusader Rabbit Stealth Band | FOB B&K 4011 > Lunatec V2 > Sonic AD2K > D8 > CDRW700 > EAC (Copy/Test) > Cool Edit Pro > CD > TAE (overlap) > WAV > SHN | X |
| 06/12/01 | Emeryville, CA | All | 1 | FM > HDD > SoundForge 4.5 > CD Wave > SHN | X | |
| 06/27/01 | Los Angeles, CA | I, II | 3 | FOB DEAD center 11th row Neumann AK40's(ortf) > LC-3 Active Cables > KM100 Bodies > Apogee AD-1000 > Dat > s/pdif coax > Egosys Waveterminal 2496 > PC/Soundforge 4.5 > CDRWIN > 3cd's > EAC > MKW(.shn) | X | |
| 07/07/01 | Morrison, CO | I, II | 3 | DSBD > ? > SHN | X | |
| 07/17/01 | Clarkson, MI | I, II | 3 | FOB 16th Row DFC mics run 7'high ORTF AK40 > LC3KA > KM100 > AD1000 > D8 > Delta DiO 2496 > Samplitude 2496 > CDWAVE > SHNv3 | X | |
| 08/05/01 | Atlanta, GA | All | 2 | Schoeps MK-4 (ORTF) > KC5 > CMC6 > Lunatec V2 > Oade ADC24LP-1 > D8 > Delta Dio 24/96 via coax > Soundforge 4.5 (resampled to 44.1khz) > CDWave for track splits > mkwACT for shnning | X | |
| 11/08/01 | Chicago, IL | I, II | 3 | Schoeps MK4V > KC5 > CMC6 > Apogee AD1000 > Sony D8 > DA-20mkII > RME DIGI96/8 PST > Samplitude > CDWAV > SHN | X | |
| 12/02/01 | New York, NY | I, II | 3 | Needs one 80 min CD to preserve proper order | B&K 4021s (t-bar, 6' stand) > Apogee AD-1000 (+20db, 44.1kHz) > Sony PCM-M1 DAT masters > Fostex D-10 / DAT master > RME Digi 96/8 Pro XLRs / PC / SoundForge4.5 (trim & fades) > CDWave1.6 > .wav files > mkwACT0.96f > .shn files | X |
| 12/03/01 | New York, NY | I, II | 3 | w/Bob Weir on guitar & lead vocals | B&K 4021s (t-bar, 6' stand) > Apogee AD-1000 (+20db, 44.1kHz) > Sony PCM-M1 DAT masters > Fostex D-10 / DAT master > RME Digi 96/8 Pro XLRs / PC / SoundForge4.5 (trim & fades) > CDWave1.6 > .wav files > mkwACT0.96f > .shn files | X |
| 12/21/01 | Ashville, NC | All | 2 | Chritstmas Jam | schoeps mk21' > ortf >kc5's > cmc6's >
ad1000 > d8 @ 44.1khz > master in tascam da20mkII > rme96/8 >
cdwav.(in)+(tracking) > mkw > shn |
X |
| 12/30/01 | Oakland, CA | I, II | 3 | Nakamichi 300-CP4 caps (shotgun) > Tascam DA-P1 (20db pad) > Creative Live Platinum > Cool Edit Pro > Feurio > EAC (offset corrected) > mkwACT .97beta | X | |
| 12/31/01 | Oakland, CA | I, II, III | 4 | Phil sets and Crusader Rabbit set | FOB Schoeps MK4V > KC5 > CMC6 > V2 > AD1000 > DAT > ZA2 > CDWAV > SHN | X |
| 03/30/02 | San Francisco, CA | I, II | 3 | (FOB) Neumann KM150 > Lunatec V2 >Sony SBM1 >Dat >Samplitude v5.9 >CD | X | |
| 04/05/02 | Denver, CO | I, II | 3 | MBHO ka200 (DIN 6' stand) > Active Cables > 603a bodies > 10 db pads > Oade M118 (mod) > Apogee AD500 (44.1k, soft limit off) > Sony PCM-M1 > Coax 7 pin > Zoltrix Nightingale (coax mod) > Soundforge 5.0 (No Processing) > CDWAV (track splitting) > SHN (Seekable) | X | |
| 05/05/02 | New Orleans, LA | All | 2 | FOB > Schoeps MK4V's > KCY > VMS021B > D8 > @48K ORTF/10th row on stand@ 7.0 > DA20MKII > RME96/8 > CDWAV > Cool Edit Pro (resampled to 44.1K) > cdwave (tracking) > mkw > shn (seekable shn's) > Shntool (join) > CDWAV (retrack) > MKWact (SHNv3) | X | |
| 06/01/02 | Berkeley, CA | I, II | 3 | fob 45 center left Oktava MC012's(ortf) on 5' stand) > graham patten dmic20 @ 48 > Sony m1 dat > Tascam DA-30mkII > Zoltrix Nightengale 6.0@48 > Soundforge 4.5 > normalize(1st set only) > resample to 44.1 > wav > shn | X | |
| 06/02/02 | Palo Alto, CA | I, II | 3 | scheops mk4(fob in hat) > vsm5u > sbm1 > dat > tascam DA30 mkII > zoltrix nightengale 6.0 > soundforge4.5 > wav > mkw > shn | X | |
| 06/03/03 | San Francisco, CA | All | 2 | KFOG Private Concert (Sony/Columbia CD release party) | Core Sounds Cardioids (20' from stage, DFC) > Tascam DA-P1 > DAT > Mac > SHN | X |
| 06/23/02 | Manchester, TN | All | 2 | Bonnaroo | Schoeps mk4v (on ORTF bar backwards) > KC5> CMC6 > Sonosax SX-M2 > Apogee AD1000 @ 44.1 > S/PDIF > VX Pocket V2 (no DAT gen) >Vegas Audio 2.0 > .wav > Soundforge 5.0 (fades at beg. and end of set only) > mkw 0.97b > .shn w/ seek tables appended | X |
| 07/03/02 | Cincinnati, OH | All | 2 | MBHO 603's/KA 200's > Lunatec V2 > DA-P1 > Audiophile 2496 > Sound Forge 6 (48 > 44.1 w/anti-alias) > CDWave > mkwACT | X | |
| 07/12/02 | Holmdel, NJ | I, II | 3 | AKG481s > GP Dmic 20 > Sony PCM-M1 > Fostex D5 > HHB 830 > Plextor PX-W012A > EAC > SHN | X | |
| 07/19/02 | Hershey, PA | I, II | 3 | AKG481s > GP Dmic 20 > Sony PCM-M1 > Fostex D5 > HHB 830 > Plextor PX-W012A > EAC > SHN | X | |
| 07/27/02 | Atlanta, CA | I, II | 3 | Josephson C-603/KA-500 > Denecke PS1A > Zefiro Inbox > M-1 > DA-P1 > S/PDIF > Montego II+ > Cool Edit Pro > CDWave > mkwACT | X | |
| 08/03/02 | East Troy, WI | All | 2 | Neumann TLM 170's (Card, ORTF) > Audio Magic Excalibur II Cables > Apogee Mini-Me (@ 16 bit 44.1kHz) > D7 > Tascam DA-20mkII > MAudio Audiophile 24/96 > CDWAV > SHN | X | |
| 09/01/02 | Morrison, CO | I, II | 3 | Nakamichi CM-1000 mics (spaced 12" @ approx. 45 degrees) > Edirol UA-5 > M1 @ 48kHz > Delta Dio 2496 > Samplitude 2496 (48k > 44.1k) > cdwav > SHN | X | |
| 09/25/03 | San Francisco, CA | I, II | 3 | AKG C1oooS > Samson Mixpad 4 > VxPocket v2 (@ 44.1khz 16 bits) > cooledit 2k > shn (verified w/ shntool, encoded w/ mkw, shn >wav decoded, verified w/ md5sum again) | X | |
| 09/25/03 | San Francisco, CA | I, II | 3 | Official SDB release | SBD > SHN | X |
| 09/25/03 | San Francisco, CA | I, II | 3 | Bertha remaster of SDB release | SBD > DAT > SHN > DAW (Bertha) > CDA/SHN | X |
| 09/26/03 | San Francisco, CA | I, II | 3 | Neumann U89i (subcard) > Lunatec V2 Preamplifier > Benchmark Audio AD2K+ > VX Pocket > Toahba 3440CT > Vegas > .wav > Soundforge 6.0 (resampling, bit-depth conversion) > CD Wave (tracking) > FLAC Frontend > .flac | X | |
| 09/26/03 | San Francisco, CA | I, II | 3 | Official SDB release | SBD > SHN | X |
| 09/27/03 | San Francisco, CA | I, II | 3 | Sennheiser 441's > DAT @48.1 > tascam DA-30 MKII > zoltrix Nightengale 6 > soundforge6.0 > resample to 44 @ highest setting > cdwav > SHN | X | |
| 09/27/03 | San Francisco, CA | I, II | 3 | Official SDB release | SBD > SHN | X |
| 10/29/03 | San Francisco, CA | All | 1 | Phil Lesh and the Hep Cats; A Benefit for Allen Cohen of the San Francisco Oracle | DAUD (unknown mics) > ? (might be MD) > CDR > EAC > CDWAV > SHN | X |
| 11/14/03 | Denver, CO | I, II | 3 | Nakamichi CM-1000s > Edirol UA5 (Oade digi-out and "presence" modified @ 48k) > Sony PCM-M1 > Delta Dio 2496 > Samplitude 2496 (48k > 44.1) > cdwav > wav > SHN | X | |
| 11/15/03 | Denver, CO | I, II | 3 | [DFCTS/90*DIN/7.5']DPA 4011 > Lunatec V3 > Benchmark AD2K > RME Multiface > Vaio > WaveLab > wav @24bit/96kHz > WaveLab > UV22HR (dither to 16bit/44.1kHz) > wav > CDWave >FLAC | X | |
| 11/16/03 | Denver, CO | I, II | 3 | adk 51-tl (ortf hyper) > UA-5(warm mod) > sony d-8 > Audiophile 2496 > Soundforge 7.0 > CDWAV > MKW | X | |
| 11/29/03 | Upper Darby, PA | I, II | 3 | AKG 481's > GP Dmic20 >Sony PCM-M1 > CD > EAC > SHN > WAV > CE2K > CDWAV > SHNTOOL > mkwACT | X | |
| 11/30/03 | Upper Darby, PA | I, II | 3 | Oktava mc012's (cardiod) fob > Graham Patten Dmic 20 > Sony PCM-M1 dat > Tascam DA MK30II > coax > Zoltrix Nightengale 6.0 > SoundForge 7 > resample to 44.1k > Cdwav (track split) > FLAC | X | |
| JERRY GARCIA | ||||||
| 10/28/69 | San Francisco, CA | All? | 1 | SBD > MR > Cass > DAT > CDR > WAV > CDR > EAC > CDWAV > SHN | X | |
| 11/23/72 | Austin, TX | All? | 2 | Jerry Garcia, Phil Lesh, Bill Kreutzmann, Leon Russell, Mary Egan, Doug Sahm | MSC > 1C > Dat > cdr | X |
| 02/09/74 | Moraga, CA | I | 1 | On 1 80 min CD (w/extra song from Set II) | MSR > D @ 48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > Downsampled to 44.1/Normalized to 98% > CDR | X |
| 02/09/74 | Moraga, CA | I, Iip | 2 | SB Reel 15 IPS (baked & transfered to DAT about '93) / 48khz low-gen clone > Sony PCM-1 / 7 pin > Nightengale PCI / Optical (reverse format) > Ce Pro 2000 Record 48k > Ce Pro 2000 Downsample to 44k / highest quality, pre-post filter > CDWav / ShnTool / FLAC | X | |
| 02/09/74 | Moraga, CA | I, Iip | 2 | Master soundboard reels (7" 1/4 track @ 7.5ips recorded with Sony TC-377) > Teac X-300R playback > HHB Burn-It master CD-RW > Easy CD-DA Extractor > Dell Inspiron 4100 laptop > possible volume adjustment (Cool Edit 2000) > tracking (CD Wave) > CDR using EZ-CD Creator > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) | X | |
| 09/02/74 | San Francisco, CA | p | 1 | MR > ? > CD > EAC > MKW > SHN | X | |
| 11/05/74a | New York, NY | I, II | 2 | AKG D 1000Es > Sony TC-152 > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) | X | |
| 11/13/74a | Boston, MA | Early Show | 1 | Uher hand-held mic > Uher 4000 5" master reel > playback on a Teac 2300 reel to reel > MacIntosh pre-amp > Teac 2300 7" reel > CDR > EAC > SHN > CDR | X | |
| 06/21/75 | Berkeley, CA | I, II | 2 | Sony ECM-270 + Sony ECM-250 (onstage) > Sony TC-152 > DAT > CDR > EAC > SHN | X | |
| 10/23/75 | Providence, RI | I, II | 2 | Sony ECM-99 stereo mic > Sony TC 152SD master cassette [Dolby B]) > playback on Sony TC152SD > Teac A2300SD 1st gen reel [Dolby B off] > playback on Akai GX-4000D > A/D using an ART DI/O into an Egosys Waverterminal 2496 digital sound card > master CD > HP 9350i extraction using EAC > .shn encoding using mkwACT | X | |
| 12/31/75 | Berkeley, CA | I, II, III | 2 | Missing Maple Leaf Rag | SBD > Analog > DAT > CD | |
| 02/14/76 | Berkeley, CA | I, II | 2 | SBD > Mreel > Cassette > DAT > CD > (EAC) WAV | X | |
| 02/21/76a | Encinitas, CA | All | 2 | SBD > 1C > DAT > CDR > SHN > CDR | X | |
| 02/05/77 | Goleta, CA | All | 3 | Early and Late shows | SBD > cassette? > CD > EAC > SHN v3 | X |
| 07/08/77a | Hempstead, NY | p | 2 | missing Tough Mama | AKG D-200Es > Sony TC-153 > Nakamichi Dragon playback > ART DI/O A-D converter > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) | X |
| 07/08/77b | Hempstead, NY | All | 2 | AKG D-200Es > Sony TC-153 > Nakamichi Dragon playback > ART DI/O A-D converter > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) | X | |
| 08/06/77 | Berkeley, CA | IIp | 1 | Sugaree > Don't Let Go (cut) | MSC > DAT > Digi001 > SHN > CDR | X |
| 12/02/77a | Boston, MA | All | 1 | Sony ECM 99a > Sony152 > MAC > D > EAC > MKWact > SHN | X | |
| 12/02/77b | Boston, MA | All | 1 | Sony ECM 99a > Sony152 > MAC > D > EAC > MKWact > SHN | X | |
| 12/06/77 | Greenvale, NY | All | 3 | SDB > MR > C > D > CD | X | |
| 12/08/77 | Albany, NY | I, II | 3 | MSC > DAT > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > downsampled to 44.1k/de-hissed > SHN (no extraction) > CDR | X | |
| 12/11/77 | State College, PA | I, II | 3 | SBD > Master Cassette > DAT > CD > Toast Audio Extractor (overlap) > Peak > Ray Gun 1.2 for dehiss > SHN | X | |
| 06/22/79 | Keystone, Palo Alto | All? | 2 | SBD Reel > DAT@48k > Montego II Plus@44k > HD via Soundforge > CDWav | ||
| 07/08/79 | Keystone, Berkeley | I | 2 | Master Soundboard Reels (7" @ 7.5ips) > 2 PCM > DAT > CD | X | |
| 12/21/79 | Keystone, Palo Alto | I, II | 2 | SBDMR > DAT > CDR | ||
| 03/08/80 | San Francisco, CA | I, II | 2 | AUD DAT > CoolEdit 96 > CDWAV > SHN > CDR | ||
| 06/16/82 | South Fallsburg, NY | I, II | 2 | Neumann U87(FOB)>Nak 550 > cass. XLII-S > SV3700@48khz > D8 > Delta DiO 2496 > Samplitude 2496 > CDWAVE > SHN v3 | X | |
| 08/23/82 | San Francisco, CA | E, L | 2 | FOB(25'from stage dfc) > Nak 700's > Sony D5M (Dolby B, Maxell Metal Cassette) > Echo Event Gina A/D > Sound Forge 4.5 > CDR > EAC(secure mode) > CDWave(retracked on sb's) > SHN (MKWACT) | X | |
| 03/12/83a | Beverly Hills, CA | All | 2 | Early show | AUD (mics/taper unknown) > C > ? > CDR > WAV > SHN | X |
| 03/12/83b | Beverly Hills, CA | All | 2 | Late show | MAC ("Tapers from Hell", Nakamichi CM-300 mics (hand-held in X-Y pattern, 15th row left of center] > Sony D5 [Dolby B, Maxell XLIIS "chrome"]) > Sony TC-D5M playback > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz master DAT > Tascam DA-20mkII DAT playback > Marigo Audio Lab Apparition Reference Coaxial / RCA cable > Tascam 700 CDRW master CD > Marantz CDR 550 Dual Well Recorder CD clone (DAO, 1x) > CD clone (no details) > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) | X |
| 11/25/83 | Cleveland, OH | I, II | 2 | MSC > DAT > SHN | X | |
| 11/29/83 | Providence, RI | I, II | 2 | SBD > CM > DAT > CDR > WAV > SHNv3 | X | |
| 01/27/86 | New York, NY | I, II | 1 | MSC > Soundcraftsman 16x4 > Sony D5 > Cool Edit > CD Wave > SHN | X | |
| 03/09/87 | San Francisco, CA | I, II | 2 | Disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M > CDR > EAC > CDWav (Retracking) > Shn | X | |
| 10/28/87a | New York, NY | Acoustic | 1 | SBD > ? > DAT > CDR | ||
| 10/31/88 | Oakland, CA | All | 2 | FOB Schoeps CMC34 (Hand held, ORTF) > Oade M118 pre > Panasonic SV-250 > | ||
| 11/26/88 | Los Angeles, CA | All | 2 | SBD > Cassette Master > DAT > CDR > WAV > SHNv3 | X | |
| 01/27/89 | San Francisco, CA | I, II | 2 | FOB Sony ECM 77-B >Sony D5 > Cool Edit > CD Wave > SHN | X | |
| 09/02/89 | Columbia, MD | I, II | 2 | Schoeps CMC-44 mics (Front of Board) > Oade pre-amp > Sony PCM-F1 digital processor > Sony SL 2000 recorder (Beta) > Soundforge 4.5 > CDR > SHN > CDR | X | |
| 10/31/89 | Concord, CA | I, II | 2 | MAD (taped by Marcus Buick and Sean Webber-Small, B&K 4011's @ 110 ORTF [handheld, Section FF, Row F, Seat 104]) > Monster M1000 > TAO Research (Oade designed supply) > Monster M1000 > Panasonic SV250, Panasonic SV250 > Sony PCM601 > Sony SL360, Sony SL360 > Sony PCM701 > Digidesign 442/Quadra650, edited w/ProTools 3.1, mastered with Masterlist 1.2 > Sony920s 2x CD mastering burner master CD > HP 9350i extraction using EAC (v0.9 beta 4) > sector boundary alignment using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1) | X | |
| 08/05/90 | Berkeley, CA | I, II | 2 | with Bela Fleck | FOB > Nakamichi 700 > Dat > CD > Cool Edit Pro > CD | X |
| 09/01/90 | Mountain View, CA | I, II | 2 | This was scheduled as a Grateful Dead concert, but
Brent Mydland died, so instead JGB and Los Lobos played. |
(FOB) Nakamichi 700/CP701 > Dat > Sony D8 > CD (Tascam CDRW700) > EAC > SHN | X |
| 12/22/90 | San Francisco, CA | I, II | 3 | FOB (Nak700s) > DAT > CDR > WAV > SHNv3 | X | |
| 02/03/91 | San Francisco, CA | II+E | 1 | fits on an 80min CD | SBD > DAT > ZA2 > SHN > CDR | |
| 05/23/91 | San Francisco, CA | I ,II | 2 | Schoeps mk4 > Dat > CDR > WAV > SHNv3 | X | |
| 11/17/91 | Hartford, CT | I, II | 2 | FOB SCHOEPS> TASCAM DAT> CDR> WAV> SHNv3(seekable) | X | |
| 03/01/91 | San Francisco, CA | I, IIp | 2 | Missing 4th St, Somebody to Love | Unknown AUD > DAT > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (normalized) > WAV @44.1k > SHN (no extraction) | X |
| 11/23/91 | Milwaukee, WI | I, II | 2 | DAT > CDR | ||
| 12/08/91 | San Francisco, CA | II | 1 | SDB > DAT @48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (normalized) > WAV @44.1k > SHN (no extraction) | X | |
| 02/07/92 | Oakland, CA | I, II | 2 | FOB Shoeps CMC54's > Panasonic 255 (DAT) > CD > EAC > CDWav > SHN > CDR | X | |
| 04/30/92 | San Francisco, CA | I, II | 2 | FOB Schoeps CMC34 > Oade Custom Power Supply > Panasonic SV-255 DAT @48K > DAT Clone (Sony DTC-A6) > Dio 2448 > Soundforge 4.5 (resample, addfades) > CD WAV > SHN via MKW .97 | X | |
| 07/29/92 | Universal City, CA | I, II | 2 | Beyer 201s, 90 degrees, up front, DFC > DAT > CD Master > EAC(in Secure Mode) > CDWave > SHN | X | |
| 10/31/92 | Oakland, CA | I ,II | 2 | Schoeps MK-4V (FOB) > DA-20 > Apogee SPDIF > ZA2 > CDR | ||
| 01/28/93 | San Francisco, CA | I, II | 2 | AUD (Neumann KM54 > TeacDAP20) > DAT > CDR > WAV > SHNv3 | X | |
| 02/25/93 | San Francisco, CA | I, II | 2 | Neumann mics (vintage 1957, tube electronics) > MAC > CDR > EAC (Secure mode) > shn (MKWACT) | X | |
| 02/26/93 | San Francisco, CA | I, II | 2 | Neumann mics (vintage 1957, tube electronics) > MAC > CDR > EAC (Secure mode) > shn (MKWACT) | X | |
| 02/27/93 | San Francisco, CA | I, II | 2 | Neumann mics (vintage 1957, tube electronics) > MAC > CDR > EAC (Secure mode) > shn (MKWACT) | X | |
| 10/31/93 | East Rutherford, NJ | I, II | 2 | AUD(Nak700)>DAT(Sony D3)>CDR>WAV>SHNv3 | X | |
| 11/03/93 | Albany, NY | I, II | 2 | FOB > DAUD > SENN 441 > DAT > CDR | ||
| 02/05/94 | San Francisco, CA | I, II | 2 | MSD > DAT > CDR > EAC > SHN | ||
| 02/06/94 | San Francisco, CA | I, II | 2 | Newumann mics (vintage 1957, tube electronics) > MAC > CDR > EAC (Secure mode) > shn (MKWACT) | X | |
| 04/27/94 | San Francisco, CA | I, II | 2 | DSBD > DAT > CDR > EAC > shn | X | |
| 08/14/94 | San Francisco, CA | I, II | 3 | DSBD > D > CM > CD | X | |
| 09/01/94 | San Francisco, CA | I, II | 2 | FOB Neumann KM-140 > SV255 > DAT > Tascam CDRW 700 > CD > DAE (EAC) > tracking (cdwav) > SHN (mkwact) | X | |
| 04/22/95 | San Francisco, CA | I, II | 2 | FOB - Neumann KM 54's > ??P/S > TEAC DA-P20 | X | |
| RATDOG | ||||||
| 01/12/92 | Kauai, HI | I, II, III | 2 | Bob and Rob, missing The Winners, Masterpiece, E:Misty | SDB > Cassette Master > DAT > DA20mkii-> Phillips CDR870 | X |
| 05/10/92 | Chachauga, CA | All? | 1 | Bob Weir solo benefit for Jerry Brown | SDB? > DAT @ 48 > DA-P1 > Hosa S/PDIF > Delta DiO 2496 > Peak @ 44.1 > Jam > CDR | X |
| 08/09/95 | Hampton Beach, NH | All | 2 | FM-SBD > CM? > CDR > WAV > SHNv3 | X | |
| 12/16/95 | San Francisco, CA | All | 2 | Sony ECM 909 > Sony D6 > Harman Kardon TD392 > Ego Sys U2A > CEP2.0 > Dell Inspiron 3500 > CDWAV > CDR > FLAC | X | |
| 02/20/96 | Oakland, CA | All | 2 | Mardi Gras show; w/Parade Jam | sony ECM-909 (stereo single point mic) > Sony D6 (analog master on Maxell XL-IIS) > EgoSys U2A > Cool Edit (Dell inspiron 3500) > CDR (sony CRX85A CDRW drive) > EAC (secure test and copy) > CDR > WAV > SHN (xACT) | X |
| 03/27/97 | San Diego, CA | All | 2 | AKG 391's > D7 > CD > SHN | X | |
| 04/13/97 | Memphis, TN | All | 2 | SBD > CM > DAT > Panasonic SV-3800 > Monster Coax > Audigy Soundcard > Soundforge 6.0 > CD Wave > flac | X | |
| 11/07/97 | Chicago, IL | All | 2 | Nakamichi CM300 > DA-P1 (front of balconey) > Sony R300 > HHB CDR-800 | X | |
| 05/28/99 | Hebron, OH | All | 2 | AT822 > SBM-1 > D-8 > DAT > CD | ||
| 10/21/99 | San Diego, CA | All | 2 | 4th & B | AKG C1000S > Za Inbox > D7 > CDR | |
| 10/26/99 | San Francisco, CA | All | 2 | Audio Tech. 822 > SBM1 > D8 > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > Downsampled to 44.1/Normalized > WAV > SHN (no extraction) | X | |
| 10/27/99 | San Francisco, CA | All | 2 | Audio Tech. 822 > SBM1 > D8 > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > Downsampled to 44.1/Normalized > WAV > SHN (no extraction) | X | |
| 10/31/99 | Denver, CO | All | 2 | AKG C1000S > SBM1 > M1> Egosys Waveterminal (S/PDIF) > SoundForge | ||
| 11/12/99 | Syracuse, NY | All | 2 | ? | ||
| 11/13/99 | Albany, NY | All | 2 | FOB hand held schoeps mk4v > schoep svms pre > sony m1 > Tascam da-20 dat > HHB cdr800 > TAE > SHN > CDR | ||
| 12/31/99 | San Francisco, CA | All | 2 | Live RealAudio stream @64.7Kbps > WAV > SHN?? | ||
| 04/25/00 | Erie, PA | All | 2 | AKG c100s > Sharp MD > optical > Phillips CDR > Toast Audio Extractor (overlap) > Peak > WAV > SHN > CDR | X | |
| 05/26/00 | Hebron, OH | All | 2 | AKG 480w/ck63 (FOB) > Apogee AD1000 > ? > SHN > CDR | ||
| 06/24/00 | Bridgeport, CT | All | 2 | Gathering of the Vibes | DSDB > DAT > CDR > SHN > CDR | |
| 10/28/00 | Las Vegas, NV | All | 2 | Earthworks > GP-20 preamp > D8 > Philips CD burner > Toast Audio Extractor (overlap) > Peak (cleaning up and retracking) > WAV > SHN > CDR | X | |
| 11/07/00 | Indianapolis, IN | All | 2 | DSBD > CD > WAV > SHN | X | |
| 11/19/00 | Albany, NY | All | 2 | DPA 4023 (2 rows behind soundboard in the center) > Lunatec V2 > SBM > D8 > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (normalize/tracking) > WAV > SHN (no extraction) | X | |
| 04/16/01 | Des Moines, IA | I, II | 3 | SBD > Band's HHB CD-R (passed through) > D8 > Tascam DA-302 > HHB CD-R > EAC > SHN | X | |
| 05/04/01 | San Francisco, CA | I, II | 3 | Sets I & II: SBD > Band's CD Recorder (pass through) > D8 > Tascam CDRW700 > Cool Edit Pro > CD (Plextor 16x) / E: Sennheiser 421 + Nakamichi 300/cp1 > Boss BX4 Mixer > Sony SBM-1 > D8 > Tascam CDRW700 > Cool Edit Pro > CD (Plextor 16x) | X | |
| 06/03/01 | Santa Cruz, CZ | I, II | 3 | SBD > ? > SHN | X | |
| 08/24/01 | East Troy, WI | All | 2 | Schoeps MK4V > KC5 > CMC6 > Apogee AD1000 > Sony D8 > DA-20mkII > RME DIGI96/8 PST > Samplitude > CDWAV > SHN | X | |
| 10/04/01 | Hampton Beach, NH | All | 3 | Oktava MC012 factory matched stereo pair > oktava -10db pad > Zefiro Inbox 20bit/44.1 > PCM-M1 | X | |
| 12/26/01 | Las Vegas, NV | All | 3 | Disc I requires an 80min CD | Neumann SKM-140s > V2 > DA-P1 > D8 > RME Digi 96/8 PST > Samplitude 2496 (48khz > 44.1 khz) > CDWav > SHN; DFC, right infront of SBD, ~35' from stage | X |
| 12/30/01 | Oakland, CA | All | 2 | Senn k3u/me80 + (1) AKG 460/ck61 > Spirit Folio > HHB ProDat > D8 > RME Digi 96/8 PST > Samplitude 2496 (48khz > 44.1 khz) > CDWav{tracks} > Soundforge 4.0{fades} > .wav files > mkwACT > .shn files | X | |
| 12/31/01 | Oakland, CA | All | Nakamichi CM-300 microphones (with CP-4 shotgun capsules) > Tascam DA-P1@48k > Platinum 5.1 > Cool Edit Pro @44.1k > CD-WAVE > mkw > SHN | X | ||
| 02/24/02 | Chicago, IL | All | 2 | SBD > D8 > CDR > *EAC > mkwACT | X | |
| 02/25/02 | Peoria, IL | All | 3 | Sony MD recorder > Yamaha MD8 mixer > Cool Edit Pro > wav > shn | X | |
| 03/01/02 | Detroit, MI | All | 2 | FOB 50ft DFC mics on 10ft stand run 90° at stacks > Neumann AK40 > LC3KA > KM100 > AD1000 > D8 > Delta DiO 2496 > Samplitude 2496 > CDWAVE > SHNv3 | X | |
| 05/05/02 | New Orleans, LA | All | 1 | Jazzfest | CSB > M1 > HHB-850 > CD > EAC > CDWAV > MKWact > SHN | X |
| 05/08/02 | San Francisco, CA | All | 3 | SBD > Master Dat (Sony D8/44.1k) > Samplitude v5.9 > Cool Edit Pro > CD | X | |
| 05/11/02 | San Francisco, CA | All | 3 | SBD > Sony R500 > M-Audio Dio 2448 > Samplitude 2496 v5.9 > CD | X | |
| 05/26/02 | Washington, DC | I, II | 3 | AK40 (ORTF) > LC3KA (actives) > KM100 > Apogee AD1K (44.1kHz) > Sony D8 > RME Digi 96/8 PST > Samplitude 2496 > CDWav (Tracks) > SoundForge 4.0 (Fades) > mkwACT > SHN | X | |
| 06/28/02 | Newcastle, England | I, II | 3 | Addwav software used on d3t08 for splice at 10.45 - due to switching mic from one recorder to the other - 2-3 sec loss | 2 Sharp MiniDiscs (831 and 701 using) > borrowed stealth mics > analog transfer through Brringer Ultramizer Pro to Phillips Audio CDR570 > EAC > wav. > Soundforge E.Q.& Volume Processor > MKW Audio Compression > shn | X |
| 07/01/02 | Cardiff, Wales | I, II | 3 | Sonic Studios DS6 mics > Sony D7 DAT > CD > CD > CD > EAC > .wav > retracked > .wav > CEP > MKW 0.97b > .shn | X | |
| 07/06/02 | Paris, France | I, II | 2 | MD > Giant Squid Sound Lab stealth mics | X | |
| 07/10/02 | Amsterdam, Holland | I, II | 2 | Microtech Gefell M300 > Apogee AD1000 > Sony TCD-D8 (44.1kHz) > Fostex D-5 > ZA2 > CE Pro > CDWAV > mkwACT0.97b1 | X | |
| 07/27/02 | Atkanta, GA | All | 2 | Josephson C-603/KA-500 > Denecke PS1A > Zefiro
Inbox M-1 > DA-P1 > S/PDIF > Montego II+ > Cool Edit Pro >
CDWave > mkwACT |
X | |
| 08/04/02 | East Troy, WI | All | 1 | modified PZM mics > D8 > HD(digital trans.)tracked with Cdwave > SHN | X | |
| 08/11/02 | Shizuoka, Japan | All | 2 | SBD > Dat > CD > EAC > SHN > Cool Edit Pro > SHN | X | |
| 09/13/02 | Las Vegas, NV | I, II | 3 | SBD > Dat > CD | X | |
| 09/16/02 | Bellvue, CO | I, II | 3 | First full Terrapin | Taper's Section Schoeps MK4 (ORTF) > KC5 > CMC6 > mod. Oade M-118 > Apogee AD500 @48k > PCM-M1 > coax > Audiophile 2496 > Samplitude Master (48k > 44.1k "ultra high quality setting") > CDWav (tracking) > MKWACT (seekable) | X |
| 10/01/02 | Syracuse, NY | I, II | 2 | Schoepp's/ccm4 > M1P2 > dat > cd > eac > shn | X | |
| 10/02/02 | New York City, NY | All | 1 | Jammy's set; with speeches; w/Trey Anastasio, Mike Gordon, Warren Haynes, John Popper, and more | Neumann SKM-140s (Neumann Ak40s "Pointed" > LC3KA > KM100) > Apogee AD1000 > Sony D8 (44.1 khz) > Sony POC-DA12P > RME Digi96/8 PST > Samplitude 2496 > CDWav {tracks} > Soundforge 4.0 {fades} > SHN | X |
| 10/04/02 | Hartford, CT | I, II | 3 | Neumann SKM-140s (Neumann Ak40s "Pointed" > LC3KA > KM100) > Apogee AD1000 > Sony D8 (44.1 khz) > Sony POC-DA12P > RME Digi96/8 PST > Samplitude 2496 > CDWav {tracks} > Soundforge 4.0 {fades} > SHN | X | |
| 10/05/02 | New York City, NY | I, II | 3 | w/Warren Haynes | Neumann SKM-140s (Neumann Ak40s "Pointed" > LC3KA > KM100) > Apogee AD1000 > Sony D8 (44.1 khz) > Sony POC-DA12P > RME Digi96/8 PST > Samplitude 2496 > CDWav {tracks} > Soundforge 4.0 {fades} > SHN | X |
| 10/07/02 | Red Bank, NJ | I, II | 3 | AKG 468c's > SBM1 > D7 > sv3700 > ZA2(s/pdif) > Wavelab 3.03 > CDWAV 1.6 > cd-r or .shn (mkw v.97) | X | |
| 10/08/02 | Washington, DC | I, II | 3 | OktavaMC012-FMSP**(cards)ORTF > Graham Patten Dmic 20 > PCM-M1 DAT > Tascam DA-30mkII > zoltrix nightengale 6.0 > soundforge 6.0 > resample to 44.1 (highest quality) > cdwav > shn | X | |
| 10/14/02 | Rochester, NY | I, II | 3 | Schoeps mk4s (taped by mr habbel) > sony d-7 > eac > mkw > shn | X | |
| 10/18/02 | Madison, WI | I, II | 2 | Neumann ak40 > lc3 actives > Neumann km100 > MP2 > Apogee MiniMe > D8 FOB/DFC 6th row/stand @ 8feet/ORTF > Tascam DA20MKII > Delta Dio 2496 > Samplitude Master V6.0 > CDWAV > SHN | X | |
| 02/08/03 | San Diego, CA | I, II | 3 | ? | X | |
| 02/09/03 | Anaheim, CA | I, II | 3 | 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3 (super Omni) direct to dat using a Tascam Porta 1 mixing board / mic preamp | X | |
| 03/04/03 | San Francisco, CA | I, II | 3 | Mardi Gras show; w/Norton Buffalo | 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3 (super Omni) direct to dat using a Tascam Porta 1 mixing board / mic preamp | X |
| 03/04/03 | San Francisco, CA | I, II | 3 | Mardi Gras show; w/Norton Buffalo | SBD > DAT > CDR > WAV > SHN | X |
| 04/17/03 | St Petersburg, FL | I, II | 3 | AKG 391's > (warm) UA-5 > M1 > Audiophile2496 > CDWAV > Shn | X | |
| 04/30/03 | Winston-Salem, NC | I, II | 3 | km 140's > V3 > M1 > patch M1 > cooledit pro 2.0 > mkw | X | |
| 05/08/03 | Tulsa, OK | I, II | 3 | Neumann km140's > v3 > d8 FOB > Panasonic sv3700 > ZA2 (via S/PDIF) > Wavelab 3.03 > CDWav > SHN | X | |
| 05/17/03 | Los Angeles, CA | I, II | 3 | ADK A-51 TL's (MP) > Edirol UA5 (Oade P-mod) > Sony PCM-M1 Otari DTR-8S > Tascam CD-RW700 > EAC > CDwave >SHN | X | |
| 08/22/03 | London, England | I, II | 3 | Sennheiser 421s > Nomad J3 > .wav > CDWAV > MKW 0.97b > .shn | X | |
| 08/23/03 | Bilston, England | I, II | 3 | Sennheiser 421s > Nomad J3 > .wav > CDWAV > MKW 0.97b > .shn | X | |
| 08/23/03 | Bilston, England | I, II | 3 | Stand mounted Giant Squid's > Sony D100 DAT > Sony D3 optical out > Terratec DMX6fire optical in > CEP (recording & fades) > CDWave > mkwACT > .shn (with seek tables appended) | X | |
| 08/24/03 | Hernhill, England | I, II | 2 | Aud Sony ECM-MS907 > D7 > DAT master > CD > EAC > CEP > CDWAV > MKW 0.97b > .shn | X | |
| 09/06/03 | San Rafael, CA | All | 2 | AUD > CD > EAC > FLAC | X | |
| 10/16/03 | Philadelphia, PA | All | 3 | Bob's 56th birthday | Nak 300s > SBM-1 >M1 > CD > SHN | X |
| 10/22/03 | Hartford, CT | All | 3 | Neumann KM184 > PS-2 > AD-20 (44.1 kHz) > PCM-M1 > PCM-R300 > DIO 2448 > Cool Edit Pro 2.0 > cdWave > mkw > shn | X | |
| 10/25/03 | New York, NY | All | 3 | AKG 393 ORTF / A27 / AT8410 loge > B18 > Denecke AD-20 44.1 > Sony PCM-1 | X | |
| 10/31/03 | Cleveland, OH | All | 3 | AKGc451b's (sterio pair) left side of soundboard, 12' high > MP2 > ADC-20 > PCM-M1 @ 48 KHz > spdif > Sound Blaster Live Platinum > cool edit pro > tracks > resampled to 44.1 KHz at highest setting > shn > shntool | X | |
| 11/03/03 | Chicago, IL | All | 3 | mg300 (DFC, first balcony) > v2 > minime > vxpocket > picturebook | X | |
| 02/25/04 | Las Vegas, NV | All | 3 | AKG C-568 BE Guns > Peavy PS2C Dual Power Supply > Sony SBM-1 > Sony Dat > SHN | X | |
| 02/27/04 | San Diego, CA | All | 3 | 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3 (super Omni) direct to dat using a Tascam Porta 1 mixing board / mic preamp > SHN | X | |
| 02/28/04 | Phoenix, AZ | All | 3 | 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3 (super Omni) direct to dat using a Tascam Porta 1 mixing board / mic preamp > SHN | X | |
| 03/01/04 | West Hollywood, CA | All | 3 | Rode NT4 > Behringer MXB1002 > Nomad JB3 @ 44.1kHz > Steinberg Clean > Diamond Cut 5 > dbPowerAmp Music Converter > FLAC Frontend > FLAC > WAV > SHN | X | |
| 03/02/04 | San Francisco, CA | All | 3 | 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3 (super Omni) direct to dat using a Tascam Porta 1 mixing board / mic preamp > SHN | X | |
| 03/03/04 | San Francisco, CA | All | 3 | 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3 (super Omni) direct to dat using a Tascam Porta 1 mixing board / mic preamp > SHN | X | |
| 03/05/04 | Portland, OR | All | 3 | AKG 481s DIN 100º split 20cm > UA-5 (Oade Warm Mod) > M1 > Panasonic SV 3700 > ZA2 (s/pdif) > Wavelab 3.03 > CDWav > FLAC | X | |
| 03/06/04 | Vancouver, BC | All | 3 | AKG 481s DIN 100º split 20cm > UA-5 (Oade Warm Mod) > M1 > Panasonic SV 3700 > ZA2 (s/pdif) > Wavelab 3.03 > CDWav > FLAC | X | |
| 03/08/04 | Seattle, WA | All | 3 | AKG 481s DIN 100º split 20cm > UA-5 (Oade Warm Mod) > M1 > Panasonic SV 3700 > ZA2 (s/pdif) > Wavelab 3.03 > CDWav > FLAC | X | |
| 03/09/04 | Spokane, WA | All | 3 | w/ Joan Baez | AKG 481s DIN 100º split 20cm > UA-5 (Oade Warm Mod) > M1 > Panasonic SV 3700 > ZA2 (s/pdif) > Wavelab 3.03 > CDWav > FLAC | X |
| 03/15/04 | Boulder, CO | All | 3 | FOB Vintage AKG 224's > Oade Presence Modified Edirol UA-5 > D8 @ 44.1k > Dio 2448 > Soundforge 5.0 > CDWav > FLAC Frontend > .flac | X | |
| 03/16/04 | Boulder, CO | All | 3 | Neumann km150 > Lunatec V3 > DC2 > Nomad JB3 (44.1k wav) > firewire > pc > Cooledit > CDWav > mkwACT | X | |
| 03/19/04 | Rochester, NY | All | 2 | AKG 393 (DIN) > UA-5 > DA-P1 > UA-5 > Toshba a35-s159 > Soundforge 6.0 > CDWave > MKWact | X | |
| 03/20/04 | Syracuse, NY | All | 2 | Set 1: AKG 393 (DIN) > UA-5 > Toshiba a35-s159 Soundforge 6.0 (44.1 kHz/24-bit) > bit depth conversion 24 bit to 16 bit > CDWave > MKWact; Set 2: AKG 393 (DIN) > UA-5 > DA-P1 > UA-5 > Toshiba a35-s159 > Soundforge 6.0 > CDWave > MKWact | X | |
| 03/21/04 | Albany, NY | All | 2 | Neumann KM184 > Oade w-mod UA-5 (44.1 kHz) > PCM-M1 > PCM-R300 > DIO 2448 > Sound Forge 6.0 > cdWave > mkwACT | X | |
| 03/23/04 | Burlington, VT | All | 2 | AKG C-568 BE Guns > Peavy PS2C Dual Power Supply > Sony SBM-1 > Sony Dat > SHN | X | |
| 03/26/04 | Philadelphia, PA | All | 2 | Schoeps CMC4/MK4 > Oade Custom > Mini Me > DA-P1 > Tascam DA-30 MkII > Mio Sound Card > Soundforge 7 > CDWave > .wav files > Flac | X | |
| 03/27/04 | Jim Thorpe, PA | All | 2 | AKG 460 +ck63 > mp-2 > mod sbm-1 (Todd-mod) > d8 (48kHz) > audiophile 2496 > Peak 4.03 (track/fade/44.1kHz) > aif > xAct 1.3d4 > shn | X | |
| 03/28/04 | Newark, NJ | All | 2 | Schoeps mk4 > kc5 > cmc6 > Lunatec V3 (24bit/48k) > VxPocket > Fujitsu Lifebook S6110 (WinXP,nTrack) > WaveLab4 (fades, resample, UV22HR dither) > CDWave (tracks) > FLAC | X | |
| 03/31/04 | Washington, DC | All | 3 | Set 1: Sennheiser MKH-800s @ ~ 12' (hypers/Nutter) > Lunatec V3 > Benchmark AD2402-96 @ 24/96 > RME Multiface > Sony VAIO PCG-SRX87 > Wavelab 4.01 > Goldwave 5.06 > CDWAV 1.93 > Wavelab 4.01 > shntool 1.2.3 > md5sum; Set 2: Sennheiser MKH-800s @ ~ 12' (hypers/Nutter > Lunatec V3 @ 16/48 > Sony PCM-M1 > Sony PCM-R300 > Audiophile 2496 > Compaq Presario 7120US > Goldwave 5.06 > CDWAV 1.93 > shntool 1.2.3 > md5sum | X | |
| THE OTHER ONES | ||||||
| 06/27/98 | Bristow, VA | All | 2 | Needs 1 80min CD | Neumann KM184s > Shure FP33 w/bass roll off > SBM-1 > DA-P1 @44.1k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV > SHN (no extraction) | X |
| 12/31/00 | Oakland, CA | All | 3 | Sennheiser K3U/ME8(Shotguns) > AKG 460/CK61(Cardioid) > Boss BX-4 > SBM-1 > D8 > Tascam CDRW700 | X | |
| 06/00/02 | San Rafael, CA | ? | 2 | Rehearsals | SBD > Dat > Sonic Solutions > CD | X |
| 08/03/02 | East Troy, WI | I, II | 3 | FOB/DFC Schoeps MK4 > KC5 > CMC6 > Apogee AD-1000 > Sony D7 (48khz) > D8 > Prodif Plus > Samplitude 5.5 > Cdwav > MKWact > SHN(v3) | X | |
| 08/03/02 | East Troy, WI | I, II | 3 | FM > Sony mini disc (used only to convert to A/D) > Optical Cable > SBLive > Wavelab > CD > WAV > SHNv3 | X | |
| 08/04/02 | East Troy, WI | I, II | 3 | FOB Schoeps MK4V>KC5>CMC6 > Apogee Mini-Me
> Sony D8 (48khz) > DA-20mkII > RME DIGI96/8 PST > Samplitude
> CDWAV > SHN |
X | |
| 10/27/02 | Mountain View, CA | All | 1 | Bridge School Benefit; acoustic | MBHO 603a/KA200 > MP2 > M1 > Tascom CD-RW700 > EAC > CDWave >m kwACT > SHN | X |
| 11/15/02 | Washington, DC | I, II | 3 | Neumann TLM 170's(hypercardiod setting) > Apogee Minime > Sony PCM-M1 > tascam DA 30mkII > zoltrix nightengale 6.0 @44.1 > soundforge 6.0 > cdwav > mkw > shn | X | |
| 11/16/02 | Albany, NY | I, II | 3 | KG481s(XY)Stand set @ 13 '> GP Dmic 20 > Sony PCM-M1 > Fostex D5 > HHB 830 > Plextor PX-W012A > EAC > SHN | X | |
| 11/19/02 | Boston, MA | I, II | 3 | schoeps cmc6/mk41 > LunatecV2 > ApogeeAD1000 > NomadJ3@44.1kHz > Creative Play Center > Cd Wav Editor > Mkw.97 > shn | X | |
| 11/22/02 | Hartford, CT | I, II | 3 | DPA 4023 > Lunatec V3 > HHB 1000 > DA-P1 > coax > DA-P1 48khz > coax > Audiophile 2496 > Wavelab 4 > CD Wave > MKWact > SHN | X | |
| 11/29/02 | Pittsburg, PA | I, II | 3 | Scheops mk4(ortf) > ky5 > vms u5 > DAT > echo mia > wav > shn | X | |
| 12/02/02 | Chicago, IL | I, II | 3 | AT3035 > PS2 > AD20 > D8 > FEURIO > CD >EAC > SHN | X | |
| 12/05/02 | Oakland, CA | I, II | 3 | (2)Sennheiser K3U/ME80 + (1)AKG 460/CK61 > Soundcraftman Spirit Folio Lite mixer > M1 > Otari DTR-8s > Tascam CD-RW700 > Plextor PX-W4012A > EAC > Cdwave > SHN | X | |
| 12/06/02 | Oakland, CA | I, II | 3 | (2)Sennheiser K3U/ME80 + (1)AKG 460/CK61 > Soundcraftman Spirit Folio Lite mixer > M1 > Otari DTR-8s > Tascam CD-RW700 > Plextor PX-W4012A > EAC > Cdwave > SHN | X | |
| 12/31/02 | Oakland, CA | I, II | 4 | 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3 (super Omni) direct to dat using a Tascam Porta 1 mixing board / mic preamp | X | |
| KINGFISH | ||||||
| ??/??/75 | Long Island, NY | All? | 1 | FM > CASSETTE MASTER > CASSETTE > CDR > SHN > CDR | ||
| 03/01/86 | Passaic, NJ | I, II | 2 | SB > Cassette Master > DAT > Sony M-1 7 Pin Optical > Midiman C02 Optical/SPDIF > SB Live! SPDIF Dig In > Dual P3/512m ram > with Cooledit + CD Wave + Mkw | X | |
| PLANET DRUM | ||||||
| 12/31/99 | Warfield, SF | All | 2 | Digital satellite > DAT > CDR | ||
| TRICHROMES | ||||||
| 04/05/02 | Petaluma, CA | All | 3 | w/Steve Kimock | Schoeps CMC54 (ORTF) > Lunatec V2 > AD2K > Tascam DA-P1 > Delta Dio 2496 > SF 5.0 > CDWave > Shorten V3 | X |
| DARK STAR ORCHESTRA | ||||||
| 11/10/98 | Chicago, IL | Iip | 2 | Performing 10/31/1983 Marin Cnty Veterans Memorial, San Rafael, CA; Part of set II + encores and filler; all with Jon Fishman on drums | SBD > Sony D8 > DA7 > SB Live > Cool Edit 1.2 > Win Wave > SHN | X |
| 11/24/98 | Chicago, IL | I | 1 | Performing 10/10/1981 Stadthalle IV, Bremen, West Germany | SBD > Fostex D5 DAT > Sony D8 DAT > Cool
Edit Pro v1.2 > CDWav > mkwACT > SHN |
X |
| 09/17/99 | Indianapolis, IN | Iip | 1 | SBD > Sony MDZ-R55 > Cool Edit Pro v1.2 > CDWav > mkwACT > SHN | X | |
| 12/30/99 | Denver, CO | I, II | 3 | SDB > DAT > CDR | ||
| 03/03/00 | San Francisco, CA | I, II | 3 | Missing Help > Slip | SDB > DAT > SoundBlaster Live > CoolEdit Pro 1.2 > Easy CD Creator > CDR | |
| 03/30/00 | Madison, WI | I, II | 3 | Missing extra songs | SBD > DAT > ZA2 > WAV > SHN > CDR | |
| 08/06/99 | San Francisco, CA | I, II | 3 | Performing 9-3-88 | SDB > DAT > SoundBlaster Live > CoolEdit Pro 1.2 > Easy CD Creator > CDR | X |
| 11/11/00 | San Francisco, CA | I, II | 3 | on 2 80min and 1 74 min CDs | Matrix (SDB + AKG3000) > DAT > SoundBlaster Live > CoolEdit Pro 1.2 > Easy CD Creator > CDR | X |
| 07/20/01 | San Francisco, CA | I, II | 3 | Performing 7-8-81 | set 1: SBD > ? > patchbay>Sony TCD-D8 Set 2: Neuman KM-184 > ? > Sony PCM-M1 > Sony SDT-9000 > VDAT > WAV > Samplitude 24/96 (resample to 44.1) > SHNtool (sector boundry fix) > mkwACT > SHN V3 | X |
| 09/12/01 | Dallas, TX | I, II | 3 | SBD > SONY R500 > SB Live > Cool Edit 1.2 > Win Wave > SHN | X | |
| 11/10/01 | Eugene, OR | I, II | 3 | AKG-C3000 + SBD feed > SONY R500 (DAT) > CoolEdit 1.2 > WinWave > SHN | X | |
| 11/16/01 | Oakland, CA | I, II | 3 | Performing 10-28-72 | SBD + AKG3000s > mixer > D8 @44.1k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV > SHN (no extraction) | X |
| 11/24/01 | Los Angeles, CA | I, II | 3 | Original JGB set; w/Vince Welnick | SBD + AKG3000s > mixer > D8 @48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction) | X |
| 12/14/01 | Towson, MD | I, II | 3 | Performing 06-09-73 | Cameron's SBD Mix + 1 AKG onstage facing out > Mackie Mixer > Sony PCM-500 DAT > Casio DA-7 to CDR (via Soundblaster Live SPDIF input > Cooledit 1.2 > WinWave > Easy CD Creator 4 | X |
| 12/31/01 | Chicago, IL | I, II, III | 3 | SBD/AKG C3000's (mic's on stage facing crowd) > Sony TCD-D8 > Tascam DA-302 >Soundblaster LIVE (S/PDIF) > SoundForge XP > TDK VeloCD CDRW16/10/40x CD burner (@1x) > Marantz PMD-331 CD player (optical cable) > HHb CDR-850 > Toast Audio Extractor > WAV > SHN | X | |
| 02/24/02 | Wilmington, NC | I, II | 3 | sbd matrix > D100 > DA-20 > montego ii > Wavelab > CDwav | X | |
| 03/02/02 | Falls Church, VA | I, II | 3 | Performing Original Setlist | DSBD > Sharp MD-MT15 (Optical in) > Soundforge 4.5 (44.1kHz) (normalize) > CDWAV (tracked) | X |
| 03/16/02 | Boulder, CO | I, II | 3 | Performing 07-30-88 | SBD > PCM500 >CASIO DA7 > CoolEdit 1.2 > WinWave > SHN | X |
| 03/21/02 | Aurora, CO | I, II | 3 | w/Mace Hathaway opener | SBD > SONY R500 > SB Live > Cool Edit 1.2 > Win Wave > SHN | X |
| 04/13/02 | San Francisco, CA | I, II, III | 4 | Performing 10-14-80; Rex Benefit; w/Bob Weir | SBD > PCM R500 > Casio DA-7 > SB LiveDrive > CoolEdit 1.2 (with normalization) > Win Wave > SHN | X |
| 06/15/02 | Lesterville, MO | I, II | 3 | Performing 10-02-76 | SBD > DA-20 mkII > PCM-M1 > MAudio Dio 2448 > Cool Edit 2K > WAV > SHN | X |
| 07/14/02 | Eugene, OR | I, II | 3 | Performing Original Setlist | SBD > R500 > CDR > SHN | X |
| 07/26/02 | Geneva, MN | I, II | 2 | Performing Original Setlist | SBD > SONY R500 > SB Live > Cool Edit 1.2 > Win Wave > SHN | X |
| 07/27/02 | Geneva, MN | I, II | 2 | Performing Original Setlist | SBD > SONY R500 > SB Live > Cool Edit 1.2 > Win Wave > SHN | X |
| 09/28/02 | Harrodsburg, KY | I, II | 3 | Performing 9/24/1976 William and Mary College, Williamsburg, VA | (FOB/DFC) MG m300 > V2 > mod SBM-1 > DA-P1 @48k > DA-P1 > DAL CardDeluxe > SoundForge 6.0d (48 > 44.1) > CDWave > mkw | X |
| 10/28/02 | Jacksonville, FL | I, II | 3 | Performing 12/18/1973 | SBD > PCM R-500 > HHB CDR-830 > EAC > Winwave | X |
| 10/31/02 | Falls Church, VA | I, II | 3 | Performing 10/31/1985 Carolina Coliseum, U Of S.C., | DSBD > D8 > Waveterminal 2496 > SF 4.5 (48 > 44.1kHz) > CDWav 1.52 > mkw .97 | X |
| 11/01/02 | Falls Church, VA | I, II | 3 | Performing 11/1/1985 Richmond Coliseum - Richmond, VA | DSBD > D8 > Waveterminal 2496 > SF 4.5 (48 > 44.1kHz) > CDWav 1.52 > mkw .97 | X |
| 11/02/02 | Falls Church, VA | I, II | 2 | Performing Original Setlist | DSBD > D8 > Waveterminal 2496 > SF 4.5 (48 > 44.1kHz) > CDWav 1.52 > mkw .97 | X |
| 12/29/02 | Chicago, IL | I, II | 3 | Performing 12/19/1978 Memorial Coliseum (State Fairgrounds), Jackson, MS | SBD > Sony R500 > SB Live > Cool Edit 1.2 > Win Wave > SHN | X |
| 01/24/03 | St Louis, MO | I, II | 3 | Performing 8/31/1978 | SBD > SONY R500 > SB Live > Cool Edit 1.2 > Win Wave > SHN | X |
| 01/25/03 | Madison, WI | I, II | 3 | Performing 4/1/1985 | SBD > SONY R500 > SB Live > Cool Edit 1.2 > Win Wave > SHN | X |
| 02/04/03 | Greensburg, PA | I, II | 3 | Performing 7/2/1985 | SBD > SONY R500 > SB Live > Cool Edit 1.2 > Win Wave > SHN | X |
| 02/09/03 | Grand Rapids, MI | I, II | 3 | Performing 10/14/1983 | SBD > SONY R500 > SB Live > Cool Edit 1.2 > Win Wave > SHN | X |
| 02/14/03 | Boulder, CO | I, II | 5 | Performing 4/28/1985; w/Acoustic Zen Tricksters opener and John solo between sets | SBD > SONY R500 > SB Live > Cool Edit 1.2 > Win Wave > SHN | X |
| 02/23/03 | Flagstaff, AZ | I, II | 3 | Performing 7/18/1989 | SBD > SONY R500 > SB Live > Cool Edit 1.2 > Win Wave > SHN | X |
| 02/28/03 | San Francisco, CA | I, II | 3 | Performing 7/18/1976 | SBD > SONY R500 > SB Live > Cool Edit 1.2 > Win Wave > SHN | X |
| 03/01/03 | San Francisco, CA | I, II | 3 | Performing Original Setlist | SBD > SONY R500 > SB Live > Cool Edit 1.2 > Win Wave > SHN | X |
| 03/06/03 | Seattle, WA | I, II | 3 | Performing Original Setlist | SBD > SONY R500 > SB Live > Cool Edit 1.2 > Win Wave > SHN | X |
| 03/08/03 | Eugene, OR | I, II | 3 | Performing Original Setlist | SBD > SONY R500 > SB Live > Cool Edit 1.2 > Win Wave > SHN [first 40 seconds of Sugar Magnolia patched with Crown CM 700s > Soundevice MP2 preamp > Edirol U1A1 A/D converter > Feurio] | X |
| 04/29/03 | Chicago, IL | I, II | 3 | SBD > FOSTEX CR300 > EAC > COOLEDIT1.2 (normalization) > CDWAVE (indexing ) >CDR | X | |
| 04/30/03 | Covington, KY | I, II | 3 | Performing 6/12/1976 | SBD > SONY R500 > D7 > SB Live > Cool Edit 1.2 > Win Wave > SHN | X |
| 05/19/03 | Falls Church, VA | I, II | 3 | AKG 480/ck61 (XY) > DMIC-20 > D8@48kHz > > Waveterminal 2496 > SF 4.5 > CDWav 1.52 > mkw .97 | X | |
| 06/27/03 | Chicago, IL | I, II | 2 | Performing 4/1/1990 | SBD+Neumann > HHB850 > EAC > WinWave > SHN | X |
| 07/20/03 | Breckenridge, CO | I, II | 3 | Performing 6/18/1974 | SBD+Neumann > HHB850 > EAC > CoolEdit 1.2 > WinWave > SHN | X |
| 07/24/03 | Santa Monica, CA | All | 2 | Performing an original setlist; free outdoor show | SBD+Neumann > Mackie mixer > HHB850 > EAC > CoolEdit 1.2 > WinWave > SHN | X |
| 07/25/03 | Tempe, AZ | I, II | 3 | Performing 8/30/1981 | SBD+Neumann > HHB850 > EAC > CoolEdit 1.2 > WinWave > SHN | X |
| 07/26/03 | Las Vegas, NV | I, II | 3 | Performing 8/31/1981 | SBD+Neumann > Mackie mixer > HHB850 > EAC > CoolEdit 1.2 > WinWave > SHN | X |
| 07/31/03 | Santa Cruz. CA | I, II | 3 | Performing 7/31/1973 | SBD+Neumann > Mackie mixer > Casio D7 > SBLive > CoolEdit1.2 > WinWave > SHN | X |
| 08/01/03 | San Francisco, CA | I, II | 3 | Performing 8/1/1973 | SBD+Neumann > mixed in Pro Tools on Mac G4 > Casio D7 > SBLive > CoolEdit1.2 > WinWave > SHN | X |
| 08/04/03 | Eugene, OR | I, II | 3 | Performing 10/20/1978 | SBD+Neumann > mixed in Pro Tools on Mac G4 > Casio D7 > SBLive > CoolEdit1.2 > WinWave > SHN | X |
| 08/08/03 | Denver, CO | I, Iip | 2 | Missing much of set II and encore; Performing Original Setlist | SBD+Neumann > Digi002 > ProTools 6.1 (24bit)/Titanium G4 (24bit AIF files) > CoolEdit1.2 (24 to 16 bit conversion) > WinWave > SHN | X |
| 08/09/03 | Denver, CO | I, II | 3 | Performing Original Setlist | SBD+Neumann > Digi002 > ProTools 6.1 (24bit)/Titanium G4 (24bit AIF files) > CoolEdit1.2 (24 to 16 bit conversion) > WinWave > SHN | X |
| 08/10/03 | Bond, CO | I, II | 3 | Performing 10/15/1976 | SBD+Neumann > Digi002 > ProTools 6.1 (24bit)/Titanium G4 (24bit AIF files) > CoolEdit1.2 (24 to 16 bit conversion) > WinWave > SHN | X |
| 08/22/03 | Chicago, IL | I, II | 3 | Performing 11/20/1978 | SBD+Neumann > mixed in Pro Tools on Mac G4 > Casio D7 > SBLive > CoolEdit1.2 > WinWave > SHN | X |
| 08/24/03 | Apple Valley, MN | I, II | 2 | Performing Original Setlist | SBD+Neumann > Digi002 > ProTools 6.1 (24bit)/Titanium G4 (24bit AIF files) > CoolEdit1.2 (24 to 16 bit conversion) > WinWave > SHN | X |
| 08/26/03 | Chicago, IL | I, II | 3 | Performing Original Setlist | SBD+Neumann > mixed in Pro Tools on Mac G4 > Casio D7 > Sony PCM R-500 > SBLive > CoolEdit1.2 > WinWave > SHN | X |
| 09/04/03 | Pittston, PA | I, II | 3 | Half of set I and all of set II w/Steve Kimock; Performing Original Setlist | SBD (Monitor Board Mix) + (Stage) Schoeps CMC6/MK4 + (Stage/25 Foot Split/Facing Audience) Neumann U87 (Cardioid) + (Steve's Amps) Rode NT2 > PreSonus Digimax > RME Hammerfall Digiface > Sharp MV10 > Samplitude v7.02 Professional > SHN | X |
| 10/19/03 | De Kalb, IL | I, II | 3 | Performing 6/24/1976 | 2 stereo tracks (SBD and Neumann Mics) > Digi002 > ProTools 6.1 (24bit)/Titanium G4 (24bit AIF files) > CoolEdit1.2 (24 to 16 bit conversion) > WinWave > SHN | X |
| 10/31/03 | St. Louis, MO | I, II | 3 | Performing Original Setlist | 2 stereo tracks (SBD and Neumann Mics) > Digi002 > ProTools 6.1 (24bit)/Titanium G4 (24bit AIF files) > CoolEdit1.2 (24 to 16 bit conversion) > WinWave > SHN | X |
| 11/07/03 | Greensboro, NC | I, II | 3 | Performing 6/23/1974 | 2 stereo tracks (SBD and Neumann Mics) > Digi002 > ProTools 6.1 (24bit)/Titanium G4 (24bit AIF files) > CoolEdit1.2 (24 to 16 bit conversion) > WinWave > SHN | X |
| 11/11/03 | Athens, GA | I, II | 3 | Performing Original Setlist | 2 stereo tracks (SBD and Neumann Mics) > Digi002 > ProTools 6.1 (24bit)/Titanium G4 (24bit AIF files) > CoolEdit1.2 (24 to 16 bit conversion) > WinWave > SHN | X |
| 11/17/03 | Baltimore, MD | I, II | 3 | Performing Original Setlist | 2 stereo tracks (SBD and Neumann Mics) > Digi002 > ProTools 6.1 (24bit)/Titanium G4 (24bit AIF files) > CoolEdit1.2 (24 to 16 bit conversion) > WinWave > SHN | X |
| 11/18/03 | Baltimore, MD | I, II | 3 | Performing Original Setlist | 2 stereo tracks (SBD and Neumann Mics) > Digi002 > ProTools 6.1 (24bit)/Titanium G4 (24bit AIF files) > CoolEdit1.2 (24 to 16 bit conversion) > WinWave > SHN | X |
| 03/17/04 | Providence, RI | I, II | 3 | Oktava Mk-012's (Cards X-y) > Oade Warm Mod Edirol Ua5 > Monster Optical > Nomad3 (WAV, 44.1k) > FireWire > Sound Forge 7 (Tracking/Fades) > FLAC | X | |
| 04/18/04 | Lincoln, NE | I, II | 3 | Performing 08/26/1980 | ? | X |
| 07/04/04 | Nelson, OH | I, II | 3 | Performing Original Setlist | Schoeps ORTF MTSC 64g (MK4g caps > MSTC6g amps)> Edirol UA-5 > Sony D8 > HDD > tracking via DC6 > wav > shn | X |
| 07/16/04 | Mariaville, NY | I, II | 3 | Performing Original Setlist; w/Tom Constanten | Oktava Mk-012's (Cards X-y) > Oade Warm Mod Edirol Ua5 > Monster Optical > Nomad3 (WAV, 44.1k) > FireWire > Sound Forge 7 (Tracking/Fades) > FLAC | X |
| 08/31/04 | Chicago, IL | I, II | 3 | Performing Original Setlist | FOH Soundboard > HHB CDR-830 Burner > DBpowerAmp > Winwav e> SHN | X |
| 10/15/04 | Falls Church, VA | I, II | 3 | Performing 10/15/1988 | AKG 480/ck61 (XY, 7' stand, LOC) > Oade w-mod UA5 > Compaq 2195 > Sound Forge 6 > CD Wav 1.52 > flac | X |
| HOT TUNA | ||||||
| 12/31/99 | Warfield, SF | All | 2 | Disc I is on Planet Drum 12-31-99 Disc II | FM > DAT > SGI Digi i/o > Soundforge resample > CDR | |
| CHARLIE HUNTER | ||||||
| 01/11/94 | San Francisco, CA | I, II | 2 | Elbo Room | DAT | |
| 11/30/95 | Unknown | ? | 1 | Charlie Hunter Trio; Jazz Central TV show (this is the airdate) | ? | X |
| 09/14/96 | Cincinnati, OH | All | 1 | Charlie Hunter Quartet | DAT > CD > EAC > SHN | X |
| 04/20/97 | San Francisco, CA | All | 2 | Charlie Hunter and Scott Amendola | Sony ECM959A > Sony D7 > master DAT> Tascam DA20 > HHB CDR 630 > EAC (secure/offset) > WAV > FLAC | X |
| 04/15/98 | Chicago, IL | All | 2 | Charlie Hunter and Pound for Pound | Microtech Gefell M210 > Oade Pre-Amp > Sony SBM-1 > Sony D-8 > Sony R300 > HHB CDR-800 > Toast Audio Extractor (overlap) > WAV > SHN | X |
| 10/30/98 | Zurich, Switzerland | All | 1 | Charlie Hunter and Pound for Pound | DSBD > DAT > CDR | |
| 03/25/99 | Oakland, CA | Early Show | 1 | w/Adam Cruz | DAT > CDR | X |
| 05/22/99 | Sommerville, MA | All | 2 | w/Adam Cruz, and w/ John Medeski & Bob Moses on encores | Scheops MK4's > Huber (In Hat-6th Row Center) | X |
| 12/01/99b | San Francisco, CA | Late Show | 1 | w/Adam Cruz, fits on an 80min CD | DAT > CDR | X |
| 05/04/00 | New Orleans, LA | All | 1 | Garage A Trois | ORTF Neumann KM-140 > Lunatec V2 > Apogee AD-100012th row dead center | |
| 06/13/00 | Knoxville, TN | All | 2 | w/Chris Lovejoy & Stephen Chopek | MTG SMS2000/M200 on stage > SX-M2 >SBM1 > D8 > DA20mkii > Phillips CDR870 | X |
| 08/26/00 | Chicago, IL | All | 2 | SBD > DAT > (Sony ZA5ES) >Turtle Beach Montego Bay > WAV > SHN > CDR | ||
| 08/29/00 | Cleveland, OH | All | 2 | Matrix = Schoeps CCM4 > SBD power supply > SBD > HHb PDR 1000 > analog out > Panasonic SV255; 80% sbd, 20% mics > DA30 > HHb850 > CDR (x ?) > EAC > SHN | X | |
| 11/14/00 | Charlottesville, VA | All | 1 | Opener cut | (On Stage) Schoeps cmc621 > Apogee AD-1000 +20dB, @44.1kHz > Sony 59ES > Audio Magic PrestoII > ZA2 > Soundforge 4.5 > CDWav > shn | X |
| 11/15/00 | Charlotte, NC | All | 1 | Neumann ak40s > Neumann lc-3 active cables > Neumann km100s > Sonosax sx-m2 > Audio Magic X-Stream XLRs > SBM-1 > Archive Python DDS/dat2wav > .wav | X | |
| 01/03/01 | Sacramento, CA | All | 2 | AKG C3000s (cardioid,xy) > | X | |
| Tascam DAP1 (oade mod) DAUD Master @ 48KHz > SEK'D PRODIF Plus > SoundForge (48>44) > SHN (no DAE) and CDWAV | ||||||
| 01/12/01 | New York City, NY | All | 2 | Schoeps cmc641(split 20') > Lunatec 316 > DA-P1 @44.1kHz; | X | |
| Sony 59ES > Audio Magic Presto II > ZA2 > Soundforge 4.5 > CDWav > SHN | ||||||
| 05/23/01 | Vancouver, BC | All | 2 | I'm not convinced this is a SBD, but it is good | DSBD > S/PDIF>7pin digicable > SONY TCD-100 > Tascam DA-302 @ 44.1kHz > Mogami S/PDIF digicable> Soundblaster Audigy 2 Platinum > SoundForge v6.0 @ 16bit 44.1kHz > CDWave v1.76 > mkwACT v0.97Beta > SHN | X |
| 06/01/01 | Cleveland, OH | All | 2 | schoeps ccm4 > beyer mv100 > tascam da-p1 (mics against stage) | X | |
| 06/16/01 | Pittsburgh, PA | All | 2 | Microtech Gefell M300 > Lunatec V2 > Tascam DA-P1 > Sony DTC-790 > HHB CDR 830 > wav > shn | X | |
| 10/12/01 | Chicago, IL | All | 1 | Needs 80min CD; Charlie's site says Bloomington, IN | Stage Lip, DFC:Neumann KM-184 > Lunatec V2 > modSBM-1 > D8 > Sony A7 > Echo MIA > Soundforge > MKW | X |
| 12/02/01 | Dallas, TX | All | 2 | Microtech Gefell M210's > Oade M-248 > Sony SBM-1 > Sony D-8 > Tascam DA-20mkII > ZA2 > SHN | X | |
| 12/08/01 | Santa Monica, CA | All | 2 | FOB/DFC/ORTF 15': Neumann AK40's > LC3 > KM100 Mic Bodies > Lunatec V2 > A pogee AD500e @ 44.1K > Seagate DDS > VDAT > WAV > SF 4.5 (Fade in/out) > CDWAV (Track Splits) > SHN via MKW 0.97b | X | |
| 12/23/01b | Oakland, CA | Late Show | 2 | w/Norah Jones and Will Bernard | Unknown mics > D8 > CD > WAV > Peak > xACT > SHN | X |
| 03/09/02 | Chicago, IL | All | 2 | Stage Lip: (ORTF)Schoeps MK4 > KC5 > CMC6 > V2 > modSBM-1 > D8 @48khz > Sony A7 > Sony CDR-W33(Analog w/SBM on) > EAC > CD Wave > MKW | X | |
| 03/11/02 | Indianapolis, IN | All | 1 | Early Show | ? | X |
| 05/17/02 | Portland, ME | All | 2 | Akg C480b/Ck-61(x-y 90) > Oade M248 > Apogee
AD500e(@44.1Khz AES) > Sony TCD-D10proII > Panasonic SV-3700(AES out)
> Zefiro ZA2 > Sound Forge 4.5 > CDWav > SHN |
X | |
| 06/15/02 | North Plains, OR | All | 1 | SBD + (Stage) Rode NT2 > Sound Devices MP2 > Behringer MX1604A > Sony SBM1 (Modified) > Sound Device USB Pre > Sony Vaio C1VP > Samplitude v6.0 > SHN | X | |
| 06/22/02 | Farmingdale, NY | All | 2 | Oktava Mc012(Card) > Mp2 > Sony D10 Pro Directly in front of Stage > Audiophile 2496 > Soundforge 4.5 (48K > 44.1) > Cdwave | X | |
| 07/05/02 | New York City, NY | All | 2 | w/Peter Apfelbaum and Bobby Previte | On-stage Rode NT2 > Sound Devices MP2 > Sony SBM1 (modified) > D8 > Sony R500 > Behringer UltraMatch SRC2000 > M-Audio Delta Dio 2448 > Samplitude v6.0 > CD | X |
| 09/07/02 | Cary, NC | All | 1 | AT853's (cards) > Batt Box > AD-20 > M1 > PCM-R300 > Audiophile 2496 > SoundForge 5.0 > CD Wave 1.62 > MKWACT (shn) | X | |
| 10/14/02 | Pittsburgh, PA | All | 1 | w/Dean Bowman | AT 825 Stereo mic > PreSonus BlueTube > USB Audio Quattro > SoundForge 5 > CDWAV > SHN | X |
| 01/14/03 | New York, NY | All | 2 | Charlie Hunter and Bobby Previte | Neumann TLM 170 (Sub-Cardioid) > Apogee AD1000 > M-Audio Firewire 410 > Samplitude 7.02 Professional (16Bit/48kHz) > CD Wave 1.91 (Track Splits) > FLAC Frontend (WAV > FLAC) | X |
| 01/27/03 | New York City, NY | All | 1 | w/Bobby Previte and DJ Logic | Schoeps 621 (subcards,~XY,~3'stand) + DJ mixing console feed > Mackie 1202 > Apogee AD-1000 (-10 db line in, 16bit / 48kHz) > Digigram VX Pocket > Sony Vaio PCG-C1VS/BW / SoundForge 4.5 / CDWave1.6 (tracking) > .wav > mkwACT > .shn | X |
| 02/27/03 | New York City, NY | All | 2 | Microtech Gefell M300 > Lunatec V2 > DA-P1 > Tascam DA20MKII > Tascam CD-RW700 > EAC (Secure Mode) > MKW > SHN | X | |
| 04/14/03 | Winston-Salem, NC | I, II | 2 | AKG 480/ck61 > Sound Devices USBPre > Sony Vaio PCG-SRX87 (16/44.1) > WaveLab 4.0 > CD Wave > mkwACT > .shn | X | |
| 04/16/03 | Richmond, VA | All | 1 | Opening for SCI | AKG 480/ck61 (90 degree XY, 3rd row balcony) > DMIC-20 > D8@48kHz > > Waveterminal 2496 > SF 4.5 > CDWav 1.52 > mkw .97 > shn | X |
| 04/29/03 | New Orleans, LA | I, II | 2 | Charlie Hunter Trio | fob stage lip x/y Neumann AK40's > LC3KA > KM100 > Lunatec v2 > Apogee AD-1000 @ 16/44. 1> D8 > Seagate DDS(master dat-coax ) > VDAT > Soundforge 6 > CD Wave > MKW 0.97b w/ seek tables appended | X |
| 5/18/03b | Santa Monica, CA | All | 2 | Charlie Hunter Quintet | FOB/DFC/ORTF 15' Neumann AK40's > LC3 > KM100 Mic Bodies > Lunatec V2 > Apogee AD1000 @ 44.1K > Sony PCM-R300(master dat-coax) > Ego-sys waveterminal 2496 > Soundforge 4.5 > CD Wave > MKW 0.97b w/ seek tables appended | X |
| 08/12/03 | Philadelphia, PA | All | 2 | Charlie Hunter Trio | Neumann tlm170 > Lunatec V3 (24/48,HPF#2) > VxPocket > Fujitsu Lifebook S6110 > Sound Forge 5.0 (24/48>16/44.1) > CD Wave (tracks) | X |
| 09/19/03 | Austin, Texas | All | 1 | Charlie Hunter Trio | ADK A-51 TL (hyper, ortf) > Oade P-mod UA-5 > JB3 (wave) > SHN | X |
| 11/13/03 | New York, NY | All | 2 | Charlie Hunter Trio | MSP Oktava MK-012 (Cardioid Capsules) > Tascam US-122 > Dell X200 via USB > Samplitude 7.02 Professional (24Bit/48kHz) > CD Wave 1.91 (Track Splits) > FLAC Frontend (WAV > FLAC; Level 5 Encoding) | X |
| 02/08/04 | Hampshire, England | All | 1 | Hunter/Previte/Logic Trio | Coresound Binaurals > Battery Box > Nomad Jukebox 3 (44.1khz) > USB > Creative Playcentre > wav > CDWave > Flac Frontend > Flac | X |
| 04/27/04 | New Orleans, LA | All | 2 | Charlie Hunter Trio | Neumann AK40s > LC3 > KM100 > Apogee MiniMe@16/44.1 > M 1 > Wav > Flac16 | X |
| 05/21/04 | Millvale, PA | I, II | 2 | Charlie Hunter Trio | Soundfield ST-250 (stage lip, M-S) > Lunatec V3 (24/96) > M-Audio Firewire Audiophile > Sony PCG-V505Ax > WaveLab 4(24/96) > SoundForge 6 (M-S decoding) > CD Wave Editor > FLAC | X |
| 05/22/04 | Erie, PA | I, II | 2 | Charlie Hunter Trio | Oktava MC012 (cards/dorseymod, on-stage DIN) > Edirol UA-5 > JB3 > CEP2 (normalized) > CDWave > wav > flac | X |
| 05/28/04 | Indianapolis, IN | All | 3 | Charlie Hunter Trio | B&K 4021 (ORTF) > Lunatec V3 (+30db) > Sony D8@48khz > Tascam DA-20 MK II > Audiophile 2496 > CD Wave > Soundforge 6.0 (normalize, resample, fades) > shntool V 1.2.3 > FLAC (level 6) | X |
| 08/21/04 | San Francisco, CA | I, II | 2 | Charlie Hunter Trio | Onstage ADK A51STPRO (matched) > Canare cables > UA5@48khz( digimod) > optical > JB3 > soundforge6.0 (resampled, tracked) > wav > flac 8.0 compression | X |
| 09/15/04 | Sacramento, CA | I, II | 2 | Charlie Hunter Trio | Onstage ADK A51STPRO (matched) > Canare cables > UA5@48khz( digimod) > optical > JB3 > soundforge6.0 (resampled, tracked) > wav > flac 8.0 compression | X |
| 09/25/04 | Troy, NY | I, II | 2 | Charlie Hunter Trio | Neumann KM184 > Oade w-mod UA-5 (44.1 kHz) > optical > JB3 > firewire > Sound Forge 6.0 > cdWave > FLAC Frontend | X |
| 09/30/04 | Cambridge, MA | Early and Late | 3 | Charlie Hunter Trio | Schoeps mk21 > kc5 > cmc6 > Lunatec V2 > AD2K+ > Toshiba 3490ct > Vegas 3.0 (24/48) > Wavelab (resample and uv22hr dither) > cdwav editor > FLAC | X |
| STEVE KIMOCK | Conversion: Sound Forge 5.0 (24/48>16/44.1), CDWave (tracks) | |||||
| 01/27/97 | San Francisco, CA | All | 2 | Steve Kimock and Friends | DSBD > Tascam DA-P1 > ADB Pro 18 > Sound Forge 4.5 (converted from 48k to 44.1k) > MKW 0.96f > SHN | X |
| 02/17/00 | San Francisco, CA | I, II | 3 | Martine Fierro, Steve Kimock, Bobby Vega, Jimmy Sanchez, Pete Sears | FOB Sch mk4v's > kc5 > CMC6 > sax > AD1000 [m] > Tascam DA-P1 > WaveCenter/PCI (S/PDIF) in Power Mac G4 > Peak > Jam > CDR | X |
| 02/17/00 | San Francisco, CA | I, II | 3 | Martine Fierro, Steve Kimock, Bobby Vega, Jimmy Sanchez, Pete Sears | Nak 700/CP701 > Sony D5 (As Mic Pre-Amp) > Dat > sony R500 > prodif plus > Samplitude > CD > eac > shn | X |
| 02/18/00 | San Francisco, CA | I, II | 3 | Steve Kimock, Bobby Vega, Jimmy Sanchez, Pete Sears | Left Balcony, 15 Feet from Stage, w/ 2 Neumann KM254s > Tascam DA-P1 > SEK'D Prodif-Plus soundcard > Soundforge > CD Architect > Plextor 8/20 | |
| 02/24/00 | Portland, OR | I, II | 3 | Schoeps MK-4's onstage > KCY active cable > VMS 02ib preamp > SBM-1 > DAP-1 > Oade > D8; DAT > coax > ZA2 > CDR | ||
| 03/31/00 | Fayettville, AR | "Happy Hour" show | 1 | Unknown AUD > DAT > CDR | ||
| 07/03/00 | Qunicy, CA | All | 2 | High Sierra Music Fest | Nak 700's > Sony D5M as mic preamp > D7 > DAT > CDR > EAC > SHN | X |
| 08/05/00 | San Rafael, CA | All | 2 | Onstage Nak 700's > D5 > D7 > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > downsampled to 44.1k/normalized > CD | X | |
| 10/25/00 | Arcata, CA | I, II | 3 | AKG C61's onstage > DAT > SHN > CD | X | |
| 12/01/00 | New York, NY | I, II | 3 | On-Stage "Soundfield" Microphone > ?Pre-Amp > Tascam DA-P1 > Casio DA-R100 @ 48.0 kHz > Sony R500 > CoolEditPro (48/44.1) > CDWAV > SHN > CDR | X | |
| 12/14/00 | Portland, OR | I, II | 3 | AKG 414TLII mic's (on stage) > Graham Patten DMIC-20 > DAT > CD-R > EAC > SHN | X | |
| 12/15/00 | Springfield, OR | I, II | 3 | Onstage Sennheiser 441's > Rode NT2 > 4 ch mixer > P1 > CD | X | |
| 12/16/00 | Springfield, OR | I, II | 3 | Onstage Sennheiser 441's > Rode NT2 > 4 ch mixer > P1 > CD | X | |
| 12/27/00 | San Francisco, CA | I, II | 3 | Needs 1 80min CD | Nak 300s/CP1 > Sony SBM-1 > D8 > Tascam CDRW700 > EAC > Cool Edit Pro > CD > Toast Audio Extractor (overlap) > WAV > SHN | X |
| 12/28/00 | San Francisco, CA | I, II | 3 | Nak 300/CP1 + AKG C1000S > Boss BX4 > Sony SBM-1 > D8 > Tascam CDRW700 > EAC > Cool Edit Pro > CD > Toast Audio Extractor (overlap) > WAV > SHN | X | |
| 12/31/00 | Oakland, CA | All | 1 | Needs an 80min CD | Sennheiser K3U/ME8(Shotguns) > Boss BX-4 > SBM-1 > D8 > Tascam CDRW700 > EAC > SHNv3 | X |
| 03/04/01 | Sebastopol, CA | I, II | 3 | 3 Nakamichi 300/CP1 > Boss BX4 Mixer > Sony SBM1 > Dat > CD | X | |
| 03/05/01 | Sebastopol, CA | I, II | 2 | Needs an 80min CD | On-Stage Neumann U89 (set on cardioid) > Apogee AD 1000 | X |
| 04/13/01 | San Francisco, CA | I, II | 3 | Lip Scheops CMC6/Mk4V > Lunatec V2 > GP ADC-20 > DA-P1 > Patch Bay > D8 > Tascam US-428 s/pdif > PEAK 2.5 > CDR > TAE (overlap) > WAV > SHN | X | |
| 04/14/01 | San Francisco, CA | I, II | 3 | Lip Scheops CMC6/Mk4V > Lunatec V2 > GP ADC-20 > DA-P1 > Patch Bay > D8 > Tascam US-428 s/pdif > PEAK 2.5 > CDR > TAE (overlap) > WAV > SHN | X | |
| 04/27/01 | Chicago, IL | I, II | 3 | Needs 1 80min CD | (On stage) Schoeps MK21's > v2 > ad2k > DA-P1 > Montego II (48>44.1) > CDWAV > shnV3 | X |
| 04/28/01 | Chicago, IL | I, II | 3 | On stage > DAT > WAV > SHN | X | |
| 05/02/01 | Fayetteville, AR | I, II | 2 | Needs one 80min CD | AKG C-61's with CK-1 cardioid capsules, XY @ 110 degrees (center of stage lip) > Tascam DAP-1 > Tascam CD-RW5000 | X |
| 05/04/01 | Fayetteville, AR | I, II | 3 | Includes Happy Hour set | AKG C-61's with CK-1 cardioid capsules, XY @ 110 degrees (center of stage lip) > Tascam DAP-1 > Tascam CD-RW5000 | X |
| 05/06/01 | New Orleans, LA | I, II | 3 | Schoeps m222 > mk21 > elvo nt222 > apogee aD1K > Tascam DA 20 > Prestos > Prodif PLus > Soundforge 5.0 > cdwav > shn | X | |
| 06/08/01 | Anchorage, AK | I, II | 3 | onstage Neumann U89's > Apogee AD1000 > Sony D8 | X | |
| 07/05/01 | Quincy, CA | All | 2 | Dr. Bob's Nak 700's > D5(pre-amp) > D8 >1st gen clone > Tascam DA-20 > Prestos > Prodif Plus > Samplitude 5.58 > cdwav > SoftSound > SHN | X | |
| 08/10/01 | Great Barrington, MA | All | 1 | Oktava Mc012(Card) > Mp2 > Sony D10Pro 1 > Audiophile 2496 > Soundforge 4.5 (48k>44.1 Highest Quality) > Cdwave > Mkw(Shn) | X | |
| 09/06/01 | Boulder, CO | I, II | 3 | MBHO ka100d (omni on stage spaced 2.5') > active cables > 603a bodies > denecke ps2a > inbox > D7 (@44.1k) conversion: d7 > coax > zoltrix nightingale (coax mod) > cdwav > shn (seekable) | X | |
| 10/22/01 | Charlottesville, VA | I, II | 3 | Needs one 80min CD | B & K 4022 > V2 > AD2k > DA-P1 > PCM-M1 > Oade Digital Active cable > ZA2 > CDWAV1.54@48kHz > SF XP 4.5 Resample to 44.1kHz > CDWAV1.54 > SHNv3 | X |
| 11/04/01 | Chicago, IL | I, II | 3 | Rode NT2's>MP2 onstage dfc @ stage lip + AKG414's (cardiod) as drum-overs > Mixer > AD1000 > D8 @ 48kHz > Sony PCM-R500 > Audio Magic Presto II > Delta Di0 2496 > Soundforge 4.5 > cdwav > MKWact (SHNv3) | X | |
| 12/28/01 | San Francisco, CA | I, II | 3 | AKG 480/CK61 > Lunatec V2 > AD2K > D8 @44.1k > DA-20mkII (DAT) > WAV via Audiophile USB (S/PDIF) > Peak & shntool > SHN [no DAE] | X | |
| 12/31/01 | San Francisco, CA | I, II | 3 | Schoeps CMC54 > Lunatec V2 > Tascam DA-P1 (48K) > Delta Dio 2496 >Sound Forge 5.0 (44.1K) > CD Wave (for tracking) > SF 5.0 (fades) > wav and shn | X | |
| 02/01/02 | New York, NY | I, II | 3 | Disc I requires an 80min CD | on stage Schoeps CMC64v (ORTF) > Lunatec V2 > Sonic AD2K+ (48/16NN2) > patch bay > DA-P1 > SEK'D Prodif Plus > Samplitude (48 to 44.1) > CD Wave (splits) > Cool Edit 2000 (fades) > MKWact > SHN (seek tables appended) | X |
| 02/07/02 | Charlotte, NC | I, II | 3 | AKG C61s On Stage > VX-Pocket > Soundforge/Sony VAIO 24-bit @ 96 khz > DAP1 (coax) > DAP1 > Sony D8 @ 16/44.1 khz > Sony D3 > 7-Pin-to-coax > Zoltrix Nightingale Pro 6 > Soundforge 5.0 > CDWAV > mkw (for shn) | X | |
| 02/22/02 | Englewood, CO | I, II | 3 | (Stage) Rode NT2 > Sound Devices MP2 > Sony SBM1 > Sound Devices USBPre > Sony Vaio C1VP > Samplitude 2496 v5.9 > CD | X | |
| 04/18/02 | Madison, WI | I, II | 3 | Schoeps MK21 > KC5 > CMC6 > LunatecV2 > AD1000 > D8@48kHz > Sony PCM-R500 > Di0 2496 > Samplitude 2496 > cdwav > MKWact(SHNv3) | X | |
| 04/28/02 | New Orleans, LA | I, II | 3 | (Stage) Rode NT2 > Sound Devices MP2 > Sony SBM1 > Sound Devices USB Pre > Sony Vaio C1VP > Samplitude 2496 v5.9 > CD | X | |
| 06/08/02 | Union Grove, NC | All | 2 | MBHO 443CLS > Midiman Audio Buddy > Zefiro Inbox > D8 > PCM-M1 > 7-pin to coax. > Zoltrix Nightingale > Soundforge 4.0 (recording, normalization (RMS to -16 dB) > CD Wave (tracking) > mkwACT (wav>shn) | X | |
| 07/04/02 | Mariaville, NY | All | 2 | Oktava MC012's (omni 9' stand) > Graham Patten Dmic20 > Sony PCM-M1 @48k > Tascam DA MK30II > coax > Zoltrix Nightengale 6.0 > SoundForge 4.5 > resample to 44.1k w/ anti alias (highest quality) > Cdwav (track split) > mkw | X | |
| 07/20/02 | Terra Alta, WV | All | 2 | (Stage) Rode NT2 > Sound Devices MP2 > Sony SBM1 > D8 > Digigram VXPocket V2 > Sony Vaio GR270P > Samplitude v.60 > CD > MKW v0.97 Beta 1 | X | |
| 07/27/02 | Jenner, CA | I, II | 3 | Steve Kimock and Jon Sikora | SBD + Rode NT2 (stage) > Sound Devices MP2 > Behringer MX1604A > SMB1 > VXPocket V2 > Sony Vaio C1VP > Samplitude v6.0 > Cool Edit Pro v1.2 > CD | X |
| 08/08/02 | Stanhope, NJ | I, II | 2 | (Stage) Rode NT2 > Sound Devices MP2 > Sony SBM1 > D8 > Digigram VXPocket V2 > Sony Vaio C1VP > Samplitude v.60 > CD | X | |
| 08/11/02 | Great Barrington, MA | All | 1 | (Stage) Rode NT2 > Sound Devices MP2 > Sony SBM1 > D8 > Digigram VXPocket V2 > Sony Vaio C1VP > Samplitude v.60 > CD | X | |
| 10/30/02 | Fayetteville, AR | I, II | 3 | Acoustic show; with Banana, Martin Fierro, Reed Mathis, Jason Smart, and Steve Pryor | (onstage) schoeps cmc6/mk4 (ORTF) > Apogee Mini-Me (16bit/44.1khz) > WAV on Sharp MV10 laptop > tracking by Samplitude 6.0 > CD | X |
| 10/31/02 | Fayetteville, AR | I, II | 3 | Electric show; with Banana, Martin Fierro, Reed Mathis, Jason Smart, and Steve Pryor | (onstage) schoeps cmc6/mk4 (ORTF) > Apogee Mini-Me (16bit/44.1khz) > WAV on Sharp MV10 laptop > tracking by Samplitude 6.0 > CD | X |
| 11/22/02 | Chicago, IL | I, II | 3 | Rex Benefit | Sony R500 > Prodif Plus > Samplitude 6.0 > SHN | X |
| 11/23/02 | Chicago, IL | I, II | 3 | Rex Benefit | Sony R500 > Prodif Plus > Samplitude 6.0 > SHN | X |
| 12/05/02 | Osaka, Japan | I, II | 3 | (Stage) Schoeps MK4 > Schoeps KC5 > Schoeps CMC6 > Apogee Mini-Me > Sharp MV10 > Samplitude v6.0 > SHN | X | |
| 12/06/02 | Yokohama, Japan | I, II | 3 | (Stage) Schoeps MK4 > Schoeps KC5 > Schoeps CMC6 > Apogee Mini-Me > Sharp MV10 > Samplitude v6.0 > SHN | X | |
| 12/07/02 | Tokyo, Japan | I, II | 3 | (Stage) Schoeps MK4 > Schoeps KC5 > Schoeps CMC6 > Apogee Mini-Me > Sharp MV10 > Samplitude v6.0 > SHN | X | |
| 12/08/02 | Nagoya, Japan | I, II | 3 | (Stage) Schoeps MK4 > Schoeps KC5 > Schoeps CMC6 > Apogee Mini-Me > Sharp MV10 > Samplitude v6.0 > SHN | X | |
| 12/15/02 | Kauai, HI | All | 2 | Encore cut short by Anahola Taro Patch management pulling the plug on the PA | Nakamichi CM-700's Blumlein > Blue Kiwi cables > Sound Devices MP-2 > Sony D7 DAT > D8 > SEK'D Prodif Plus > Samplitude Project > CDWav > MKWAct > shn | X |
| 12/28/02 | Vail, CO | All | 3 | (Stage) Schoeps MK4 > Schoeps KC5 > Schoeps CMC6 > Lunatec V2 > Sony SBM1 (Modified) > Sony D8/48k > Sony R500 > Prodif Plus > Samplitude v6.0 > SHN | X | |
| 12/31/02 | Englewood, CO | I, II | 4 | B&K 4011's > V3 > AD2K+ > Nuendo Multiset > Sony Viao CV1N (Sonicorder) > WaveLab 4.0 > .wav (@24bit/96kHz) > FLAC Frontend (Level 6) > .flac | X | |
| 02/15/03 | Worcester, MA | All | 2 | DPA(B&K) 4022 > Apogee Minime @ 16/48 >
Sony D8 > Tascam DA-20mkii > Emagic EMI 2|6 > PowerBook G4 >
Sound Studio 2.0.7 >shntool 1.2.0-rc1 > shn (seek table appended) |
X | |
| 03/01/03 | New York, NY | I, II | 3 | on stage Neumann AK40 (xy @ 90deg)/Lc3KA/KM100 > Apogee MiniMe (16bit/44.1khz) > Sony D7 > Conner CTD8000H/R-S DDS > VDAT > Wavelab 4.0 > CD Wave > mkwACT | X | |
| 03/28/03 | Madison, WI | I, II | 3 | neumann ak40s > lc3s > km100s > audio magic x streams > lunatec v3 > sony d8 @ 44.1k > DAT Master > sony d8 > emi 2|6 > apple imac g4 > sound studio 2.07 > shorten for macintosh 1.1a4 | X | |
| 04/10/03 | Santa Cruz, CA | I, II | 3 | (Stage) Schoeps CMC6/MK4 > Apogee Mini-Me > Sharp MV10 > Samplitude v6.0 > SHN | X | |
| 04/11/03 | San Francisco, CA | All | 2 | (Stage) Schoeps CMC6/MK4 > Apogee Mini-Me > Sharp MV10 > Samplitude v6.0 > SHN | X | |
| 04/12/03 | San Francisco, CA | All | 2 | (Stage) Schoeps CMC6/MK4 > Apogee Mini-Me > Sharp MV10 > Samplitude v6.0 > SHN | X | |
| 04/13/03 | Petaluma, CA | I, II | 3 | (Stage) Schoeps CMC6/MK4 > Apogee Mini-Me > Sharp MV10 > Samplitude v6.0 > SHN | X | |
| 06/27/03 | Solano Beach, CA | I, II | 3 | MBHO 603a/ka200n > Sound Devices MP2 > Tascam DAP1(44.1) > VX Pocket V2 > laptop/WAVLAB4.0/Samplitude Producer2496 V6.0 > cdwave > mkw | X | |
| 10/03/03 | Falls Church, VA | I, II | 3 | Schoeps CMC5Mk41 (NOS) > Lunatec V3 (16/48k) > Sturtevant digi Patch Bay > Tascam DA-P1 > M/Audio Firewire 410 > Laptop > Soundforge 6.0 for editing (fades and tracks) > Shntool used for setting sector boundaries | X | |
| 10/23/03 | Raleigh, NC | I, II | 3 | Neumann SKM-140 > Lunatec V3 > Tascam DAP1 > Sony PCM-R500 > EgoSys Waveterminal 2496 > CDWave (record to hard drive & break into tracks) > MKW (shn) | X | |
| 11/01/03 | Chicago, IL | All | 3 | Private Party | Neumann SKM 184 > Lunatec V2 > Sonic AD2K+ > DAP1 | X |
| 12/26/03 | San Francisco, CA | I, II | 3 | AKG480 hypercard > Apogee MiniMe > Tascam DA-P1 mixed into Oktava MC-012 cardoid > Roland UA5 (Oade Mod 1) > Nomad JB3 optical in 44.1Hz 16bit > firewire > Wavelab 5.0 (render, multiband compressor, meta normalize) > cdwav > mkw (0.96f) | X | |
| 12/27/03 | San Francisco, CA | I, II | 3 | AKG480 hypercard > Apogee MiniMe > Tascam DA-P1 mixed into Oktava MC-012 cardoid > Roland UA5 (Oade Mod 1) > Nomad JB3 optical in 44.1Hz 16bit > firewire > Wavelab 5.0 (render, multiband compressor, meta normalize) > cdwav > mkw (0.96f) | X | |
| 12/29/03 | Boulder, CO | I, II | 3 | Neumann km140 > Lunatec V3 > DC2 > JB3 (44.1k wav) > firewire > pc > CDWav (tracks) > Cool Edit (fades) > mkwACT (shn) | X | |
| 03/06/04 | Charlottesville, VA | I, II | 3 | Schoeps MK4 > VMS02ib > Apogee AD1000 > D8 > Sony R500(48&AES) > Behringer Ultramatch SRC2000(to44.1&coax) > opcode datport > Samplitude (tracking and fades) > WAV > Shntool(len check) > Flac 1.1 | X | |
| 05/11/04 | Flagstaff, AZ | I, II | 3 | Set 1: MBHO KA200N/603A> Lunatec V2 > Graham patten ADC 20> DAP1 @ 48 khz; Set 2: Neumann skm 184's> Lunatec V2 w/ 50hz HPF> Benchmark AD2K+ @16ns3 > DAP1 @ 48khz | X | |
| 05/13/04 | Boulder, CO | I, II | 3 | DPA 4022 (front drink rail) > V2 > modSBM > D8 > RME Digi96-PST > Samplitude Project V5.5 > CDWave > SHN | X | |
| ZERO | ||||||
| 07/18/88 | San Franciso, CA | All | 1 | Sennheiser 441 > Mic's > Sony D5M Cassette Master (Maxell MX 90). Playback on Nakamichi DR-2 Cassette Deck > Sony D100 DAT. Playback on Panasonic SV-3800 DAT Recorder > Digital Coaxial Cable > Tascam CD-RW 700 CD Recorder > EAC > SHN | X | |
| 04/23/93 | Boulder, CO | All | 2 | AUD (rec w/ a 4 channel krell ambisonic mic) / SBD Matrix mix (30/70) | X | |
| 07/09/95 | Veneta, OR | All | 1 | SBD > DAT > (optical) from Sony 59ES > zoltrix Nightingale Pro 6 > SEKD Samplitutde 2946 > Feurio Wave Editor > Plextor CDRW Burner > CDR > EAC > SHNv3 | Z | |
| 12/31/96 | San Franciso, CA | All | 2 | SBD>DAT>CDR>EAC>MKW>SHNv3 | X | |
| 12/11/97 | Denver, CO | I, II | 3 | onstage AKG C61's w/CK1 > DAT > D8 > SEK'D Prodif Plus > Samplitude Project (48->44.1) > CDWav > MKWAct > shn (seek tables appended) | X | |
| 12/14/97 | Evergreen, CO | I, II | 3 | onstage AKG C61's w/CK1 > DAT > D8 > SEK'D Prodif Plus > Samplitude Project (48->44.1) > CDWav > MKWAct > shn (seek tables appended) | X | |
| 11/10/00 | San Franciso, CA | I, II | 3 | (FOB) Nakamichi 300/CP1 + (FOB) Crown PZM > Boss BX4 > Sony SBM1 > Sony D8/44.1k > Sony R500 > Prodif Plus > Samplitude v7.02 Professional > SHN | X | |
| 11/11/00 | San Franciso, CA | I, II | 3 | nak 300(cp1) > sbm > d7 mixed w/ crown pzm onstage > DA-20 > monster cable coax > Tascam 700 > CDR > EAC > wav > retracked via CDWAV > SHN > CDR | X | |
| KVHW | ||||||
| 04/21/98 | Sebastapol, CA | I, II, III? | 3 | KM 254cs > Tascam DA 30 > CDR | ||
| 05/01/99 | Santa Cruz, CA | All | 2 | Onstage Nak 700's Blumlein > Sony D5M as mic preamp > D7 > Tascam DA 20 mkII > Lucid PCI24 digital sound card > CDWav > SHN | X | |
| 05/16/99 | Springfield, OR | All | 4 | ? | X | |
| 07/31/99 | San Francisco, CA | All | 3 | Nakamichi 700 > DM5 > D7 (On Stage) > Tascam DA-20 mkII > Apogee SPDIF > Audiophile 2496 > Sounforge 4.5 (resample 48khz > 44.1khz w/anti-alias filter set at 4) > CDWav > SHN via mkwACT 0.97 | X | |
| 09/04/99 | Laytonville, CA | All? | 1 | Black Oak Ranch | AKG C61 - 20 FT Out | |
| 11/29/99 | Aurora, CO | I, II | 3 | AKG C61 tube mics (Stage) > DATs > CDRs > EAC > SHN > WAV > EAC > SHN | X | |
| 12/11/99 | Atlanta, GA | I, II | 3 | AKG 481&3 > Apogee AD-1000 > D8 @48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > CDR | X | |
| 12/31/99 | San Francisco, CA | All | 2 | Unknown | X | |
| THE BEATLES | ||||||
| 10/24/63 | Stockholm, Sweden | All? | 1 | "Stars Of '63" TSPCD005 "Collect 'em All" | Original silver cd > eac > wav > mkw > shn | X |
| 02/11/64 | Washington, DC | All? | 1 | Professional Silver CDR > EAC > mkw > SHN | X | |
| 06/17/64 | Melbourne, Australia | All? | 2 | Afternoon and evening shows; Includes interviews/music from 6/14/64; | CD-r copy of original Yellow Dog 2 disc set > EAC > Flac | X |
| 09/02/64 | Philadelphia, PA | All? | 1 | FM > bootleg > FLAC | X | |
| 09/03/64 | Indianapolis, IN | All? | 1 | SBD > Yellow Dog CD > EAC > Flac | X | |
| 06/20/65 | Paris, France | All? | 1 | "Live In Paris 1965"; afternoon and evening shows | CDR > EAC > SHN | X |
| 06/30/66 | Tokyo, Japan | p? | 1 | "Five Nights in a Judo Arena"; | FM > bootleg > FLAC | X |
| 1967-1968 | Studio | N/A | 1 | "the Lost Pepperland Reel" | Boot > SHN | X |
| 05/30/68 | Esher, England | N/A | 1 | SBD recordings from George's house | CDR > EAC > MKW > SHN | X |
| GEORGE HARRISON | ||||||
| 00/00/00 | Various | N/A | 1 | "Far East Man"; Live Rarities | Liberated Bootleg | X |
| 00/00/00 | Various | N/A | 2 | "Legend Of A Leg End Vol. 1"; demos, outtakes, interviews | silver cd > EAC > WAV > MKWACT > SHN | X |
| 00/00/70 | Studio | N/A | 1 | "Beware of ABCKO!"; All Things Must Pass Rehearsal | Liberated Bootleg | X |
| 11/22/74 | Fort Worth, TX | All | 2 | Liberated Bootleg | X | |
| 12/01/91 | Yokohama, Japan | All | 2 | "Days Of Speed"; w/Eric Clapton and his band | CDR copy > CD2WAV32 v.3.21 > mkw Audio Compression > SHN | X |
| 12/10/91 | Osaka, Japan | All | 2 | "Rock Legends"; w/Eric Clapton and his band | Bootleg > ? > CDR > EAC > SHN | X |
| 02/15/01 | N/A | N/A | 1 | Capitol Records promo CD interview for reissue of All Things Must Pass | CD > FLAC | X |
| ALLMAN BROTHERS | ||||||
| 02-xx-69 | Jacksonville, FL | ? | 1 | First half is studio demos | Liberated Bootleg > EAC > MKW > SHN | X |
| 05/04/69 | Macon, GA | All? | 1 | ?? > EAC > WAV > SHN | X | |
| 03/13/70 | New Orleans, LA | All? | 1 | cdr > eac > wav > mkw > shn | X | |
| 07/05/70 | Atlanta, GA | All? | 2 | Mountain Jam w/Johnny Winter | Soundboard > MR > Cass Master > DAT > SHN | X |
| 01/29/71 | San Francisco, CA | All | 2 | AUD > unknown machine at 7 1/2 ips > dubbed to 15 ips > digitized in the sound studio at San Jose State University in July, 2001 | X | |
| 03/12/71 | New York, NY | Late? | 1 | SBD | X | |
| 08/26/71 | New York, NY | All | 1 | SBD or FM > ? > CD > SHN | X | |
| 04/16/72 | New York, NY | All? | 1 | SBD > rtr > CDr > skip remaster > CDr > eac > wav > shn | X | |
| 07/28/73 | Watkins Glen, NY | All | 2 | Sound quality varies | Various SBD/AUD (unk equipment) > CDR | X |
| 12/31/73 | San Francisco, CA | I, II, III | 4 | Cow Palace, parts with Jerry, Billy and Boz Scaggs | MR > DAT > CDR > SHN | |
| 07/21/91 | Telluride, CO | All | 3 | Sbd/Aud mix with Neumann TLM 170 > DATs > DAT 60ES > M-Audio Audiophile USB > WAV > Flac frontend | X | |
| 10/06/91 | Mountain View, CA | All? | 2 | DSBD > PCM > CDR | X | |
| 05/18/94 | San Francisco, CA | I, II | 3 | Nakamichi CM300s > D6 > Cassette Master in Tascam 102 > Sony PCM-R300 @44.1k > Tascam DA-20mkII > S/PDIF > Audiophile USB > Peak 3.21 > WAV > shntool > SHN | X | |
| 05/21/94 | San Francisco, CA | I, II | 3 | AKG C460B/CK61-ULS > DATs > DAT 60ES > M-Audio Audiophile USB > WAV > Flac | X | |
| 05/22/94 | San Francisco, CA | I, II | 4 | Cut in the middle of Liz Reed | Neumann u89i (omni) > NagraD (20bit digital reel to reel) 25' spread, 25' from stage > Lexicon 300(20 to 16bit digital conversion) > StellaDAT > Panasonic sv3200 > Marantz cdr615 (48 to 44.1 conversion) > plexwriter 12/10/32a > eac > cd wave > mkwACT 0.97beta > SHN | X |
| 08/30/94 | Syracuse, NY | All | 2 | SBD > DAT Master (48KHz) > Tascam DA-30 MKII > Digital Audio Labs CardDeluxe > SoundForge 5.0 (converted to 44KHz at 4 setting) > Shntool > SHN2 > SHN | X | |
| 09/27/97 | Universal City, CA | All | 2 | Soundboard > ? > SHN | X | |
| 06/29/99 | Cincinnati, OH | I, II | 3 | 15th Row NAK 300 guns > SBM-1 > Tascam DAP-1 > Phillips CDR 870 > EAC > CDWAV > Shorten 32 | ||
| 03/14/00 | New York, NY | I, II | 3 | AT822 stereo mic > Sony D8 > unspecified EQ > standalone Phillips CD recorder > Exact Audio Copy v.9 pre beta 3 > mkwACT .96d | ||
| 03/24/01 | New York, NY | I, II | 3 | Earthworks SR-77 > Sound Devices MP-2 > Graham Patten ADC-20 > D8 > Tascam DA-20mkii > Audiowerk2 > PowermacG4/733 > burn/extract via plextor 12x4x32 | X | |
| 08/05/01 | Atlanta, GA | All | 2 | Neuman 184 > HHB Portadat > D8 > Event Gina > Sound Forge 4.5 (record and convert 48 to 44.1) > CD Wav > mkw | X | |
| 03/19/02 | New York, NY | All | 3 | B&K 4021 > preamp > Aiwa portable DAT > D8 (via analog cable) > Oade cable > Midiman Dio 2448 > CDWav > mkWACT > SHN | X | |
| 03/21/02 | New York, NY | All | 3 | Neumann KM184 > ??? > DA-P1 > D8 > Midiman Dio 2448 > CDWav > mkWACT > SHN | X | |
| 06/12/02 | San Francisco, CA | I, II | 3 | Neumann KM 184's > Lunatec V2@25db > Apogee AD1000 > Tascam DA-P1 > Panasonic SV 3800 > Prodif+ card > Samplitude Producer 6.0 (fades) > CDWav > (tracks) > mkw > shntool (boundaries varified) | X | |
| 03/13/03 | New York, NY | I, II | 3 | Neuman KM184 > Lunatec V3 >Nomad Jukebox III > PC > CDWAV | X | |
| 03/21/03 | New York, NY | I, II | 3 | DPA (B&K) 4022s > Lunatec V3 @ 16/44.1 > Sony D8 > Tascam DA-20mkii > Emagic EMI 2|6 > Apple PowerBookG4 > Sound Studio 2.0.7 > Bias Peak 3.2 > shntool 1.2.0-rc1 > shn | X | |
| 03/29/03 | New York, NY | I, II | 2 | Schoeps CCMMM4 > Sonosax preamp > M1 > DAP1 (via analog cable) > Dio2448 > CDWAV > Goldwave > mkwACT | X | |
| 06/14/03 | Manchester, TN | All | 2 | Neumann AK50 > LC3 > KM100 > V3 > D8 @ 48k > Tascam DA-40 > Dio 2448 > Soundforge 4.5 > CDWave > SHN | X | |
| 09/07/03 | Los Angeles, CA | All | 2 | FOB Neumann AK50's (Sec A Row K) > LC3KA > KM100 > Lunatec V2 > Apogee AD-1000 @ 44.1 > DA-P1 > s/pdif coax > Egosys Waveterminal 2496 > PC/Soundforge 4.5 > CD WAVE > MKW(.shn) | X | |
| MOE | ||||||
| 08/27/95 | Fernandina Beach, FL | I, II | 3 | Soundboard (4 subouts) > Mackie 1202 > Tascam DA-P20 DAT master (band's archive) > ev's DAT(1) > DAT(2) > Zefiro ZA-2 > PC (SoundForge + CD Architect) > 3x74 CDRs > SHN | X | |
| 11/11/96 | Akron, OH | All | 2 | SBD > tascam DA-P1 > SHN | X | |
| 01/21/97 | New York, NY | I, II | 3 | [Soundboard + AKG414s > Mackie 1202 > Behringer Composer] + B&K4021s (110 degrees, ~8' height) + Schoeps MK4s (~8' height, centered at Sbd) > Sonosax SX-M2 > Apogee AD-1000 16/48k > HHb PDR-1000 > SV3800 > Behringer Ultramatch (48K->44.1K) > SGI Indigo^2 > CDWav > SHN (no EAC) | X | |
| 04/17/97 | Burlington, VT | I, II | 3 | DSBD > DAT > CDR > EAC > Flac | X | |
| 07/18/97 | East Troy, WI | All | 1 | SBD > SV3800 > Behringer Ultramatch (48K->44.1K) > SGI Indigo^2 > CDWav > SHN | X | |
| 08/02/97 | Mountain View, CA | All | 1 | DSBD > DA302 > Midiman Delta DiO 2496 > Soundforge 5.0 (48k->44.1k) > CDwav > mkwACT v0.97 (shn files have seek tables appended) [no EAC] | X | |
| 08/03/97 | Irvine, CA | All | 1 | DSBD > DA302 > Midiman Delta DiO 2496 > Soundforge 5.0 (48k->44.1k) > CDwav > mkwACT v0.97 (shn files have seek tables appended) [no EAC] | X | |
| 06/05/98 | Syracuse, NY | All | 2 | SBD > DAT > DAT (clone) > Panasonic 3700 > M-Audio Delta Dio 2496 > SoundForge 6.0 (fades) > CDWav > MKW > SHN | X | |
| 09/11/98 | Seattle, WA | All | 2 | DSBD > SHN | X | |
| 09/17/98 | Berkeley, CA | All | 1 | SBD (mono) > Tascam DA-P1 > DAT > Mac (Peak/Jam) > CD-R > Kenwood TrueX > EAC > SHN (v3) | X | |
| 09/18/98 | San Francisco, CA | I, II | 3 | On 1 80 min and 2 74 min CDs | SBD > DAT > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > downsampled to 44.1k/normalized > SHN (no extraction) > CDR > AIFF > WAV > SHN | X |
| 02/27/99 | San Francisco, CA | All | 3 | Short acoustic set followed by two electric sets | SBD > DAT > DAT (clone) > Panasonic 3700 > M-Audio Delta Dio 2496 > SoundForge 6.0 (fades) > CDWave > MKW > SHN | X |
| 08/08/99 | Geneva, MN | All | 1 | AKG 481 > V2 > DA-P1 > Dat clone > ZA2 > Soundforge > CDRWIN > SHN > CDR | ||
| 10/29/99 | Winooski, VT | I, II | 4 | FOB Center > B&K4021s > AD1000 > HHb > ZA2 > SF4/CDarchitect > PlexWriter820 | ||
| 10/31/99 | New York, NY | I, II | 3 | Neumann TLM-170 > sonosax > tdap20 > d8 > za2 > soundforge > CDWAV > SHN > CDR | ||
| 11/05/99 | Austin, TX | I, II | 3 | DSBD > CD > EAC > SHN | X | |
| 02/10/00 | St. Petersburg, FL | I, II | 2 | On 1 80min and 1 74min CD | AT404 > Gram Patten > DAP1 > CD > EAC > SHN > CDR | X |
| 09/22/00 | Osaka, Japan | I, II | 2 | Needs 1 80min CD | SBD > SBM-1 > D100 > DA-P1 > Turtle Beach Fiji (S/PDIF) > Sound forge 4.5 > Cdwave > SHN > CDR | X |
| 10/31/00 | Upper Darby, PA | I, II | 3 | On 1 80min and 2 74min CDs | Microtech Geffell m200 > Apogee AD1000 > D(m) > Montego II Plus (S/PDIF) > Soundforge XP 4.5 > CDWAV > WAV > SHN > CDR | X |
| 11/17/00 | Worchester, MA | I, II | 3 | AKG c4000B > Lunatec V2 > Sony SBM-1 > Tascan DA-P1 > Sony PCM R500 > Pioneer PDR W739 > Toast Audio Extractor (overlap) > Peak (retracking) > WAV > SHN > CDR | X | |
| 11/18/00 | Albany, NY | I, II | 4 | Will fit on 3 if you break up Yodelittle > Dr. G | AKG c4000B > Lunatec V2 > Sony SBM-1 > Tascan DA-P1 > Sony PCM R500 > Pioneer PDR W739 > Toast Audio Extractor (overlap) > Peak (retracking) > WAV > SHN > CDR | X |
| 02/10/01 | San Francisco, CA | I, II | 3 | Disc II requires an 80min CD or a 35 second overburn | Nak 300/CP1 + Senn 421 > BX4 > SBM-1 > DAT > Tascam 700 > EAC > CD > Toast Audio Extractor > Peak (retracking) > WAV > SHN | X |
| 05/06/01 | New Orleans, LA | All | 1 | FOB DFC > Neumann AK50 > LC3KA > KM100 > AD1000 > D8 > Delta DiO 2496 > Samplitude 2496 > CDWAVE > SHNv3 > CDR | ||
| 06/22/01 | Cleveland, OH | All | 2 | Schoeps ccm4 > beyer mv100 > Tascam DA-P1 | X | |
| 07/01/01 | Cincinnati, OH | I, II | 3 | FOB 20ft DFC > AK40 > LC3KA > KM100 > AD1000 > D8 > Delta DiO 2496 > Samplitude 2496 > CDWAVE > SHNv3 | X | |
| 07/12/01 | New York, NY | I, II | 3 | Central Park Show | Audience FOB - dfc / NeumannTLM170s (cards, 5+' stand) > Lunatec V2 > Apogee AD-1000 (48kHz) > Sony PCM-M1 DAT > Fostex D-10 DAT master > Zefiro ZA-2 (48>44,1) > PC / SoundForge 4.0 / CD Architect / Plextor PlexWriter 8/20 > 3x74 .wav CDRs > EAC V0.9 prebeta / PlexWriter 16/10/40A > PC / mkw Ausio Compression Tool > .shn files | X |
| 07/14/01b | Annapolis, MD | All | 1 | Private show for subscribers to WRNR | SBD > Flac | X |
| 08/31/01 | Turin, NY | All | 2 | moe.down Festival; needs two 80min CDs | Schoeps CMC64V (cards, 30'split @FOB) > Apogee AD-1000 (+20db, 44.1kHz) > HHB PDR1000 > Zefiro ZA2 > Soundforge > CDarchitect > CD | X |
| 09/01/01 | Turin, NY | I, II | 3 | moe.down Festival | Schoeps CMC64V (cards, 30'split @FOB) > Apogee AD-1000 (+20db, 44.1kHz) > HHB PDR1000 > Zefiro ZA2 > Soundforge > CDarchitect > CD | X |
| 09/02/01 | Turin, NY | I, II | 3 | moe.down Festival | Schoeps CMC62S (omnis, 30'split @FOB) > Apogee AD-1000 (+20db, 44.1kHz) > HHB PDR1000 > Zefiro ZA2 > Soundforge (mild bass roll-off EQ) > CD Architect > CD | X |
| 09/30/01 | Park City, UT | I, II | 3 | DSBD (from moe.) > SHN | X | |
| 10/06/01 | San Francisco, CA | I, II | 3 | FOB AK50 > LC3KA > KM100 > AD1000 @48k (~25" from stage) > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/tracking) > WAV > SHN (no extraction) | X | |
| 11/30/01 | Loudenville, NY | I, II | 3 | Disc II requires an 80min CD | MBHO 603a/KA200 (X-Y) > Sound Devices MP-2 > Midiman Flying Calf A/D > Sony D8 > Cd Wav. > .shn > CDR | X |
| 12/31/01 | Asbury Park, NY | I, II, III | 4 | Requires two 80min CDs | FOB Audience - at Front of House center / Schoeps CMC64Vs (13' stand) > Apogee AD-1000 (+20db, 44.1kHz) > VX Pocket > Sony Vaio Picturebook > SoundForge 4.5 (trim & fades) / CDWav 1.62 > .wav files > mkwACT 0.97 BETA 1 > .shn files | X |
| 02/22/02 | Atlanta, GA | I, II | 3 | AKG C1000S > Denecke AD20 > Sony D7 @44.1kHz (XY, LoC, from balcony) > Zoltrix > Soundforge 5.0 > CDWav > SHNv3 | X | |
| 02/28/02 | Charleston, SC | I, II | 3 | Set I: Schoeps CCM4ug (ortf at board) > Oade m148 > mod-sbm-1 > D8 @ 48kHz; Set II: AKG 483 (DIN at board) > Denecke ps-2 > mod-sbm-1 > DA-P1 @ 48kHz; Transfer: Sony 59ES > s/pdif > Audiophile 2496 > SoundForge 4.5 (record/resample/fade) > CDWave (track) > mkwACT > shn | X | |
| 04/20/02 | Philadelphia, PA | I, II | 4 | Set II and E with John Popper | Akg 481 > dmic 20 > m1 > u2a > cdwave | X |
| 05/01/02 | New Orleans, LA | I, II | 3 | B&K 4021s (t-bar/shock mounts, ceiling clamp centered and way upfront) > Lunatec V2 > Tascam DA-P1 (48kHz) : S/PDIF out : Digigram VX Pocket > Sony Vaio Picturebook PCG-162N > SoundForge 4.5 (trim, fades, resample 48kHz -> 44.1kHz [interpolation accuracy: 4 (highest), anti-alias filter applied] > CD Wave > .wav files | X | |
| 05/02/02 | New Orleans, LA | I, II | 3 | DPA 4011 > V3 > D8 (FOH-DFC) > Conner CTD8000 > DAT2WAV > SoundForge(Norm/Resamp) > CDWave > FLAC16 | X | |
| 06/22/02 | Manchester, TN | I, II | 3 | Schoeps cmc4/mk4 > Oade custom power supply > AT-8202 > Zefiro Inbox > Tascam DA-P1 @ 44.1 kHz > Sony D8 > Echo Audio Gina 24 > Cool Edit Pro > CDWav > mkwACT (shn) | X | |
| 07/01/02 | Milwaukee, WI | All | 2 | SBD > SBM1 > D8@48kHz > Sony R-500 > Di0 2496 > Samplitude 2496 > cdwav > MKWact (SHNv3) | X | |
| 07/03/02 | Pittsburgh, PA | All | 2 | Neumann AK40(ORTF) > LC3 > KM100 > Sonosax > AD500e @44.1kHz > Tascam DA-20 > Philips CDR880(no resample) > EAC > SHN | X | |
| 08/31/02a | Turin, NY | All | 1 | Schoeps CMC62S (omnis clamped and split 10') > Apogee AD-1000 > (+20,16/44.1) > Roland UA30 > Apple Powerbook G4(peak LE) > wav > shn | X | |
| 08/31/02b | Turin, NY | I, II | 3 | Schoeps CMC62S (omnis clamped and split 10') > Apogee AD-1000 > (+20,16/44.1) > Roland UA30 > Apple Powerbook G4(peak LE) > wav > shn | X | |
| 09/01/02 | Turin, NY | I, II | 3 | On 2 80min and 1 74min CDs | Schoeps CMC62S (omnis clamped and split 10') > Apogee AD-1000 > (+20,16/44.1) > Roland UA30 > Apple Powerbook G4(peak LE) > wav > shn | X |
| 09/21/02 | New York, NY | I, II | 3 | Neumann KM140s > Apogee Mini-Me > Digigram VX Pocket V2 > Sony Vaio Picturebook C1MW > n-Track Studio > CDWave > SHN (no EAC) | X | |
| 09/24/02 | Madison, WI | I, II | 3 | DAUD/FOB Schoeps MK4V (ORTF) > KC5 actives > CMC6 > Apogee Mini-Me > Sony TCD-D8 @ 48kHz > Sony PCM-R500 > AM Presto II Coax > Delta Di0 2496 > Samplitude v5.5 > CDwav > mkwACT v0.97 | X | |
| 09/28/02 | Cincinnati, OH | I, II | 3 | FOB Neumann AK40(ORTF) > LC3 > KM100 > Sonosax > Apogee AD500E @ 44.1 (DFC, 13th Row, 9' high) > Tascam DA-20(m) > Philips CDR880(no resample) > EAC > SHN | X | |
| 10/02/02 | New York, NY | All | 3 | After Jammys; w/Trey and Warren on some tracks | B&K 4021s > Apogee AD-1000 (+20, 16/44.1, AES/EBU Out) > Digigram VX Pocket > Sony Vaio PCG-C1VS/BW / SoundForge 4.5 (record, trims, fades) / CDWave1.6 (tracking) > .wav > mkwACT > .shn | X |
| 10/31/02 | Troy, NY | I, II | 3 | Simpsons Halloween show | (fob/dfc) Schoeps (ortf) mk4v>kc5>cmc6>Lunatec V2> AD2K+> emagic EMI 2|6> Powerbook G3 running Peak 3.01 (16/44.1) | X |
| 12/12/02 | Boston, MA | I, II | 3 | FOB 5' from stage/stacks @8' Neumann TLM-170s (ORTF, wide card) > Apogee Mini-Me (16/44.1) > Digigram VX Pocket > Sony VAIO C1MW (SoundForge 5) | X | |
| 12/21/02 | Ashville, NC | All | 1 | Warren Haynes Christmas Jam | Neumann SKM140's ortf > Lunatec V3 > DAT@48 > Tascam DA 30 mk-II > zoltrix nightengale 6.0 > SF6 > resample to 44.1 w/ antialias filter and quality at highest setting > cdwav > shn | X |
| 12/27/02 | Upper Darby, PA | All | 3 | FOB - Orch EE 114 (left center) / Neumann TLM170s (cards) > Apogee AD-1000 (+20db, 16/48kHz, AES/EBU out) > Digigram VX Pocket > Sony Vaio PCG-C1VS/BW / SoundForge 4.5 (record, trims, fades, resampling 48>44.1 Interpolation accuracy 4 [highest] & anti-alias filter applied) / CDWave1.6 (tracking) > .wav > mkwACT > .shn [except 32 Things: AD-1000 > Teac DA-P20 DAT master | DAT(m) / Fostex D-10 > RME Digi 96/8Pro > SoundForge4.5...] | X | |
| 12/31/02 | Chicago, IL | I, II | 3 | CAD Equitek 200 > Apogee MiniMe > Sony D8 > S/PDIF In > Soundforge 6.0 > .wav > .shn | X | |
| 01/28/03 | Louisville, NY | I, II | 3 | Neumann KM-150 Hypercardioid > AM Presto II cables > Apogee MiniMe > Apple iBook via USB @ 24bit/48kHz using SparkLE > Peak LE > Jam | X | |
| 01/29/03 | Memphis, TN | I, II | 3 | Neumann KM-150 Hypercardioid > AM Presto II cables > Apogee MiniMe > Apple iBook via USB @ 24bit/48kHz using SparkLE > Peak LE > Jam | X | |
| 01/31/03 | Austin, TX | I, II | 3 | Audio Technica AT4051 > Beyerdynamic MV-100 20dB gain setting > Tascam DA-P1 DAT @ 44.1kHz > M-Audio Delta 66 > Soundforge 4.5 > CD Wave (splits) > MKW (wav -> shn) | X | |
| 02/01/03 | Austin, TX | I, II | 3 | KLM184s > Apogee Mini-me > Toshiba 1115-103S (via usb @ 44.1k) > Sound Forge 6.0 > wav | X | |
| 02/05/03 | St Louis, MO | I, II | 3 | Earthworks SR77 > Sound Devices MP2 > Graham Patten ADC-20 > M1 (48Hz) > Tascam DA-30mkii > Digigram VXPocket2 > Samplitude 2496 > CD Wave > Soundforge v5 (fades) > .shn v3 | X | |
| 02/07/03 | Lawrence, KS | I, II | 3 | AKG 460/ck61's > Sony M1 > Sony M1 > Dio 2448 > Cool Edit 2k > .wav > .shn | X | |
| 02/15/03 | Las Vegas, NV | I, II | 3 | w/Dickey Betts, Mike Gordon, and Frank Hannon | Microtech Gefell 210 (DFC/clamped to lower rail of the balcony) > Lunatec V3 (44.1 kHz) > PCM-M1 > Tascam DA-20 MkII > Delta Dio 2496 > Soundforge 5 > CDWave > .wav files > mkwAct v.97 > .shn | X |
| 02/15/03 | Las Vegas, NV | I, II | 3 | w/Dickey Betts, Mike Gordon, and Frank Hannon | (FOB/DFC) Schoeps mk4v > kc5 > M222 > KS222 > NT222 (+10) > Tascam DA-P1 @ 48 kHz > Sony 59ES > Monster s/pdif > Audiophile 2496 > Wave Lab 4.0 > CDWave > mkwACT v.97b > shn (w/ seek tables appended) | X |
| 02/16/03 | Las Vegas, NV | I, II | 3 | (FOB/DFC) Schoeps mk4v > kc5 > M222 > KS222 > NT222 (+10) > Tascam DA-P1 @ 48 kHz > Sony 59ES > Monster s/pdif > Audiophile 2496 > Wave Lab 4.0 > CDWave > mkwACT v.97b > shn (w/ seek tables appended) | X | |
| 02/20/03 | Stateline, NV | I, II | 3 | MicrotechGefell210s (X-Y at 9'/FOB/DFC) >Lunatec V3 (44.1 kHz) > PCM-M1 > Tascam DA-20 MkII > Delta Dio 2496 > Soundforge 5 > CDWave > .wav files > mkwAct | X | |
| 02/21/03 | San Francisco, CA | I, II | 3 | Schoeps cmc44 (ORTF front OTS, left of board) > oade custom PS > Apogee Mini-Me > SV3800 > SGI Octane > CDWav > SHN (no EAC) | X | |
| 02/22/03 | San Francisco, CA | I, II | 3 | w/Bob Weir | MicrotechGefell210 (ORTF @ 9' in OTS) > Lunatec V3 (44.1kHz) > PCM-M1 > Tascam DA-20 MkII > Delta Dio 2496 > Soundforge 5 > CDWave > .wav files > mkwAct v.97 > .shn | X |
| 03/22/03 | Clifton Park, NY | I, II | 3 | FOB slightly right of center, stand ~10' / B&K 4021s (t-bar,~110d) > Apogee AD-1000 (+20db, 16/44.1) > Digigram VX Pocket > Sony Vaio PCG-C1VS/BW / SoundForge 4.5 / CDWave1.6 (tracking) > .wav > mkwACT > .shn | X | |
| 04/04/03 | Columbus, OH | I, II | 3 | Gefell M300 > wmod UA5 > USB to Dell laptop @ 24/48 > nTrack (.wav) > CE2k downsample to 44.1 > CE2k dither to 16 bit > CDWav > SHN | X | |
| 04/13/03 | Indian Springs, NV | I, II | 4 | Schoeps MK4/CMC4 > Oade custom > Mini-me @ 44kHz > DA-P1 > Tascam DA-20 MkII > Delta Dio 2496 > Soundforge 5 > CDWav >.wav files > mkwAct v.97 > .shn | X | |
| 05/04/03 | Charlotte, NC | I, II | 3 | billed as Monkeys on Esctaay | KG 483 (DIN at 9') > Sonosax SX-M2 > sbm-1 > D8 > Sony59ES > Monster s/pdif > Audiophile2496 > Wave Lab 4.0 > CDWave > mkwACT v.97b > shn | X |
| 05/06/03 | Syracuse, NY | I, II | 3 | billed as Monkeys on Esctaay | Microtech Gefell 210 > Lunatec V3 (44.1 kHz) > PCM-M1 > Tascam DA-20 MkII > Delta Dio 2496 >Soundforge 5 > CDWave >.wav files > mkwAct v.97 > .shn | X |
| 06/07/03 | Stanhope, NJ | I, II | 3 | MicrotechGefell210 > Lunatec V3 (44.1 kHz) > PCM-M1 > Tascam DA-20 MkII > Delta Dio 2496 > Soundforge 5 > CDWave > .wav files > mkwAct v.97 > .shn | X | |
| 06/08/03 | Vienna, VA | All | 2 | MBHO 603a/ka200 > V3->DA-P1 > Tascam DA-30 MkII > Mio Sound Card > Soundforge 6 > CDWave > .wav files > mkwAct v.97 > .shn | X | |
| 06/15/03 | Manchester, TN | All | 2 | With Warren Haynes on guitar and John Popper of Blues Traveler on harmonica | CMC6/MK4 > Mini Me > M1 > Tascam DA-30 MkII > Mio Sound Card > Soundforge 6 > CDWave > .wav files > mkwAct v.97 > .shn | X |
| 06/20/03 | Darien Lake, NY | All | 1 | MK4 > KCy I > VMS 02 IB > SMB1 > D100 > Sony PCM-R300 > Zoltrix Pro > SoundForge (no normalization) | X | |
| 06/21/03 | Cuyahoga Falls, OH | All | 1 | DPA 4022s > Lunatec V3 @ 24/96 > Metric Halo Mobile I/O ULN-2 > Apple PowerBookG4 > Spark LE Plus 2.8 > Peak 3.2 > shntool 1.2.3 > shorten 3.5.1 | X | |
| 06/29/03 | Vernon Downs, NY | All | 1 | CMC6/MK4V's > Lunatech V2 > AD2K+ > DA-P1 > Tascam DA-30 MkII > Echo Audio Sound Card > Soundforge 6 > CDWave > .wav files > mkwAct v.97 > .shn | X | |
| 07/04/03 | Detroit Lakes, MN | All | 2 | AKG 483 > Oade m248 > mod-sbm-1 > Sony D7 @ 48 kHz > Sony 59ES > Monster s/pdif > Audiophile2496 > Wave Lab 4.0 > CDWave v.1.71 > mkwACT v.97 > shn (seek) | X | |
| 07/12/03 | Lewisburg, WV | All | 2 | B+K 4023 > V2 >DA-P1 > Tascam DA-30 MkII > Mio Sound Card > Soundforge 6 > CDWave > .wav files > mkwAct v.97 > .shn | X | |
| 07/27/03 | Altamont, NY | All | 2 | MBHO 648/KA200 > Mini Me > DA-P1 > Tascam DA-30 MkII > Mio Sound Card > Soundforge 6 > CDWave > .wav files > mkwAct v.97 > .shn | X | |
| 07/31/03 | Portland, ME | All | 3 | Free outdoor show | MicrotechGefell210 (x-y/DFC/FOB) > Lunatec V3 (44.1 kHz/bass rolloff) > PCM-M1 > Tascam DA-20 MkII > Delta Dio 2496 > Soundforge 5 > CDWave > .wav files > mkwAct v.97 > .shn | X |
| 08/16/03 | Denver, CO | All | 2 | [fob]Audix m1290 (DIN) > Lunatec V3 > Sony M1 > Panasonic SV 3800 > RME Multiface > WaveLab 4.0 > wav > CDWave > wav > FLAC | X | |
| 08/22/03 | San Francisco, CA | All | 3 | Neumann ak50 > LC3ka > KM100 > AD1000 > D8 @44.1 > Delta DiO 2496 > Samplitude 2496 > CDWAVE > SHN v3 | X | |
| 08/23/03 | Truckee, CA | All | 3 | Neumann AK40 (DIN/ FOB/DFC 30' from stage @ 7' ) > lc3KA > KM100 > Apogee Mme > Sony D7(16/44) > Tascam DA-20 MkII > Delta Dio 2496 > Soundforge 5 > CDWave > .wav files > mkwAct v.97 > .shn | X | |
| 08/29/03 | Turin, NY | All | 2 | Neumann KM184 > PS-2 > AD-20 (44.1 kHz) > PCM-M1 > PCM-R300 > DIO 2448 > cool edit 2000 > cdWave > mkw > shn | X | |
| 08/30/03 | Turin, NY | All | 4 | Neumann KM184 > PS-2 > AD-20 (44.1 kHz) > PCM-M1 > PCM-R300 > DIO 2448 > cool edit 2000 > cdWave > mkw > shn | X | |
| 08/31/03 | Turin, NY | All | 3 | Neumann KM184 > PS-2 > AD-20 (44.1 kHz) > PCM-M1 > PCM-R300 > DIO 2448 > cool edit 2000 > cdWave > mkw > shn | X | |
| 10/02/03 | Ashville, NC | All | 3 | FOB/DFC MBHO ka200n/603a > w-mod Edirol UA-5 > Sony D8 > M-Audio Audiophile 2496 > Soundforge 6.0 (48 > 44.1) > CDWave 1.71 > FLAC Frontend | X | |
| 10/05/03 | Raleigh, NC | All | 3 | AKG 480/ck61 > USBPre > Vaio PCG-SRX87 (16/48) > WaveLab 4.0 (48>44.1) > CD Wave > mkwACT > .shn | X | |
| 10/31/03 | Chicago, IL | All | 2 | Neumann SKM 184 > Lunatec V2 w/ 50 hz rolloff > sonic AD2K+ @16NS3 > DAP1 > sony M1(dat master) > HHB cdr 830 Bunit pro(cdr) > EAC > wave editor > wave lab 4.0 for normalization & fades > flac | X | |
| 11/01/03 | Chicago, IL | All | 3 | AKG C1000S (hypers, XY @ 80°, DFC, 13') > Edirol UA-5 (Oade P-Mod) > S/PDIF > Sony TCD-D7 > S/PDIF > Echo Mia > Sound Forge 4.5 (to 44.1k @ highest accuracy; anti-alias filter) > CDWav > FLAC | X | |
| 11/08/03 | Portland, ME | All | 3 | AKG391's > Edirol UA-5 (Oade warm mod) > d8 @ 48 Khz > S/PDIF NVIDIA SoundStorm Dolby Digital Audio > Soundforge 7.0 (clips removed with noise reduction 2.0 clip peak restoration. Resampled to 44.1Khz using anti-alias filter and Interpolation accuracy of 4) > CDWAV > Flac Frontend | X | |
| 11/11/03 | Toronto, Canada | All | 3 | DPA 4023 > Lunatec V3 > VXPocket v2 > Toshiba 3480ct > Vegas3 > CDWave > FLAC Frontend | X | |
| 11/15/03 | Ithaca, NY | All | 3 | MicrotechGefell210 (DFC/SweetSpot) >Lunatec V3 (44.1 kHz) > PCM-M1 > Tascam DA-20 MkII > Delta Dio 2496 > Soundforge 5 > CDWave > .wav files > mkwAct v.97 > .shn | X | |
| 11/29/03 | New York, NY | All | 3 | FOB 5' ROC (row J seat 111) Neumann TLM 170s (Hypercard, ORTF @7') > E.A.A. PSP-2 > Apogee Mini-Me (16/44.1) > DA-P1 > SGI Octane > CDWav -> SHN (no EAC) | X | |
| 12/05/03 | Indianapolis, IN | All | 3 | B&K 4021(ORTF) > Lunatec V3 (+25db) > Apogee A/D 1000 > Sony D8@48khz > Master DAT (Sony R300) > CDR (Tascam) > EAC (secure) > wav. > shn | X | |
| 12/06/03 | Columbus, OH | All | 3 | Schoeps CMC64v(ortf) > Sonosax SX-M2 > Apogee A/D 1000 > D8 @44.1kHz > Apogee Wyde Eye s/pdif > Delta DiO 2496 > CD Wave > mkwACT | X | |
| 12/03/03 | Philadelphia, PA | All | 3 | Audio Technica 4051a(cards) > Lunatec V2 > mod sbm-1 > D100(48khz) > UA-5 > Toshiba Satellite 1135-S155 > Soundforge 6(resample to 44.1khz w/anti-alias filter 4/4) > cdwav(splits) > mkwACT > SHN | X | |
| 12/31/03 | Camden, NJ | All | 3 | Audio Technica 4051a (cards) > Lunatec V2 > Mod SBM-1 > D100 (48khz) > UA-5 > Toshiba Satellite 1135-S155 > Soundforge 6 (resample to 44.1khz w/anti-alias filter 4/4) > CDwav(splits) > MKWact > SHN | X | |
| 01/31/04 | Atlanta, GA | All | 4 | OTS Neumann KMi84s > Canare Starquad > Lunatec V3 (@ 44.1kHz) > Sony D8 > M-Audio Audiophile 2496 > Soundforge 6.0 > CD Wav 1.71 > Flac Frontend | X | |
| 02/04/04 | Louisville, KY | All | 3 | Neumann AK40(ortf) > LC3 > KM100 > Sonosax SX-M2 > Apogee A/D 1000 > D8 @ 44.1 kHz > Apogee Wyde s/pdif > Delta DiO 2496 > CDWave > mkwACT | X | |
| 02/05/04 | Charlottesville, VA | All | 3 | Acoustic Show | Schoeps CMC6/MK4 > V3 > DA-P1 > Tascam DA-30 MkI I> Mio Sound Card > Soundforge 7 > CDWave > .wav files > mkwAct v.97 > .shn | X |
| 02/10/04 | Durham, NC | All | 3 | AKG 480/ck61 > USBPre > Vaio PCG-SRX87 (16/48) > WaveLab 4.0 (48 > 44.1) > CD Wave > mkwACT > .shn | X | |
| 02/14/04 | Denver, CO | All | 2 | ADK A51-TL(X-Y)(card) > Apogee Mini-Me > Vx Pocket V2 > Sony C1VN > Soundforge 7.0 > cD Wave > MKW | X | |
| 02/21/04 | Winooski, VT | All | 3 | Neumann KM-150 (FOB/DFC 20' back @ 10' > Apogee MiniMe (16b/44.1kHz) > Sony PCM-M1 > Midiman CO2 (coaxial>optical) > Power Mac G5 > Peak 4 > shntool | X | |
| 03/06/04 | Hollywood, FL | All | 2 | Schoeps CMC6/MK4 > V3 > DA-P1 > Tascam DA-30 MkII > Mio Sound Card > Soundforge 7 > CDWave > .wav files > mkwAct v.97 > .shn | X | |
| 03/07/04 | Norweigen Sun | All | 3 | Schoeps CMC6/mk4 > Apogee Minime > PowerBook 15" Al via USB 24/48 > MacOS X 10.3.2 Spark XL 2.82.274 > Peak 3.2.1 (OS X G4+) > FLAC 1.10 | X | |
| 03/08/04 | Norweigen Sun | All | 3 | Schoeps mk4>kc5>cmc6 > Apogee Minime > PowerBook 15" Al via USB 24/48 > MacOS X 10.3.2 Spark XL 2.82.274 > Peak 3.2.1 (OS X G4+) > FLAC 1.10 | X | |
| 03/09/04 | Norweigen Sun | All | 2 | Schoeps mk4>kc5>cmc6 > Apogee Minime > Sony D100 @ 16/48 > PowerBook 15" Al via emagic A62 m USB 16/48 > MacOS X 10.3.2 Spark XL 2.82.274 > Peak 3.2.1 (OS X G4+) > FLAC 1.10 | X | |
| 03/10/04 | Norweigen Sun | Early | 2 | Neumann AK40(ORTF) > LC3 > KM100 > Sonosax SX-M2 > Apogee A/D 1000 > D8 @ 44.1 > Apogee Wyde Eye s/pdif > Delta DiO 2496 > CDWave > mkwACT | X | |
| 03/10/04 | Norweigen Sun | Late | 2 | moecruise | Schoeps CMXY4V > V3 @ 44.1 > PCMR500 > DIGIDESIGN AMIII > WAV BOUNCE > SHN | X |
| 03/13/04 | Norweigen Sun | All | 3 | moecruise | Split ~16' clamped front of balcony safety net, pointed at stacks / B&K(DPA)4021s (shock mounts) > Lunatec V3 (+38db,16/44.1) > Digigram VX Pocket > Sony Vaio PCG-162N / Soundforge 4.5 (record, fades, trim) / CD Wave / mkwACT | X |
| 04/02/04 | Mattydale, NY | I, II | 3 | Neumann KM184 > Oade w-mod UA-5 (44.1 kHz) > PCM-M1 > PCM-R300 > DIO 2448 > Sound Forge 6.0 > cdWave > mkwACT | X | |
| 04/03/04 | Mattydale, NY | I, II, III | 4 | Schoeps CMC6/mk4 > Apogee Minime > PowerBook 15" Al via USB 24/48 > MacOS X 10.3.2 Spark XL 2.82.274 > Peak 4.0 (OS X G4+) > FLAC 1.10 | X | |
| 04/15/04 | Las Vegas, NV | I, II | 3 | Schoeps CMC4/MK4 > Oade Custom > Mini Me > DA-P1 > Tascam DA-30 MkII > Mio Sound Card > Soundforge 7 > CDWave > .wav files > Flac | X | |
| 04/16/04 | Las Vegas, NV | I, II | 3 | Schoeps CMC4/MK4 > Oade Custom > Mini Me > DA-P1 > Tascam DA-30 MkII > Mio Sound Card > Soundforge 7 > CDWave > .wav files > Flac | X | |
| 04/17/04 | Las Vegas, NV | I, II | 4 | Schoeps CMC4/MK4 > Oade Custom > Mini Me > DA-P1 > Tascam DA-30 MkII > Mio Sound Card > Soundforge 7 > CDWave > .wav files > Flac | X | |
| 04/20/04 | Stateline, NV | I, II | 3 | Schoeps CMC4/MK4 > Oade Custom > Mini Me > DA-P1 > Tascam DA-30 MkII > Mio Sound Card > Soundforge 7 > CDWave > .wav files > Flac | X | |
| 05/29/04 | Chillicothe, IL | I, II | 2 | Schoeps CMC4/MK4 > Oade Custom > Mini Me > DA-P1 > Tascam DA-30 MkII > Mio Sound Card > Soundforge 7 > CDWave > .wav files > Flac | X | |
| 05/31/04 | Chillicothe, IL | I, II | 4 | Schoeps CMC4/MK4 > Oade Custom > Mini Me > DA-P1 > Tascam DA-30 MkII > Mio Sound Card > Soundforge 7 > CDWave > .wav files > Flac | X | |
| 06/04/04 | Boston, MA | I, II | 3 | AKG391's(FOB) > Edirol UA-5 (Oade warm mod) > NJB3 @ 44.1 Khz > Firewire > PC > CDWAV > Flac Frontend | X | |
| 06/08/04 | Norfolk, VA | I, II | 3 | Schoeps CMC4/MK4 > Oade Custom > Mini Me > DA-P1 > Tascam DA-30 MkII > Mio Sound Card > Soundforge 7 > CDWave > .wav files > Flac | X | |
| 06/13/04 | Manchester, TN | All | 2 | Bonnaroo | SCHOEPS CMC6/MK4V'S > LUNATEC V2 > AD2K+ (48KHZ/24BIT) > VX POCKET > SONY VAIO > Soundforge 6.0 > CD Wave > Flac | X |
| 06/25/04 | Milwaukee, WI | All | 2 | AKG 480/ck61 > USBPre > Vaio PCG-SRX87 (16/48) > WaveLab 4.0 (48 > 44.1) > CD Wave > mkwACT > .shn | X | |
| 06/30/04 | San Francisco, CA | I, II | 3 | Schoeps CMC6/MK4 > V3 > DA-P1 > Tascam DA-30 MkII > Mio Sound Card > Soundforge 7 > CDWave > .wav files > Flac | X | |
| 07/03/04 | Quincy, CA | All | 3 | Apex420's (omni, split 25',30'back,11'high) > canare star quad cables > Ua5(24/48) > Toshiba3480CT > soundforge 6.0 (resampled at highest setting,dithered, and tracked) > wav > flac16bit | X | |
| 07/06/04 | San Diego, CA | I, II | 3 | Schoeps CMC6/MK4 > V3 > DA-P1 > Tascam DA-30 MkII > Mio Sound Card > Soundforge 7 > CDWave > .wav files > Flac | X | |
| 07/07/04 | Ventura, CA | I, II | 3 | Schoeps CMC6/MK4 > V3 > DA-P1 > Tascam DA-30 MkII > Mio Sound Card > Soundforge 7 > CDWave > .wav files > Flac | X | |
| 07/08/04 | West Hollywood, CA | I, II | 3 | Schoeps CMC6/MK4 > V3 > DA-P1 > Tascam DA-30 MkII > Mio Sound Card > Soundforge 7 > CDWave > .wav files > Flac | X | |
| 07/09/04 | West Hollywood, CA | I, II | 3 | Schoeps CMC6/MK4 > V3 > DA-P1 > Tascam DA-30 MkII > Mio Sound Card > Soundforge 7 > CDWave > .wav files > Flac | X | |
| 07/22/04 | Hampton Beach, NH | I, II | 3 | Neumann KM-150 > Apogee MiniMe @ 16b/44.1kHZ > Sony PCM-M1 > Midiman CO2 (coax<->optical) > PowerMac G5 | X | |
| 07/23/04 | Atlantic City, NJ | I, II | 2 | Audio Technica 4051a > Apogee Minime > Toshiba Satellite 1135-S155 > Wavelab 5 (audio capture 24bit/48khz) > Wavelab 5 (Dither w/UV22HR to 16bit/48khz) > Soundforge 6 (resample to 44.1khz w/anti-alias filter 4/4) > Cdwave (splits) > FLAC16 (level5) | X | |
| 07/24/04 | Brookhaven, NY | I, II | 3 | Neumann KM-150 > Apogee MiniMe @ 16b/44.1kHZ > Sony PCM-M1 > Midiman CO2 (coax<->optical) > PowerMac G5 | X | |
| 07/25/04 | Baltimore, MD | I, II | 4 | Sennheiser MKH-800s (subcards) @ ~ 9' > Lunatec V3 @ 16/48 > Sony PCM-M1 > Audiophile 2496 > Goldwave 5.08 > CD Wave 1.93 > shntool 1.2.3 | X | |
| 08/14/04 | Fort Collins, CO | I, II | 3 | CMC6/MK4 > V3 > VX Pocket V2 > fujitsu 7010 > Flac | X | |
| 08/15/04 | Fort Collins, CO | I, II | 4 | CMC6/MK4 > V3 > VX Pocket V2 > fujitsu 7010 > Flac | X | |
| 09/03/04 | Turin, NY | All | 2 | CMC6/MK4 > V3 > VX Pocket V2 > fujitsu 7010 > Flac | X | |
| 09/04/04 | Turin, NY | I, II, III | 6 | CMC6/MK4 > V3 > VX Pocket V2 > fujitsu 7010 > Flac | X | |
| 09/05/04 | Turin, NY | I, II | 3 | CMC6/MK4 > V3 > VX Pocket V2 > fujitsu 7010 > Flac | X | |
| 10/22/04 | Indianapolis, IN | I, II | 3 | Schoeps MK41 > KC5 > CMC6 > V3 > VX pocket V2 > fujitsu 7010 > Wave Lab 5.0 > cd wave > flac | X | |
| 10/23/04 | Cincinnati, OH | I, II | 3 | Schoeps MK4 > KC5 > CMC6 > V3 > VX pocket V2 > fujitsu 7010 > Wave Lab 5.0 > cd wave > flac | X | |
| 10/24/04 | Kalamazoo, MI | I, II | 3 | Neumann AK40(DIN) > LC3 > KM100 > Sonosax > AD-1000 > optical > JB3 > Firewire > PC > CDWave > FLAC Frontend | X | |
| 10/28/04 | Ithaca, NY | I, II | 3 | Schoeps MK4 > KC5 > CMC6 > V3 > VX pocket V2 > fujitsu 7010 > Wave Lab 5.0 > cd wave > flac | X | |
| 10/29/04 | Washington, D.C. | I, II | 3 | Audio Technica 4051a > Lunatec V3 > VXpocket V2 > Toshiba Satellite 1135-S155 > Wavelab 5 (audio capture: 24bit/48khz) > Soundforge 6 (resample to 44.1khz w/anti-alias filter 4/4) > Wavelab 5 (Dither w/UV22HR) > Cdwave (splits & Encoding) > Flac16 | X | |
| 10/31/04 | Nashville, TN | I, II, III | 4 | Schoeps MK41 > KC5 > CMC6 > V3 > VX pocket V2 > fujitsu 7010 > Wave Lab 5.0 > cd wave > flac | X | |
| AL AND THE TRANSAMERICANS | ||||||
| 09/13/03 | Poughkeepsie, NY | All | 2 | Neumann KM184 > PS-2 > AD-20 (44.1 kHz) > PCM-M1 > PCM-R300 > DIO 2448 > cool edit 2000 > cdWave > mkw > shn | X | |
| BOB DYLAN | ||||||
| 05/03/63 | Chicago, IL | All? | 1 | Studs Terkel's Wax Museum radio show | FM > ? > CD > SHN | X |
| 05/01/70 | New York, NY | All? | 1 | Unreleased studio recordings; w/Geoerge Harrrison | SDB > CD > SHN | X |
| 02/11/74 | Oakland, CA | All | 2 | SDB > CD > SHN | X | |
| 09/23/95 | Ft Lauderdale, FL | All | 2 | Mics Unknown, DAT Audience x 2 > Sony M-1 > Midiman Optical > SPDIF SB Platinum > CoolEdit WAV > CDWav > SHN (mkw) | X | |
| 06/10/98 | Berkeley, CA | All | 2 | SDB > CD > SHN | X | |
| 10/23/98 | Minneapolis, MN | All | 2 | Unknown AUD | X | |
| 11/18/99 | Amherst, MA | All | 2 | w/Phil Lesh, Jorma Kaukonen & Warren Haynes | Schoeps MK4 > CD > SHN | X |
| 02/10/02 | Charlotte, NC | All | 2 | Neumann ak40s > Neumann lc-3 active cables > Neumann km100s > Audio Magic X-Stream XLRs > Sonosax sx-m2 > Sony D100 > Archive Python DDS/DAT2WAV > .wav > CD-WAV/mkwACT > .shn | X | |
| 10/11/02 | Berkeley, CA | All | 2 | CDR > WAV [Easy CD-DA Extractor] > SHN [MKW Audio Compression Tool] | X | |
| 04/20/03 | Austin, TX | All | 2 | ? | X | |
| 11/01/03 | Rome, Italy | All | 2 | Unknown AUD | X | |
| BOB DYLAN AND PAUL SIMON | ||||||
| 07/10/99 | Maryland Heights, MO | All | 3 | Dylan and Simon sets | Core Sound Carioids > Sony PCM-M1 > HHb CDR-850 > EAC > SHN | X |
| BRUCE SPRINGSTEEN | ||||||
| 08/07/02 | East Rutherford, NJ | All | 2 | AT 933 Hypercardioids > Battery Box > Sony PCM-M1 > Sony PCM 2300 > Zoltrix Nightingale > Cool Edit Pro > Convert from 48k > 44.1k > CDWAV tracking > MKW | X | |
| 08/14/02 | Cleveland, OH | All | 2 | AT943 Cardoid's > Sony PCM-M1 > Sony DG90P at 44100 > Tascam CDRW700 > Cool Edit Pro 2.0 > mkwact > SHN | X | |
| 05/29/03 | Manchester, England | All | 2 | Sony D7 with Sonic Studio mics > CDr trade > EAC(Secure) > WAV > Shorten > SHN | X | |
| 07/15/03 | East Rutherford, NJ | All | 3 | DPA (B&K) 4022s > Sound Devices MP-2 > Sony D100 > Tascam DA-20mkii > Emagic EMI 2|6 > Apple PowerBookG4 > Spark LE Plus 2.8 > Peak 3.2 (normalize) > shntool 1.2.3 > shorten 3.5.1 | X | |
| 08/09/03 | Philadelphia, PA | All | 3 | CSB > D8 | X | |
| OMINOUS SEAPODS | ||||||
| 09/27/96 | Buffalo, NY | All | 1 | SBD > DAT @ 48kHz > Sony D8 > Echo Audio Gina 24 > Cool Edit Pro > CDWav > mkwACT > .shn | X | |
| 10/18/97 | Syracuse, NY | I, II | 2 | SBD > DAT @ 48kHz > Sony D8 > Echo Audio Gina 24 > Cool Edit Pro > CDWav > mkwACT > .shn | X | |
| 06/20/98 | Plattsburgh, NY | All | 1 | SBD > D100 @44.1KHz > DA-P1 > RME Digi96/8 PST > HD via CD Wave | X | |
| 09/18/98 | San Francisco, CA | All | 1 | Opening for moe. | Neumann KM 184 > LUN > ZEF > DA-P1 > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV > SHN (no extraction) | X |
| MMW | ||||||
| 08/10/00 | Hyannis, MA | All | 1 | Microtech Gefell SMS2000/M210 > Beyer MV100 > Sony SBM-1 > DA-30 mk.II > Opcode Datport > IBM Think Pad 600X > Sound Forge 4.5 > SHN > CDR | X | |
| 12/01/00 | Albany, NY | I, II | 3 | w/Trey on guitar | AKG ck61 > Active Cables > JK Labs ECMS > SBM-1 > M1 8th Row Slighly Left of Center, on stand, ORTF 110¡ pattern > DA-P1 > Fiji > Sound Forge 4.5 > CD Wave > SHN v3 > CDR | X |
| BRUCE HORNSBY | ||||||
| 12/02/95 | Hamburg, Germany | I, II | 2 | Solo | DSBD/matrix > DAT > SHN v3 > CDR | X |
| 03/28/99 | Williamsburg, VA | I, II | 2 | Solo benfit | SDB/matrix > DAT > CDR > SHN > SCDR | X |
| 03/30/99 | Williamsburg, VA | All | 2 | Solo benfit | SDB/matrix > DAT > CDR > SHN > SCDR | X |
| 11/04/00 | Berkeley, CA | I, II | 2 | w/Steve Kimock. on 1 80min and 1 74min CD | AKG C3000s (cardioid,XY,-10db) > Tascam DAP1 (oade mod) DAUD Master > DAP1 > SEK'D PRODIF Plus > Sound Forge (48>44) > SHN (no DAE) | |
| 08/16/01 | Milwaukee, WI | All | 2 | Schoeps MK4V > KC5 > CMC6 > Apogee AD1000 > D8 > DA-20mkII > RME DIGI96/8 PST > Samplitude > CDWAV > SHN | X | |
| 07/24/02 | Westbury, NY | All | 2 | 2nd 1/2 of 1st set with Branford Marsalis | Oktava Mc012(Hyper Card) > Mp2 > Sony D10 Pro > Audiophile 2496 > Soundforge 4.5(48k>44.1K) > Cdwave > Mkw(shn) | X |
| 10/05/02 | Spotsylvania, VA | All | 2 | w/Steve Kimock | SBD > ? > SHN | X |
| STRING CHEESE INCIDENT | ||||||
| 08/08/99 | Geneva, MN | All | 1 | AKG 481 > V2 > DA-P1 > Dat clone > ZA2 > Soundforge > CDRWIN > SHN > CDR | ||
| 10/29/00 | Northampton, MA | I, II | 3 | SBD XLR > AD2K+ > TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3 > CDR | X | |
| 03/08/01 | San Francisco, CA | I, II | 3 | w/Steve Kimock | Schoeps CMXY-4 > Audio Magic cables > Lunatec V2 > Yamaha O1V Digital mixer SBD> Apogee Rosetta 24 bit A/D > Yamaha O1V Digital mixer Yamaha O1V 16 bit AES > Tascam DAP1 analog out# > SBM-1 > patch bay > D8 CD xfer: Otari DTR-8S > Waveterminal 2496 > Cool Edit Pro > CDRWin | X |
| GALACTIC | ||||||
| 08/08/99 | Geneva, MN | All | 1 | AKG 481 > V2 > DA-P1 > Dat clone > ZA2 > Soundforge > CDRWIN > SHN > CDR | ||
| GOV'T MULE | ||||||
| 08/30/97 | San Francisco, CA | I, II | 3 | SBD > DAT > CD > EAC > WAV > normalized in CoolEdit2K > re-tracked in CDWAV > FLAC | X | |
| 08/08/99 | Geneva, MN | All | 1 | AKG 481 > V2 > DA-P1 > Dat clone > ZA2 > Soundforge > CDRWIN > SHN > CDR | ||
| 12/31/00 | San Francisco, CA | All | 1 | Acoustic Mule (w/Mike Gordon) opening for Phil | AKG480 > MP2 > ADC20 > P1 > CDR > EAC > WAV > mkwACT > SHN | X |
| 05/06/01 | Atlanta, GA | All | 1 | Warren Haynes and Friends | sbd > sbm-1 > d100 conversion: d100 > delta dio 2496 > samplitude 4.5 > wav | X |
| 09/20/01 | San Francisco, CA | I, II | 4 | Gefell M210> Oade 148 P/S> SBM1, DFC, mic stand taped to balcony pointing down | X | |
| 12/21/01 | Ashville, NC | All | 2 | schoeps mk21's > (ortf) > kc5's > ad1k > @44.1khz's > sony tcd 8 > da20mkII > rme96/8 > cd wav(in)+(tracks) > mkw > shn | X | |
| 05/04/02 | New Orleans, LA | All | 1 | DPA (B&K) 4011s > Luminous Monarch XLRs > Lunatec V2 > Sonic AD2k+ > M1 > Tascam DA20mkii > Audiowerk2 > PowerMac G4/733 > Coaster 1.1.3 > SoundEdit16 2.07 > Shntool 1.01 | X | |
| 06/21/02 | Manchester, TN | All | 2 | B&K 4022 (XY) > Sonosax SX-M2 > Apogee AD1000 DFC FOB > Sony D8 > Delta Dio 24/96 via coax > Soundforge 5.0 (resampled to 44.1khz) > CDWave for track splits > mkwACT for shnning | X | |
| 08/03/02 | East Troy, WI | All | 1 | Warren Haynes solo | ? > DA-P1 > Event Gina > Sound Forge 5.0 > mkwact | X |
| 10/24/02 | San Francisco, CA | I, II | 3 | Dat (Sony R500) > Behringer UltraMatch SRC2000 > Dio 2448 > Samplitude v6.0 > Cool Edit Pro v1.2 > CD | X | |
| 12/30/02 | New York, NY | I, II | 3 | DPA (B&K) 4022s > Lunatec V3 @ 16/44.1 > Emagic EMI 2|6 > Apple iBook > Coaster 1.1.3 > Sound Devices 2.0.6 > shntool 1.2.0-rc1 | X | |
| 12/31/02 | New York, NY | I, II | 3 | B&K 4021 > Aeta preamp > DA-P1 > DA-P1 > Dio2448 > CDWAV > mkWACT | X | |
| 05/03/03 | New Orleans, LA | I, II | 5 | Neumann AK50+LC3+KM100(DIN) > Oade M148 > mod SBM1 > Fostex D5 > Terratec EW24/96 > Cool Edit > CD Wav > Flac > SHN | X | |
| 06/15/03 | Manchester, TN | All | 2 | Warren Haynes solo | AT3035 > PS2 > AD20 > D8 > Sound Blaster Extigy > CD Wav > Feurio > MKW > Shn | X |
| 08/16/03 | Terra Alta, WV | All | 2 | Warren Haynes solo; | Sure ksm 137 > MP2 > Adc-20 > Sony M1(48kbps) > SPDIF > Sound Blaster > Cool Edit Pro > 44.1 kbps > Flac > Flac Verifed | X |
| 10/11/03 | Kingston, NY | All | 3 | Neumann KM184 > PS-2 > AD-20 (44.1 kHz) > PCM-M1 > PCM-R300 > DIO 2448 > Cool Edit Pro 2.0 > cdWave > mkw > shn | X | |
| 12/31/03 | New York, NY | All | 3 | Neumann KM-150 > Apogee MiniMe (16b/48kHz) > Sony PCM-M1 > Midiman C03 (coax>optical) > PowerMac G5 > Peak 4.01 > FLAC | X | |
| 02/10/04 | Tallahassee, FL | I, II | 2 | AKG 483 > Warm UA5 > M1 >SV 3800 > SEKD Prodif 96 pro > Samplitude 5.58 > Waves Q-10(EQ) x 2 & Waves IDR > CD Wave > FLAC Level 5 | X | |
| 04/16/04 | San Francisco, CA | I, II, III | 4 | Set II w/The Dead | AKG C1oooS > Samson Mixpad 4 > VxPocket V2 > Cooledit 2k | X |
| 09/13/04 | New York, NY | I, II | 3 | Neumann KM140 > V2 > SBM1 > DAP1 > analog cable > DA-P1 > M-Audio Audiophile2496 USB > CDWAV > FLAC Frontend > FLAC | X | |
| 10/31/04 | Richmond, VA | I, II | 3 | AKG mics > Tascam DA-P1 > Sound Forge 6.0 > CD WAVE > WAV > FLAC Frontend > FLAC | X | |
| BLUES TRAVELER | ||||||
| 04/28/94 | West Palm Beach, FL | All | 2 | dat master dsbd@44.1 > tascam da20mkII > rme96/8 > mkw | X | |
| 08/29/97 | Berkeley, CA | I, II | 3 | Nak CM300's > D8 @44.1k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV > SHN (no extraction) | X | |
| 11/22/97 | Chicago, IL | I, II | 3 | SDB > DAT > CDR | ||
| 12/31/97 | Pompano Beach, FL | All | 3 | SBD > DAT > Prodiff Plus > Samplitude Project 5.5 > CD Wave > mkw > SHN | X | |
| 11/25/00 | Miami, FL | All | 1 | schoeps cmc6 mk21> kc5 > ad1000 > sony d8. (fob 25' from stage dfc) mini bogen stand at 7 ft (ortf) > panasonic 3700 > rme96/8 > cdwav editor > mkw > shn | X | |
| 07/08/01 | Milwaukee, WI | All | 2 | Schoeps MK4V > KC5 > CMC6 > Apogee AD1000 > Sony D8 > DA-20mkII > RME DIGI96/8 PST > Samplitude > CDWAV > SHN | X | |
| 12/21/01 | Ashville, NC | All | 1 | Christmas Jam | schoeps mk21's > (ortf) > kc5's > cmc6's > ad1000 @44.1 > tascam da20mkII > rme96/8 > cd wav(in)+(tracks) > mkw | X |
| 06/18/02 | Plainview, NY | All | 3 | Neumann 140 > Lunatec V2 > SBM1 > DA-P1 > Midiman Dio 2448 > CDWav > mkwACT > SHN | X | |
| 08/21/02 | Wilmington, DE | All | 2 | AKG481 > Dmic 20 > M1 > DA-P1 > Midiman Dio 2448 > CDWav > mkWACT > SHN | X | |
| KDTU | ||||||
| 02/09/01 | Chicago, IL | I, II | 3 | Disc II requires an 80min CD or a 35 second overburn | FOB 30ft from stage Neumann AK50 > LC3KA > KM100 > Lunatec V2 > AD1000 > D8 > Delta DiO 2496 > Samplitude 2496 > CDWAVE > SHNv3 | X |
| ROBERT WALTER'S 20th CONGRESS | ||||||
| 05/11/01 | Athens, GA | All | 1 | cmc6/mk21 > ad1k > d8 > SHN | X | |
| FROM GOOD HOMES | ||||||
| 11/07/97 | Chicago, IL | All | 1 | Opening for Ratdog | Nakamichi CM300 > DA-P1 (front of balconey) > Sony R300 > HHB CDR-800 > Toast Audio Extractor (overlap) > WAV > SHN | X |
| 08/07/99 | Stanhope, NJ | I, II | 3 | Final Show | AKG 460s + SBD > D8 > D7 > sek'd prodif plus > CDWAV > SHN | X |
| LES CLAYPOOL | ||||||
| 02/02/01 | Chicago, IL | All | 2 | Schoeps MK4V > KC5 > CMC6 > Lunatec V2 > Apogee AD1000 FOB DFC 25' from stage, ORTF in a hat > DA-20mkII > RME DIGI96/8 PST > Samplitude > CDWAV > SHN > CDR | X | |
| 07/13/01 | Somerset, WI | All | 2 | OB Schoeps MK4V > KC5 > CMC6 > AD1000 > D8 > DA-20mkII > RME DIGI96/8 PST > Samplitude > CDWAV > SHN | X | |
| TRAFFIC | ||||||
| 09/05/67 | Stockholm, Sweden | All? | 1 | Liberated Bootleg | X | |
| 02/21/72 | Santa Monica, CA | All? | 1 | SBD > VHS > MD > CDR | X | |
| 00/00/73 | London, England | All? | 1 | Unknown | X | |
| 06/25/94 | Las Vegas, NV | All | 1 | Opening for the Dead | AKG 460EB w/CX8 caps > D7 @48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > CDR | X |
| 06/26/94 | Las Vegas, NV | p | 1 | Opening for the Dead | AKG 460EB w/CX8 caps > D7 @48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > CDR | X |
| DAVE MATTHEWS BAND | ||||||
| 12/03/94 | San Jose, CA | All | 1 | Opening for Phish | DSBD > D8 > Montego II+ > CEP 1.1 > CDWAV > SHN | X |
| 08/23/98 | Manassas, VA | All | 3 | AKG 460's > SBM1 > Sony TCD-D8 > Opcode DATPort > Pentium II 450 > Samplitude (48khz > 44.1khz) > CDWAV > SHN | X | |
| 10/21/01 | Mountain View, CA | All | 1 | Bridge School Benefit | AUD > DAT > SHN | X |
| DAVE MATTHEWS AND FRIENDS | ||||||
| 12/12/03 | State College, PA | I, II | 3 | AKG 480/ck61 > Lunatec V3 > Tascam DA-P1 > Tascam DA-20MKII > Audiophile 2496 | X | |
| 01/14/04 | San Diego, CA | I, II | 3 | Neumann KM40> Neumann LC-3 Active Cables> Neumann 100> Sound Devices MP2 > Apogee Mini Me (16/44.1) > Apple iBook > > Sound Studio > xACT | X | |
| 01/15/04 | Los Angeles, CA | I, II | 3 | Mbho603a/ka200n > mp2 > ad2k+ > vxpocket/lifebookp2120 @ 24/48 > wavelab 4.0 > 16/44.1 > SHN | X | |
| 01/16/04 | Oakland, CA | I, II | 3 | MBHO KA200N > JK Labs DVC V-12 > Sony SBM-1 (Oade Mod) > Sony D100 | X | |
| MIKE CLARK | ||||||
| 05/04/01 | New Orleans, LA | All | 2 | alcony Clamp DFC > Neumann AK40 > LC3KA > Sonosax > Apogee AD1000 > TDC-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAVE > SHNv3 | X | |
| 07/05/01 | Quincy, CA | All | 1 | Pre-FM SBD > SV-3800 > HHB standalone burner > EAC(secure mode) > CD Wave > SHN | X | |
| RADIOHEAD | ||||||
| 03/06/93 | Copenhagen, Denmark | All | 1 | unknown stereo mic>ANA> CDR(1)> EAC >SHN | X | |
| 06/06/95 | Toronto, Candana | All | 1 | SDB > CD-R(1) > EAC > CD WAV Editor > SHN | X | |
| 04/13/96 | Boston, MA | All? | 1 | SBD CD > EAC > SHN | X | |
| 09/16/00 | Nijmegen, The Netherlands | All | 2 | FM > ? > SHN | X | |
| 06/23/01 | George, WA | All | 2 | sbd > ? > cdr > EAC > shn | X | |
| 06/27/01 | Mountain View, CA | All | 2 | neumann ak40s > neumann lc-3 active cables > neumann km100s > sound devices mp-2 > sony sbm-1 > sony pcm-m1 > Prodif Digital Soundcard > Samplitude > CDWAV > SHN > SoundEdit 16 (editing) > Plextor 12x/4x/32x (burn) > SHN | X | |
| 08/03/01 | Barrie, Canada | All | 2 | Neumann SKM 140's > Deneke PS2 > Zefiro Inbox > D8 > Oade 7-pin Coaxial Cable > Montego II > CDWAV > SHN | X | |
| 08/07/01 | New York, NY | All | 2 | FOB Schoeps mk4(ortf) > kc5 actives > cmc5 > Sonosax SX-M2 (+30dB) > SBM-1 > D7@44.1kHz > Tascam DA-20 > Apogee Coax > Digigram VX/Pocket > Soundforge 5.0 (Fade in/outs) > CD Wave > mkwACT v0.97 | X | |
| 08/08/01 | Cuyahoga Falls, OH | All | 2 | Neumann TLM 170r (hyper, on lawn, mics on a 6' stand) > lunatec V2 > Tascam DAP1 > DA20 MKII> WT 2496 > SF 4.5 (resample to 44.1) > Cdwa v >MKW | X | |
| 08/16/01 | Jersey City, NJ | All | 2 | DPA4061 > CSbox > M1 (48kHz, 20dB atten.) > CDR > CDR > SHN | X | |
| 08/17/01 | Jersey City, NJ | All | 2 | DPA4061 > CSbox > M1 (48kHz, 20dB atten.) > CDR > CDR > SHN | X | |
| 08/20/01 | Los Angeles, CA | All | 2 | CSB > -20att > SBM1 > D-100 > Tascam DA-P1 > SBM1 > C03 > Phillips CDR870 > Toast Audio Extractor (overlap) > WAV > SHN | X | |
| 07/24/02 | Lisbon, Portugal | All | 2 | ecm rp-vc20 > sj-mr220(left of stage, first row) > SHN > cool edit pro for editing > SHN | X | |
| 08/05/02 | Salamanca, Spain | All | 2 | Core-Sound Binaural Mics fixed to a pair of fake glasses > Batter Box w/ Bass Roll-Off filter > Sony TCD D-100 44.1kHz (TDK DA-RXG 90 tapes) > SPDIF digital line-In on a Terratec SixPack 5.1+ > Cool Edit pro v1.2 (44.1kHz 16bit PCM WAV) > Soundforge v5.0 > Cool Edit pro v1.2 > mkw ACT v0.97 BETA 1 > SHN | X | |
| 10/26/02 | Mountain View, CA | All | 1 | Thom Yorke solo acoustic at Bridge School Benefit | at831 > battery box > DAT | X |
| 10/27/02 | Mountain View, CA | All | 1 | Thom Yorke solo acoustic at Bridge School Benefit | at831 > battery box > DAT | X |
| 05/17/03 | Dublin, Ireland | All | 2 | Custom Oade mics > D8 > ZA2 > SHN > WAV > slight clip reduction on cd 1 > cdwav for tracking > SHN | X | |
| 06/07/03 | East Rutherford, NJ | All | 2 | Sony ECM > Sony MD > ? > CDR > EAC > WAV > MKW > SHN | X | |
| 07/05/03 | Montreux, Switzerland | All | 2 | MD Sony mzr 909 > mic aiwai cmds5 > Audigy opical IN > Steinbreg Wavelab 4.0 > WAV 44.1kHz 16-bit > mkw ACT 0.97 Beta 1 > SHN | X | |
| 08/13/03 | Mansfield, MA | All | 2 | Broadcast live on 104.1 WBCN Boston. Recorded by Pzykotic from a Pioneer SX-580 Stereo Receiver (FM) > Monster analog RCA cables > M-Audio AudioPhile 2496 > 867 Mhz G4 > Recorded via "LineIn" + "AudioHijack Pro" > Edited in Quicktime Player Pro (Continuous, nothing cut, no EQs/etc) | X | |
| 08/23/03 | East Troy, WI | All | 2 | Custom Oade mics > D8 > ZA2 > WAV > 3db boost in cool edit pro > SHN | X | |
| 08/24/03 | St Louis, MO | All | 2 | DPA 4060 > DPS MPS6020 > D7 > S/PDIF > Montego II+ > Samplitude resample > Soundforge 6.2 > CDWave > MKWAct | X | |
| 09/23/03 | Mountain View, CA | All | 2 | Schoeps MK4 > KCY > mod-Lemosax > SBM-1 > D100 > D100 > VXpocket > Soundforge 6.0 > Waves LinEQ > Waves MB > CD Wav > shntool > shorten32 | X | |
| WIDESPREAD PANIC | ||||||
| 10/12/01 | Berkeley, CA | I, II | 3 | Tapers Section AKG481> V2> ADC-20> DAP1> DA-20MKII> Zefiro ZA2> CDWAV | X | |
| 10/14/01 | Berkeley, CA | I, II | 3 | KG481 about 45 degrees (DIN) > V2 set at 35 > Graham Patten ADC-20 > DAP1 > Tascam DA20 mkII > Roland UA-30 > MacG3 > Peak TDM 2.53 (mastered, converted from 48 to 44.1) > Toast 5 | X | |
| PEARL JAM | ||||||
| 10/20/01 | Mountain View, CA | All | 1 | Bridge School Benefit (acoustic) | DAUD/FOB Unspecified Schoeps > DAT > Audio CD-R burner > EAC > Cool Edit 2000 (fade in/out) > mkwACT v0.97 | X |
| 10/21/01 | Mountain View, CA | All | 1 | Bridge School Benefit (acoustic) | DAUD/FOB Unspecified Schoeps > DAT > Audio CD-R burner > EAC > Cool Edit 2000 (fade in/out) > mkwACT v0.97 | X |
| 09/23/02 | Chicago, IL | All | 1 | Opening for the Who | Countryman Isomax II > Audio Capable DDS Drive (no soundcard) > DAT2WAV > Cool Edit Pro (fade in / out only) > CDWave > MKW Audio Compression Tool | X |
| 10/25/03 | Mountain View, CA | All | 1 | Bridge School Benefit (acoustic) | Schoeps > DAT > CD-R > EAC > mkwACT > .shn | X |
| 10/26/03 | Mountain View, CA | All | 1 | Bridge School Benefit (acoustic) | Sony MD MZ-R50 with powered Sony ECM-MS907 MIC > WAV | X |
| GENESIS | ||||||
| 1970-1998 | Various | N/A | 5 | Rare Tapes | Mixed | X |
| 1970-1975 | Various | N/A | 3 | From One Fan To All Others; various radio + complete 1/10/75 Lamb show | Liberated Bootleg | X |
| 03/07/71 | Woluwe St Lambert, Belgium | All? | 1 | Hogweed 12 | Liberated Bootleg | X |
| 01/00/72 | Basil, Switzerland | All? | 1 | Liberated Bootleg | X | |
| 01/16/72 | Bruseels, Belgium | All? | 1 | "The Musical Fox" | Liberated Bootleg | X |
| 03/02/72 | BBC | All? | 1 | Liberated Bootleg | X | |
| 03/04/72 | Watford College, England | All? | 1 | "Shade of Dawning" | Liberated Bootleg | X |
| 03/20/72 | Various | N/A | 1 | Hogweed 09; various dates | X | |
| 04/14/72 | Pavia, Italy | p? | 1 | "Live In Pavia" | AUD | X |
| 04/18/72 | Rome, Italy | All? | 1 | "Live in Roma" | Liberated Bootleg | X |
| 08/11/72 | Reading, England | All | 1 | Hogweed 03 | X | |
| 08/22/72 | Genoa, Italy | All? | 1 | BURP 008 | X | |
| 09/28/72 | Dublin, Ireland | All? | 1 | AUD > 1CD-R > EAC > SHN | X | |
| 1972-1974 | Various | N/A | 1 | "There is Still time .... To Wash Away the Past" | Vinyl LP > Creative Soundblaster Live 5.1 > Soundstream > wav > Cooleditpro > mkwACT > SHN | X |
| 00/00/73 | Studio | All? | 2 | Selling England By the Pound rehearsals | Liberated Bootleg | X |
| 01/15/73 | Heidelberg, Germany | All? | 1 | Hogweed 06 | X | |
| 01/20/73 | Reggio Emilia, Italy | All? | 2 | AUD | X | |
| 10/30/73 | Shepperton Studios, England | All? | 1 | "This Planet's Soil" | Liberated Bootleg | X |
| 11/08/73 | Toronto, Canada | All? | 2 | Hogweed 01 | X | |
| 11/22/73 | New York, NY | All? | 2 | Hogweed 09 | X | |
| 12/19/73 | Los Angeles, CA | All? | 2 | Progweeds 09 | X | |
| 00/00/74 | Studio | N/A | 2 | "The Demos Down On Broadway"; Lamb Demos | Original CD bottleg > WAV > FLAC | X |
| 02/06/74 | Naples, Italy | All | 2 | BURP 013 | AUD | X |
| 04/06/74 | Toledo, OH | All | 2 | Hogweed 04 | X | |
| 04/16/74 | Detroit, MI | All | 2 | PRRP014 | X | |
| 04/17/74 | Evanston, IL | p | 1 | PRPP 04 | AUD > ? > CD > SHN | X |
| 04/21/74 | Montreal, Canada | All? | 2 | Liberated Bootleg | X | |
| 04/24/74 | Boston, MA | All | 2 | Hogweed 10 | X | |
| 05/04/74 | New York, NY | All? | 2 | Hogweed 07 | X | |
| 12/08/74 | Providence, RI | All | 2 | Hogweed 14 | X | |
| 01/11/75 | Lakeland, FL | All | 2 | SAB09 | SBD > DAT > CrO2 (Chromium Dioxide) tapes > DAT > SHN (except for splces) | X |
| 04/27/75 | Manchester, England | All? | 2 | Hogweed 02 | X | |
| 05/01/75 | Birmingham, England | All | 2 | Hogweed 11 | X | |
| 05/02/75 | Birmingham, England | All | 2 | Fade 001 | X | |
| 10/00/75 | London, England | ? | 1 | A Trick of the Tail Outtakes; PRRP001 | Liberated Bootleg | X |
| 03/27/76 | Kitchener, Canada | All | 2 | AUD | X | |
| 03/28/76 | Buffalo, NY | All | 2 | AUD | X | |
| 04/13/76 | Pittsburg, PA | p | 2 | Fade 002 | FM > ? > CD | X |
| 04/15/76 | Cleveland, OH | All | 2 | BURP004 | FM | X |
| 04/29/76 | Berkeley, Ca | All | 2 | "Robbery, Assault & Berkeley"; PRRP 007 | X | |
| 05/07/76 | Fort Worth, TX | All | 2 | BURP 014 | AUD | X |
| 06/11/76 | London, England | All? | 1 | "Medley of 1976" | Liberated Bootleg | X |
| 07/09/76 | Glasgow, Scotland | All? | 1 | "Genesis in Concert 1976" | Sbd? >? > HiFi VHS > DAT > ZA2 > Cool Edit resample > shn | X |
| 01/01/77 | London, England | All | 2 | "Wot Gorilla, Lilith" | AUD > CD > EAC > SHN | X |
| 01/02/77 | London, England | All? | 1 | SAB10 | Remastered pre-fm | X |
| 01/20/77 | Southampton, England | All? | 2 | "All in a Mouse's Night" | X | |
| 02/06/77 | St Louis, MO | All? | 1 | "Water and Wrecking" | Liberated Bootleg | X |
| 02/16/77 | Chicago, IL | All | 2 | "Chicago On The Air" | X | |
| 03/03/77 | Quebec City, Canada | All | 2 | "Afterglow in Quebec" | AUD | X |
| 03/24/77 | Los Angeles, CA | All | 2 | Uneven sound | Liberated Bootleg | X |
| 05/15/77 | Rio de Janeiro, Brazil | All | 2 | FM > ? > CD > SHN | X | |
| 05/21/77 | Sao Paolo, Brazil | All | 2 | Late show | SBD > CD > WAV > SHN | X |
| 06/24/77 | London, England | All? | 1 | "Before Riches" | Liberated Bootleg | X |
| 06/24/77 | London, England | All | 2 | SAB01 | FM > Master + 2nd gen cassette > DAT > CD > SHN | X |
| 07/02/77 | Zurich, Switzerland | All | 2 | SBD > ? > remaster > ? > FLAC | X | |
| 07/03/77 | Munich, Germany | p | 2 | Missing Musical Box (Closing Section); last Wind And Wuthering show; last Steve Hackett show | AUD > CD > WAV > SHN | X |
| 03/26/78 | Dallas, TX | All | 2 | "Showco rehearsals *upgrade*" | SBD > ? > WAV > FLAC (level 8) | X |
| 04/03/78 | Bloomington, IL | All | 2 | "Deep in the Motherlode"; Follow You Follow Me cut | Liberated Bootleg | X |
| 06/03/78 | Dijon, France | All | 2 | SBD > tape > tape > tape > CD > SHN | X | |
| 06/06/78 | Malmo, Sweden | All? | 2 | Cassette > CD | X | |
| 06/14/78 | Dortmund, Germany | All | 2 | "Apocalypse In Dortmund" | AUD > Boot CD > CDR > WAV > SHN | X |
| 06/24/78 | Stevenage, England | p | 2 | BBC Rock Hou | Pre-FM > Master reels > CD-R > WAV > FLAC (level 8) | X |
| 07/19/78 | Milwaukee, WI | All | 2 | BURP 020 | AUD | X |
| 07/29/78 | New York, NY | All | 2 | "Show it Again Peter!"; last track with PG | AUD > CD > WAV > SHN | X |
| 10/13/78 | Chicago, CA | All? | 2 | "Follow You Follow Me" | FM > ? > CD | X |
| 10/22/78 | Houston, TX | p | 1 | FM > ? > CD | ||
| 12/02/78 | Tokyo, Japan | All | 2 | AUD cassette > WAV > CDR > EAC > SHN | X | |
| 04/17/80 | Sheffield, England | All? | 2 | Liberated Bootleg | X | |
| 05/07/80 | London, England | All | 2 | "Musica" | FM > ? > CD | X |
| 05/25/80 | Los Angeles, CA | p | 2 | Surprise show; missing a few tracks | AUD > CD > WAV > SHN | X |
| 05/27/80 | Los Angeles, CA | All | 2 | AUD > Sony C90 cassette > Technics deck > Audigy 2 > WAV > Sound Forge | X | |
| 06/18/80 | Boston, MA | All | 2 | AUD > CD > WAV > SHN | X | |
| 06/19/80 | Montreal, Canada | All | 2 | PRRPSAE01 | SBD > CD | X |
| 11/21/81 | Cincinatti, OH | All | 2 | Hissy | SBD > CD > WAV > SHN | X |
| 11/21/81 | Cincinatti, OH | All | 2 | Better than above recording; SAB03 | SBD + AUD splices > CD > SHN | X |
| 11/29/81 | Uniondale, NY | All | 2 | "Perfect Three Sides Live" | Liberated Bootleg | X |
| 08/22/82 | New York, NY | All | 2 | AUD | X | |
| 08/26/82 | Saratoga Springs, NY | All | BURP 002 | SBD > CD | X | |
| 09/27/82 | London, England | All? | 2 | "Small Club at Marquee" | Liberated Bootleg | X |
| 10/02/82 | Milton Keynes, England | All | 2 | Fade 003 | AUD > CD | X |
| 11/27/83 | Philadelphia, PA | All | 2 | "Three Nights In Philly" | FM > CD > WAV > SHN | X |
| 11/27/83 | Philadelphia, PA | All | 2 | "A Phantastic Phabulous Philly" | Pre-FM LPs | X |
| 12/01/83 | Hartford, CT | All | 2 | Disc I requires an 80min disc | Sony stereo mic > Sony D3 > Pioneer standalone burner > CD > Peak > WAV > SHN | X |
| 01/13/84 | Los Angeles, CA | p | 1 | "Los Cage" | FM > ? > CD | X |
| 01/14/84 | Los Angeles, CA | p | 1 | Superstar Concert Series 84_S | Pre-FM > ? > CD > SHN | X |
| 01/29/84 | Kansas City, MO | All | 2 | "That Nice Electrical System"; power outage during Illegal Alien | AUD > CD > WAV > SHN | X |
| 02/03/84 | Omaha, NE | All | 2 | "The Story of the Medley" | AUD | X |
| 09/24/86 | Philadelphia, PA | All | 2 | Poor quality | AUD > ? > CD | |
| 09/25/86 | Philadelphia, PA | All | 2 | Poor quality | AUD > ? > CD | |
| 09/30/86 | New York, NY | All | 2 | "Outvisible Side" | SBD > CD > WAV > SHN | X |
| 09/30/86 | New York, NY | All | 2 | "Invisible Garden"; BURP 016 | SBD > CD > WAV > SHN | X |
| 10/17/86 | Los Angeles, CA | p | 2 | King Biscuit Flower Hour CD > Easy CD Creator 5 > SHN | X | |
| 05/19/87 | Milan, Italy | All | 2 | AUD > Boot CD > CDR > WAV > Peak (minor editing) > shntool > SHN | X | |
| 05/22/87 | Los Angeles, CA | All | 2 | My first concert ever! | AUD > CD > SHN > AIFF > Jam 6.02 (combine tracks, crossfades) > SDII image > Peak 4.11 (normalize, editing, re-tracking) > AIFF > FLAC (level 5) | X |
| 06/08/87 | Berlin, Germany | All | 2 | BURP012 | FM | X |
| 07/04/87 | London, England | All | 2 | Pre-FM > BBC Reels > DAT > CD > SHN | X | |
| 05/04/92 | Dallas, TX | N/A | 1 | We Can't Dance tour rehearsals | SBD > CD > WAV > SHN | X |
| 07/16/92 | Vienna, Austria | All? | 2 | Liberated Bootleg | X | |
| 07/17/92 | Munich, Germany | All | 2 | FM > tape > tape > tape > CD-R > FLAC | X | |
| 08/02/92 | Knebworth, England | All | 2 | i4detail03; my SHNs were ripped from audio CDs myself | FM > CD > WAV > SHN | X |
| 11/16/92 | London, England | All | 2 | BURP 011 | FM Master reel > SHN | X |
| 02/25-26/98 | Birmingham, England | p | 1 | "Nir Perfect" | Pre-FM > DAT > SHN | X |
| PETER GABRIEL | ||||||
| 1977-1987 | Various | N/A | 2 | "Book of Memories" | Studio Outtake & Live Recordings | X |
| 03/15/77 | Cleveland, OH | All | 2 | "TTR01.10" | FM | X |
| 04/09/77 | Los Angeles, CA | All? | 1 | Liberated Bootleg | X | |
| 09/07/77 | Rotterdam, Netherlands | All? | 1 | Coaster Factory remaster from 2gen audience recording | X | |
| 09/27/77 | Manchester, England | All | 2 | "MUPPET06" | Remastered bootleg | X |
| 04/10/78 | New York City, NY | p | 1 | From King Biscuit Flower Houre | X | |
| 09/15/78 | Essen, Germany | All? | 1 | TV > SHN | X | |
| 01/03/80 | Cardiff, Wales | All? | 1 | SBD > ?? > SHN | X | |
| 03/05/80 | Manchester, England | All | 2 | "PRRP021" | X | |
| 03/07/80 | Cardiff, Wales | All | 2 | SBD | X | |
| 09/00/80 | Firenze, Italy | All? | 1 | "Live In Italy 1980" | ? | X |
| 09/01/80 | Hamburg, Germany | All? | 1 | "At the German Front" | Vinyl > HiFiCDR > EAC Correct Offset > Flac level 8 | X |
| 09/24/80 | Bordeaux, France | All? | 2 | "Peter Gabriel Bordeaux '80" | Liberated Bootleg | X |
| 07/03/83 | Werchter, Holland | All? | 1 | "Holding My Breath" | Liberated Bootleg | X |
| 08/10/83 | Seattle, WA | p | 2 | SBD > Cassette > ?? > DAT > PCM R500 > Audiophile2496@44.1Khz > AIFF > FLAC | X | |
| 1986-1987 | ? | p | 1 | "World Tour 86-87" | X | |
| 06/15/86 | East Rutherford, NJ | p | 1 | "So Alive" | Liberated Bootleg | X |
| 07/21/87 | Philadelphia, PA | All | 2 | DSBD @ 48kHz >Tascam DA-30mkII > Zefiro ZA-2 > WinNT4 PC > SoundForge 4.0 > CD > Wave 1.9 > mkwACT 0.96f+A142 | X | |
| 04/27/93 | Rotterdam, Holland | p | 1 | Liberated Bootleg | X | |
| 07/10/93 | Chicago, IL | All | 2 | "MUPPET05" | Remastered bootleg | X |
| 09/19/93 | San Francisco, CA | Womad Festival; +E812 | Unknown > DAT > CDR > EAC > Audio Alchemy Audio Cleaning Lab (for splitting track IDs) > CDR > EAC > FLAC | |||
| 09/29/93 | Santiago, Chile | All | 2 | FM > VHS tape > CDR audio trade > EAC > mkwact | X | |
| 11/06/93 | Berlin, Germany | All | 2 | SBD > ? > FLAC | X | |
| 08/14/94 | Saugerties, NY | All | 2 | Woodstock Festival 1994 | ? | X |
| 07/22/01 | Seattle, WA | All? | 1 | Womad Festival | DAUD: ?> CD> CD> EAC> WAV> mkwACT> SHN V.3 | X |
| 09/21/02 | Paris, France | All | 2 | Warm up show | Core Sound Binaurals > ? > CD > WAV (iTunes) > SHN (Carbon Shorten) | X |
| 11/12/02 | Chicago, IL | All | 2 | Unknown | X | |
| 11/15/02 | Minneapolis, MN | All | 2 | Sonic Studio mics -> Sony D7 DAT deck | X | |
| 11/17/02 | East Rutherford, NJ | All | 2 | Some cuts, not as good as other recording from the tour | ? > MD > CD > EAC > CDWave > SHN | X |
| 11/17/02 | East Rutherford, NJ | All | 2 | Better version than MiniDisc version above | Unknown | X |
| 11/21/02 | New York City, NY | All | 2 | DPA (B&K) 4022s > Sound Devices MP-2 > Sony D100 > Tascam DA-20mkii > M-Audio Delta DIO 2496 > PowerMacG4 > Sound Studio 2.0.6 > shntool 1.2.0-rc1 | X | |
| 11/24/02 | Washington, DC | All | 2 | DPA4022 > Sonosax SX-M2 > D100 > Tascam DA-P1 > Emagic Audiowerk2 > Dell Dimension 8200 > Soundforge v4.5 > mkwACT 0.97 Beta 1 | X | |
| 11/26/02 | Uncasville, CT | All | 2 | Shure SM-57 > Sony MZ-R70 Minidisc > Steinberg Wavelab 5.0 > MkwAct SHN | X | |
| 12/02/02 | Toronto, Canada | All | 2 | CSC > Sony PCM-M1 > Sony SDT 9000 > VDAT > WAVE > CDWAVE > mkwACT > SHN V.3 | X | |
| 12/14/02 | Oakland, CA | All | 2 | Schoeps CCM4 > Sonosax > Sony TCD-PCM M1 > CD > WAV (iTunes) > SHN (Carbon Shorten) | X | |
| 06/20/03 | Holmdel, NJ | All | 2 | Sennheiser MD441 > Sony WMD6C > Stand-Alone burner > CDR > EAC > WAV > mkwACT > SHN | X | |
| 07/04/03 | Toronto, Canada | All | 2 | CSC > Sony MD > soundblaster live > cdwav > soundforge 7 > cdr > eac > FLAC | X | |
| 11/24/03 | Brighton, England | All | 2 | CSB > Sony TCD-D8 (line-in) > AP2496 (SP/DIF) > Soundforge 6.0 > Cdwave > SHN | X | |
| 05/26/04 | Brussels, Belgium | All | 2 | AUD | X | |
| PHIL COLLINS | ||||||
| 12/19/82 | Pasadena, CA | All | 2 | "The Fabulous Jacuzzies And One Neat Guy" | SBD > ? > SHN | X |
| 03/15/90 | Sydney, Australia | All | 2 | i4dPC02 | SBD > Cassette > CD > Wavelab (editing) > SHN | X |
| 11/06/02 | London, England | p? | 1 | Exclusive, invitation-only performance to promote "Testify" | BBC2 > ? > SHN | X |
| BLIND BOYS OF ALABAMA | ||||||
| 06/23/02 | Manchester, TN | All | 1 | Bonnaroo | AT831's > SP SB-2 > Sony PCM-M1 @ 44.1kHz > Fostex D-5 > M-Audio Delta DiO 2448 > Sound Forge 6.0 > WAV @ 44.1kHz > shntool 1.01 > WAV > mkw 0.97beta1 > SHN (no DAE) | X |
| 12/02/02 | Toronto, Canada | All | 1 | Opening for Peter Gabriel | CSC > Sony PCM-M1 > Sony SDT 9000 > VDAT > WAV > CDWAV > mkwACT > SHN V.3 | X |
| ERIC CLAPTON | ||||||
| 00/00/00 | N/A | N/A | 6 | "Archives Pathfinder"; 6 of 8 discs (last two are quad mixes of studio albums) | Liberated Bootleg | X |
| 01/13/73 | London, England | Early/Late | 4 | "Eric Clapton's Rainbow Concert" | SBD | X |
| 07/12/74 | Boston, MA | All | 2 | Liberated Bootleg | X | |
| 07/13/74 | New York, NY | p | 1 | Liberated Bootleg | X | |
| 07/30/74 | Long Beach, CA | All | 2 | sdb > reel master > cassette > dat > cassette > cdr > shn | X | |
| 12/04/74 | London, England | All | 2 | "LZ Was There" | SBD > ? > boot CD > DAT > WAV > SHN | X |
| 12/05/74 | London, England | All | 2 | "LZ Was Here" | SBD > ? > boot CD > DAT > WAV > SHN | X |
| 04/20/75 | Sydney, Australia | All | 2 | Liberated Bootleg | X | |
| 06/25/75 | Providence, RI | All | 2 | Liberated Bootleg | X | |
| 08/12/75 | Denver, CO | All? | 2 | Liberated Bootleg | X | |
| 08/14/75 | Los Angeles, CA | All? | 1 | "Stormy Monday Blues" | Liberated Bootleg | X |
| 03/30/76 | Malibu, CA | ? | 1 | Studio sessions on Eric's birthday; with The Band, Ron Wood, Bob Dylan, Billy Preston, Van Morrison | Liberated Bootleg | X |
| 11/15/76 | Dallas, TX | All | 2 | Liberated Bootleg | X | |
| 04/27/77 | London, England | All | 2 | date may be wrong | Liberated Bootleg | X |
| 02/11/78 | Santa Monica, CA | p | 1 | Liberated Bootleg | X | |
| 02/11/78 | Santa Monica, CA | All? | 2 | "On Stage 1978" | SBD > ? > CD > SHN | X |
| 05/07/80 | Bremen, Germany | All | 2 | Liberated Bootleg | X | |
| 02/18/83 | St Louis, MO | p? | 1 | Liberated Bootleg | X | |
| 04/14/83 | Dublin, Ireland | All | 2 | SBD | X | |
| 04/20/83 | Bremen, Germany | All | 2 | "On Stage 1983" | SBD > ? > CD > SHN | X |
| 07/10/83 | Milwaukee, WI | All | 2 | "Milwaukee Time" | SBD > bootleg cd > eac > wav > flacfrontend level 8 > flac | X |
| 02/06/84 | Jerusalem, Israel | All | 2 | "Jerusalem 1984" | AUD > Boot CD > EAC > FLAC | X |
| 04/22/85 | Richmond, VA | All | 2 | "On Stage 1985" | SBD > ? > CD > SHN | X |
| 05/01/85 | Hartford, CT | p? | 1 | Liberated Bootleg | X | |
| 07/05/85 | Hoffman Estates, Il | All | 2 | "Chicago No Bad Blues" | SBD > CDR Trade > EAC > WAV > FLAC Frontend | X |
| 07/10/86 | Montreux, Switzerland | All | 2 | "Pure Blues" | SBD > ? > CD > SHN | X |
| 07/15/86 | Birmingham, U.K | All | 2 | "Slowhand Masterfile 13" | SBD > CDR Trade > EAC > WAV > FLAC Frontend | X |
| 11/23/86 | New York, NY | All | 2 | "Blood Brother"; w/Keith Richards on encores | SBD | X |
| 01/12/87 | London, England | All | 2 | "On Tour '87 Part One and Two" | SBD > original silvers > eac > wav > flacfrontend level 8 > flac | X |
| 01/16/87 | Rotterdamn, Netherlands | All | 2 | Liberated Bootleg | X | |
| 04/18/87 | St Paul, MN | All | 2 | Sony tcd5m w/custom stereo pzm in hat > MasterCass-Maxell MX90 > STAudio 24/96 card > WaveLab > 16bit.wav > .shn | X | |
| 04/27/87 | New York, NY | All | 2 | "Stardust" | SBD > ? > CD > FLAC | X |
| 10/06/87 | London, England | ? | 2 | "Ronnie Scott's '87" | AUD > ? > CD > SHN | X |
| 02/03/89 | London, England | All? | 2 | sbd > dat > boot > cd | X | |
| 07/06/89 | The Hague, Holland | All | 2 | "Roomful Of Blues" | SBD > Boot CD > CDR > WAV > SHN (xACT) | X |
| 07/13/89 | Jerusalem, Israel | All | 2 | ? | X | |
| 12/23/89 | Surrey, England | All | 2 | CDR > WAV (RealOne) > FLAC (FLAC frontend) | X | |
| 01/18/90 | London, England | All | 2 | SBD > DAT > Sony PCM R300 > Philips 950 CDR > WAV (iTunes) > Peak (retracking) > shntool (sector repairs) > SHN | X | |
| 01/24/90 | London, England | All | 2 | Pre-FM > DAT > Tascam DA-30mkII > Zefiro ZA-2 > WinNT4 PC > CoolEdit 96 > CD Wave 1.9 > mkwACT 0.96f | X | |
| 02/10/90 | London, England | All | 2 | SBD > CD >Nero DA Extract > WAV > SHN (mkw) | X | |
| 04/19/90 | Indianapolis, IN | All | 2 | ECM909A(?)/Sony WDM5 > Maxell MX90 analog master > 1st gen. (Maxell MX90) > CDR > EAC > Audigy Audio Cleaning Lab* > WAV > FLAC Frontend | X | |
| 04/20/90 | Ames, IA | All | 2 | Sony tcd5m w/custom stereo pzm in hat > MasterCass-TDK MA110 > STAudio 24/96 card > WaveLab > 16bit.wav > .shn | X | |
| 04/25/90 | Dallas, TX | All | 2 | cassette master > SonyCDRW33 > cdr > EAC > WAV > FLAC | X | |
| 08/06/90 | East Rutherford, NJ | All | 2 | AUD > Sony DAT D-3(?) > Maxell XLII cassette > stand-alone Pioneer CDR burner > EAC > WAV > Magix Audio Cleaning Lab 2005* > FLAC Front-End (level 8) | X | |
| 10/05/90 | Buenos Aires, Argentina | All | 2 | "Amigos" | SBD > ? > boot CD > SHN | X |
| 02/17/91 | London, England | All | 2 | SBD > ? > CD > SHN | X | |
| 02/25/91 | London, England | All | 2 | "Blues Night" | SBD > original silvers > eac > wav > flacfrontend level 8 > flac | X |
| 02/01/92 | Brighton, UK | All | 2 | "Another Page" | AUD > Boot CD > CDR (x?) > AIFF > FLAC (level 5) | X |
| 08/29/92 | Los Angeles, CA | All | 2 | "Big Blue" | Audience > mics unkknown > DAT > ? > boot CD > SHN | X |
| 03/02/93 | London, England | All | 2 | AUD > CDR Trade > EAC > WAV > FLAC Frontend | X | |
| 10/25-27/93 | Tokyo, Japan | p | 2 | "Into The Fire"; | FM > Original Silvers > CDR > CDR > EAC > FLAC Conversion | X |
| 10/30/93 | Yokohama, Japan | All | 2 | CSB > D7 > CD > WAV > SHN | X | |
| 02/28/94 | London, England | All | 2 | AUD | X | |
| 09/28/94 | New York, NY | p | 1 | Rehearsals | X | |
| 09/28/94 | New York, NY | All | 1 | "Blues Rehearsals" | SBD | X |
| 10/13/94 | Hartford, CT | All | 2 | dual mono | Schoeps (borrowed) In Hat > ?Preamp > Sony D3 > DAT > Waveterminal U2A (48 > 44.1) > CDWAV > SHN | X |
| 10/26/94 | Memphis, TN | All | 2 | Audience recording/DAT master > Unknown DAT generations > DAT > CDR > EAC > Audigy Audio Cleaning Lab > WAV > FLAC Frontend | X | |
| 11/03/94 | Los Angeles, CA | All | 2 | Liberated Bootleg | X | |
| 11/04/94 | San Jose, CA | All | 2 | "Groaning The Blues"; includes Jimmy Vaughan opener | AUD > Boot CD > CDR > WAV > SHN (xACT) | X |
| 11/07/94 | San Francisco, CA | All | 2 | "Blues From the Heart" | SBD | X |
| 11/09/94 | San Francisco, CA | All? | 2 | Guessing the date--text file says 08/09/94, which is wrong; | SBD > D > D > D > D > EAC > WAV > FLAC | X |
| 11/26/94 | New York, NY | All? | 1 | Sbd > Dat(x?) > Dat Clone > SPDIF @ 44.1 kHz > WAV > CD > WAV > SHN | X | |
| 11/27/94 | New York, NY | All | 2 | FOB > ? > CDR > EAC > SHN | X | |
| 11/28/94 | New York, NY | All | 2 | "Club Full of Blues" | AUD > Boot CD > CDR > WAV > SHN | X |
| 04/05/95 | Oslo, Norway | All | 2 | Liberated Bootleg | X | |
| 05/12/95 | Austin, TX | All? | 1 | "The Day After the SRV Tribute" | AUD > CD-R > Wav > Flac (level 8) | X |
| 07/03/97 | Montreux, Switzerland | All | 2 | Liberated Bootleg | X | |
| 07/04/97 | Montreux, Switzerland | All | 2 | Liberated Bootleg | X | |
| 10/27/97 | Tokyo, Japan | All | 2 | "Wonderful Tonight" | SBD > Boot CD > CDR > Peak (minor edit) > WAV > SHN (xACT) | X |
| 04/09/98 | Chicago, IL | All | 2 | ALD > DAT > CD > Toast Audio Extractor (overlap) > WAV > Peak (retracking) > SHN | X | |
| 04/22/98 | Charlotte, NC | All | 2 | ? > CDR > EAC (SECURE) > Shorten v3.5.1 > SHN | X | |
| 05/29/98 | Anaheim, CA | All | 2 | "Sunshine in Anaheim" | SBD > silver CDs > Wav > FLAC (level 8) | X |
| 09/11/98 | Edmonton, Alberta | All | 2 | "Double Image"; | SBD > Original silvers > DAT > CDR > EAC > Audigy Audio Cleaning Lab > CDR > EAC > FLAC | X |
| 10/15/98 | London, England | All | 2 | "Double Image Vol. 2" | CDR Trade > EAC > WAV > FLAC Frontend | X |
| 11/04/99 | Los Angeles, CA | All | 1 | Radio Show | Liberated Bootleg | X |
| 11/24/99 | Yokohama, Japan | All | 2 | Liberated Bootleg | X | |
| 02/10/01 | London, England | All | 2 | "Vagabond" | CDR Trade > EAC > WAV > FLAC Frontend | X |
| 03/20/01 | Paris, France | All | 2 | Liberated Bootleg | X | |
| 04/08/01 | St Petersburg, Russia | All | 2 | "World Tour 2001 - Live in Russia" | AUD | X |
| 05/21/01 | Atlanta, GA | All | 2 | "First Impressions" | SBD > Original Silvers (liberated bootleg) > EAC (secure and verified) > WAV > MKW > SHN | X |
| 06/09/01 | Toronto, Canada | All | 2 | "Live at the Air Canada Centre" | CSB > Sharp MT-831 MiniDisc > CDR > SHN | X |
| 06/11/01 | Boston, MA | All | 2 | Schoeps mk41(90 deg) >BR Box >SBM-1(Oade Mod.) >M1 @44.1kHz > R500 > Audio Magic Presto II > ZA2 >Soundforge 4.5 >CDWav > .shn | X | |
| 06/21/01 | New York, NY | All | 2 | FOB stealth - Floor Sec 6 Row H Seat 1 - B&K4021s (hat) > Apogee AD-1000 (+20db, 44.1kHz) > Sony PCM-M1 > DAT(m)-DATm > RME Digi 96/8 Pro / PC / Soundforge / CDWave / mkwACT > .shn files | X | |
| 07/24/01 | Chicago, IL | All | 2 | "Stone Crazy"; w/Buddy Guy | CDR > DBPowerAmp Audio CD Extractor > WAV > Flac level 5 | X |
| 08/10/01 | Sacramento, CA | All | 2 | Unknown Soundboard (probably ALD) > CDR Trade > EAC > FLAC | X | |
| 08/11/01 | Oakland, CA | All | 2 | DAUD > DAT > CD | X | |
| 10/11/01 | Sao Paulo, Brazil | p | 1 | FM > SHN | X | |
| 11/24/03 | Saitama, Japan | All | 2 | Audience (mic unknown) > DAT Master > CDR > CDR > EAC > FLAC | X | |
| 11/26/03 | Yokohama, Japan | All | 2 | AUD > CD > WAV > xACT > SHN | X | |
| 11/30/03 | Tokyo, Japan | All | 2 | "How Long Must This Go On" | AUD > Boot CD > CDR > WAV > SHN (xACT) | X |
| 04/06/04 | Paris, France | All | 2 | AUD > CDR (x?) > AIFF > retracking (Peak 4.11) > shntool (SBEs fixed) > FLAC (level 5) | X | |
| 04/08/04 | Frankfurt, Germany | All | 2 | "More Love" | AUD > CDR > EAC > WAV > FLAC | X |
| 04/14/04 | Dortmund, Germany | All | 2 | "Come on Dortmund" | AUD > CDR > EAC > WAV > CoolEditPro > SHN | X |
| 04/17/04 | Copenhagen, Denmark | All | 2 | AUD > CD > EAC > FLAC | X | |
| 04/24/04 | Belfast Ireland | All | 2 | sbd/BBC2 broadcast | X | |
| 06/06/04 | Dallas, TX | All | 1 | Crossroads Festival | high speed dsl over 220 kbs xfer, resampled to wav format "live"> slight sound adjustments in cool edit pro > cdwav to split tracks > mkw to xfer to shn | X |
| 06/26/04 | Philadelphia, PA | All | 2 | Core Sound Cards (mounted in my hat) > Sharp MD (see Minidisco.com) > optical out to cdr > maudio24/96 > soundforge7.0 > EQing needed as the Core sound mics tend to be very mid-rangey > sound runs thru Professional JBL Studio Monitors #4208 to get a good sound with the eq > nero6.0 > cdr > FLAC | X | |
| 06/30/04 | New York, NY | All | 2 | "Pickin' In The Garden" | SP-CMC-4 cardiod mic > Sp-SPSB-1 > SONY D-8 DAT Recorder > wave (adobe audition) > FLAC | X |
| 07/20/04 | Milwaukee, Wi | All | 2 | Sonics/Sony M-1 DAT > Stand-alone Pioneer CD burner > CDR > EAC > Magix Audio Cleaning Lab (for splitting individual tracks) > Export to WAV > FLAC (level 8) | X | |
| 07/30/04 | San Jose, CA | All | 2 | Neumann KMF4i (in hat) > Denecke PS2 > Modified D8 > Tascam DA-20mkII > Prodif Gold > Soundforge 6.0 > CD Architect 5.0 > Plexwriter 40/12/40S > CDx2 > AIFF > FLAC (xACT, level 5) | X | |
| CREAM | ||||||
| 1966-1967 | Various | N/A | 1 | "Ricky Tick"; UK Cream and Yarbirds material | Liberated Bootleg | X |
| 1966-1968 | London, England | N/A | 2 | "Siren Sweetly Singing"; BBC broadcasts | Liberated Bootleg | X |
| 10/15/67 | Detroit, MI | All? | 2 | "Live at the Grande Ballroom" | V2 Remaster > CD-R > EAC (v0.93prebeta3) > WAV > mkwACT (0.97beta1) > SHN | X |
| 03/10/68 | San Franicsco, CA | All | 2 | "Live at Winterland" | Off-the-Stage Mixing Panel > Remaster > CD- R > (Half-way round the world journey) > EAC > WAV > mkwACT > SHN | X |
| 10/04/68 | Oakland, CA | p | 1 | "The First Farewell" | Liberated Bootleg | X |
| 01/12-13/93 | New York, NY and Los Angeles, CA | All | 1 | "Long Time Comin"; Rehearsals and Rock 'n' Roll Hall of Fall ceremony | Liberated Bootleg | X |
| THE WHO | ||||||
| 11/24/64 | London, England | p | 1 | Date not certain | cdr > eac > mkw > shn | X |
| 1969-1970 | Various | p | 1 | "Pure Rock Theatre" | Libertated Bootleg | X |
| 02/14/70 | Leeds, England | All | 2 | Complete Live at Leeds | SDB > CD > SHN | X |
| 08/13/71 | Dayton, OH | All? | 1 | Boot CD > SHN > AIFF > Peak 3.21 (tracking, minor editing) > WAV > shntool > SHN | X | |
| 11/20/75 | Houston, TX | All? | 2 | "Live in Houston 1975" | Libertated Bootleg; SDB | X |
| 12/11/75 | Toronto, Canada | All? | 2 | Libertated Bootleg | X | |
| 05/31/76 | London, England | All? | 2 | Libertated Bootleg | X | |
| 08/03/02 | New York, NY | All | 2 | Audio Technica AT22 > Sony D8 > sblive > Cd Wave > Mkw Audio Tools > Shn | X | |
| PINK FLOYD | ||||||
| 00/00/00 | ? | N/A | 1 | "Antiques" | Liberated Bootleg | X |
| 00/00/00 | ? | N/A | 1 | "Wavelengths"; tracks 5-8 by Adrian Maben | Liberated Bootleg | X |
| 1969-1977 | Various Locations | N/A | 2 | Liberated Bootleg | X | |
| 09/13/67 | Copenhagen, Denmark | All? | 1 | "Wonderful, Wonderful Copenhagen" | 1st gen AUD tape > CDR > SHN | X |
| 11/13/67 | Rotterdam, Holland | All? | 1 | Liberated Bootleg | X | |
| 1967-1969 | Various Locations | N/A | 2 | BBC Broadcasts | CD-R > WAV (EAC) > SHN (MKW) | X |
| 12/28/68 | Utrecht, Holland | All? | 1 | Digital Floyd Archives DFA-032 | X | |
| 05/09/69 | Hampshire, England | All? | 1 | "Beset By Creatures of the Deep" | Original silver CDs > EAC (V0.95 prebeta 3) > wav > mkw (V0.97 beta 1) > shn | X |
| 08/08/69 | East Sussex, England | All? | 1 | "The Journey Through the Past" | Liberated Bootleg | X |
| 09/16/69 | ? | All? | 2 | "Complete Concertgebouw 1969" | Liberated Bootleg | X |
| 10/11/69 | Essen, West Germany | All | 1 | "Song Days '69" | X | |
| 01/18/70 | Surrey, England | p | 1 | "Biding My Time in Croydon" - first disc only | Liberated Bootleg | X |
| 01/20/70 | Brighton, England | All | 2 | "The Darkside Rehearsals" | Liberated Bootleg | X |
| 02/11/70 | Birmingham, England | All? | 2 | "Project Birmingham" | Liberated Bootleg | X |
| 02/28/70 | Yorkshire, England | All? | 2 | "Six of One" | Mono AUD | X |
| 03/12/70 | Hamburg, West Germany | All? | 1 | "A Trick of the Light" | AUD > BOOT CD > CD > AIFF > FLAC (compression level 5 using xACT) | X |
| 04/11/70 | Stoney Brook, NY | All | 1 | "Genuine New York 1970' | Liberated Bootleg | X |
| 04/29/70 | San Francisco, CA | All | 2 | HRV016 | Liberated Bootleg | X |
| 04/29/70 | San Francisco, CA | All | 1 | KQED studios before Fillmore West show; "Live at the Fillmore West" | SBD > CD > WAV > SHN | X |
| 06/28/70 | Rotterdam, Holland | All | 2 | "Stamping Ground" | Original silver CDs > EAC (V0.95 prebeta 4) > wav > mkw (V0.97 beta 1) > shn | X |
| 07/12/70 | Aachen, West Germany | All? | 2 | Liberated Bootleg | X | |
| 07/16/70 | London, England | All? | 1 | mono from master | BBC sound archive mono master > DAT > CDR > Soundstudio > Shorten > SHN | X |
| 09/16/70 | London, England | All? | 1 | FM > CD | X | |
| 09/26/70 | Philadelphia, PA | All? | 2 | Unknown AUD> MR> DAT> CDR> EAC> WAV> SHN (via MKW) | X | |
| 10/17/70 | San Rafael, CA | All | 2 | AUD > ? > silver CD > EAC > FLAC frontend > FLAC | X | |
| 10/23/70 | Santa Monica, CA | All? | 2 | "Sing to Me Cymbaline" | Liberated Bootleg | X |
| 10/23/70 | Santa Monica, CA | All? | 2 | "Bovine Psychosis" | AUD > Original silver CDs > EAC (V0.95 prebeta 4) > wav > mkw (V0.97 beta 1) > shn | X |
| 11/12/70 | Copenhagen, Denmark | All? | 2 | A[0] > CD-R[3] > WAV > SHN | X | |
| 11/14/70 | Hamburg, West Garmany | All? | 2 | Liberated Bootleg | X | |
| 11/21/70 | Montruex, Switzerland | All? | 2 | "Smoking Blues" | Liberated Bootleg | X |
| 11/26/70 | Stuttgard, Germany | All? | 1 | "The Killesberg Tapes" | Liberated Bootleg | X |
| 12/22/70 | Sheffield, England | All | 3 | "Alan's Psychedelic Mastertape" | CDR > EAC (secure mode) > WAV > mkwAct > SHN | X |
| 02/13/71 | Hampshire, England | All? | 2 | "Close the Blinds" | Liberated Bootleg | X |
| 02/25/71 | Hamburg, West Germany | All? | 2 | "M-502" | Liberated Bootleg | X |
| 06/05/71 | West Berlin, West Germany | All | 2 | Liberated Bootleg | X | |
| 06/19/71 | Brescia, Italy | All | 2 | "Super...Pink Floyd" | Liberated Bootleg | X |
| 06/20/71 | Rome, Italy | All | 2 | " Live in Rome, Palaeur" | CDR from Digital Floyd Project > EAC (secure) > FLAC (level 5) | X |
| 06/29/71 | Amsterdam, Netherlands | All | 1 | Free concert | low > cdr | X |
| 07/01/71 | Ossiach, Austria | All? | 2 | Liberated Bootleg | X | |
| 08/06/71 | Hakone, Japan | All? | 1 | "Echoes Of Japanese Meddle" | AUD > Original silver CDs > EAC (V0.95 prebeta 4) > wav > mkw (V0.97 beta 1) > shn | X |
| 08/13/71 | Melbourne, Australia | All? | 2 | Digital Floyd Archives - DFA/003 | mstr > cass/3 > CDR | X |
| 09/18/71 | Montreux, Switzerland | All | 2 | "Black Wizard" (Disc 1) and "White Witch" (Disc 2) | Liberated Bootleg | X |
| 09/23/71 | Copenhagen, Denmark | All | 2 | Mics and recorder unknown > 1st generation Reel to Reel Scotch 207 recorded at 7 1/2 ips > Playback Deck: Akai GX-747 > Nikko 32 Band EQ > Akai DR16 Digital Hard Disk Recorder > Sony PCM-R500 DAT Recorder > Sony DAT Tape > HHB CDR-800 Compact Disc Recorder > HHB CDR > WAV > SHN | X | |
| 09/30/71 | London, England | All? | 1 | "Meddler" | FM > CD (mono) | X |
| 09/30/71 | London, England | All? | 1 | "Meddled" | FM > CD (stereo) | X |
| 09/30/71 | London, England | All | 1 | mono from master | BBC sound archive mono master > DAT > CDR > Soundstudio > Shorten > SHN | X |
| 10/10/71 | Bradford, England | All? | 2 | "Bradford 1971" | Liberated Bootleg | X |
| 10/17/71 | San Diego, CA | All? | 2 | "Wind and Seabirds" | AUD > Original silver CDs > EAC (V0.95 prebeta 3) > wav > mkw (V0.97 beta 1) > shn | X |
| 10/31/71 | Toledo, OH | p | 2 | "Toledo" | AUDIENCE (Unknown Gen) > CDR > FLAC | X |
| 11/05/71 | New York, NY | All | 2 | Liberated Bootleg | X | |
| 11/06/71 | Cleveland, OH | All? | 2 | "For Reasons I Don't Understand" | AUD > CD | X |
| 11/12/71 | Philadelphia, PA | All | 2 | "Echoes In Irvine" | Liberated Bootleg | X |
| 11/20/71 | Cincinnati, OH | All | 2 | "The Complete Taft Tapes" | X | |
| 12/11/71 | Philadelphia, PA | All | 2 | "Echoes In Irvine" | Liberated Bootleg | X |
| 1/20-21/1972 | Sussex/Hampshire, England | All? | 2 | "Eclipsed by the Moon" | AUD > Original silver CDs > EAC (V0.95 prebeta 3) > wav > mkw (V0.97 beta 1) > shn | X |
| 02/17/72 | London, England | All? | 1 | Best Of Tour '72 (KDBO 1034) LP > AR ES-1 Modified Turntable . Shure V15 Type III Cartridge > Modified Dynaco PAS-II RIAA Tube Pre-Amp > Canare Cable > SBM-1 @ 48khz > D7 > Archive DDS Transfer > 48khz .wav > 48khz SHN | X | |
| 02/19/72 | London, England | All | 2 | "The Rainbow Volumes (Volume 3)"; end of Saucerful of Secrets cut | mstr > cass/3 > CDR | X |
| 03/06/73 | Tokyo, Japan | p | 1 | "Tokyo FM" | FM > CD > SHN | X |
| 03/13/72 | Hakkaido, Japan | All? | 1 | "Cold Front" | Liberated Bootleg; ? > CD > CDR(1) > CDR(2) > .wav(3) > CDR > .shn(3) | X |
| 03/30/72 | Manchester, England | All? | 2 | Aud > CD | X | |
| 04/06/72 | Columbia, SC | p | 1 | "Pink Floyd Have Gone Mental" | AUD (3rd generation; speed corrected) > CDR > EAC > SHN | X |
| 04/28/72 | Chicago, IL | All | 2 | Master Aud. Cass. > DAT2x > Delta DI/O 2496 soundcard > Soundforge 7.0 > CD Wave Editor > Flac | X | |
| 04/28/72 | Chicago, IL | All? | 1 | "Elcipse: A Piece for Assorted Lunatics"; w/12/2/72 filler | Liberated Bootleg | X |
| 05/02/74 | New York, NY | All? | 1 | AUD > CD > SHN | X | |
| 05/21/72 | Germersheim, Germany | All? | 2 | "Germersheim" | original vinyl LPs played back on a Sumiko PROJECT12 high quality turntable > audio CD recorder > CD-R > EAC (V0.95 prebeta 4) > wav > Nero Wave Editor 2 (declicking and decrackling) > EAC (normalizing and track splitting) > mkw (V0.97 beta 1) > shn | X |
| 06/00/72 | Studio | ? | 1 | "From the Other Side"; DSOTM outtakes | Boot CD > TAE 1.1 overlap > WAV > SHN | X |
| 09/22/72 | Los Angeles, CA | All | 2 | "Bowl de Luna" | Liberated Bootleg | X |
| 09/23/72 | San Francisco, CA | All? | 1 | "Winterland 1972" | TDK Tape 100 Master Reel > Sirene-046 Silver CDs > EAC > WAV > SHN | X |
| 09/24/72 | San Francisco, CA | All? | 2 | "Winterland 1972" | TDK Tape 100 Master Reel > Sirene-046 Silver CDs > EAC > WAV > SHN | X |
| 11/10/72 | Copenhagen, Denmark | p | 2 | "Dr. Who in Denmark" | low > cdr | X |
| 11/14/72 | Dusseldorf, Germany | All | 2 | "The Dussedorf Tape" | Complete show from Low Gen or master Tapes | X |
| 11/15/72 | Boeblingen, Germany | All | 2 | "The Great Gig in Boeblingen" | 1st gen source | X |
| 11/15/72 | Boeblingen, Germany | p | 1 | "The Return Of The Sons Of Nothing" | AUD > CD | X |
| 11/17/72 | Frankfurt, Germany | All | 2 | "Frankfurt Stop Over 1972" | AUD > Original silver CDs > EAC (V0.95 prebeta 3) > wav > mkw (V0.97 beta 1) > shn | X |
| 12/09/72 | Zurich, Switzerland | All | 2 | "In a Neutral Land, revision 1" | Liberated Bootleg | X |
| 03/06/73 | St. Louis, MO | All | 2 | "Valley Of The Kings" | Liberated Bootleg | X |
| 03/07/73 | Chicago, IL | All | 2 | "Childhood's End" | AUD > ? > CDR > EAC > FLAC Frontend > FLAC | X |
| 03/08/73 | Cincinnati, OH | I | 1 | Liberated Bootleg | X | |
| 03/11/73 | Toronto, Canada | All | 2 | "Yeeshkul!" | Liberated Bootleg | X |
| 03/17/73 | New York, NY | All | 2 | "Dark Side of Radio City" | AUD > Boot CD > CD > FLAC (compression level 5 using xACT) | X |
| 05/19/73 | London, England | All | 2 | "Supine In The Sunshine" | Liberated Bootleg | X |
| 05/19/73 | London, England | p? | 1 | "If You Were A Bluebird" | CDR > EAC > WAV > SHN | X |
| 06/29/73 | Tampa, FL | All | 2 | "When You're In...Tampa" | ana master > DAT > .shn | X |
| 10/12/73 | Munich, Germany | All | 2 | "Paranoid Delusions" | AUD > ? > SHN | X |
| 10/13/73 | Vienna, Austria | All | 2 | "The Lunatics on the Run" | AUD > Original silver CDs > EAC (V0.95 prebeta 3) > wav > mkw (V0.97 beta 1) > shn | X |
| 11/04/73 | London, England | p? | 1 | "Obscured at the Rainbow" | AUD > silver > WAV (EAC) > FLAC (FLAC frontend) | X |
| 06/24/74 | Paris, France | All | 2 | AUD > ??? > CDR > EAC > SHN | X | |
| 06/24/74 | Paris, France | All | 2 | "Shine On Paris" | AUD > Original silver CDs > EAC (V0.95 prebeta 4) > wav > mkw (V0.97 beta 1) > shn | X |
| 11/16/74 | London, England | All | 1 | "Wembley 1974 Pre-FM Master" | Pre-FM Masters > ? > SHN | X |
| 11/16/74 | London, England | All? | 1 | BBC Broadcast | X | |
| 11/17/74 | London, England | All | 3 | "Getting Better All The Time" | Liberated Bootleg | X |
| 11/19/74 | Staffordshire, England | p | 1 | "British Winter Tour 74" | Liberated Bootleg | X |
| 11/28/74 | Liverpool, England | p | 1 | "British Winter Tour" | AUD > Original silver CDs > EAC (V0.95 prebeta 3) > wav > mkw (V0.97 beta 1) > shn | X |
| 12/09/74 | Manchester, England | All | 2 | AUD > Boot CD > WAV > SHN | X | |
| 04/10/75 | Seattle, WA | All | 2 | "Dark Side Last Tour"; each disc is one track with CUE sheets | AUD > Original silver CDs > EAC (V0.95 prebeta 3) > wav > mkw (V0.97 beta 1) > shn | X |
| 04/26/75 | Los Angeles, CA | All | 3 | Master > CD > SHN | X | |
| 04/26/75 | Los Angeles, CA | All | 3 | "The Late Great Millard Tapes" | Highland Liberated Bootleg | X |
| 06/18/75 | Boston, MA | All | 2 | Liberated Bootleg | X | |
| 06/28/75 | Ontario, Canada | All | 2 | "Holes in the Sky" | Liberated Bootleg | X |
| 01/29/77 | West Berlin, West Germany | All? | 1 | Liberated Bootleg | X | |
| 01/30/77 | West Berlin, West Germany | All | 2 | "Absolut Floyd" | Liberated Bootleg | X |
| 02/20/77 | Antwerp, Belgium | All | 2 | AUD | X | |
| 02/22/77 | Paris, France | All | 2 | "First Night in Paris" | AUD > Original silver CDs > EAC (V0.95 prebeta 3) > wav > mkw (V0.97 beta 1) > shn | X |
| 04/22/77 | Miami, FL | All | 2 | "First Generation" | 1st generation > SHN (verified) > mkw act 0.97 beta1 > WAV > flac 1.0.4 (with Flac Frontend 1.6) (level 8) > FLAC (verified) | X |
| 04/24/77 | Tampa, FL | All | 2 | MOLM remaster | Liberated Bootleg | X |
| 04/30/77 | Houston, TX | All | 2 | "Deaf, Dumb And Blind" | Liberated Bootleg | |
| 05/01/77 | Fort Worth, TX | All | 2 | "Iron Pigs on Fire" | Original Analog Cassette Tapes > Nikko 32 Band EQ > Akai DR16 Digital Hard Disk Recorder > Sony PCM-R500 DAT Recorder > HHB CDR-800 Compact Disc Recorder > WAV > SHN | X |
| 05/09/77 | Oakland, CA | All | 2 | "Harvested HRV CDR 014" | AUD [LOW] > CDR > SHN | X |
| 05/09/77 | Oakland, CA | All | 2 | Liberated Bootleg | X | |
| 06/19/77 | Chicago, IL | All | 2 | Liberated Bootleg | X | |
| 06/25/77 | Cleveland, OH | All | 2 | Liberated Bootleg | X | |
| 06/27/77 | Boston, MA | All | 2 | Liberated Bootleg | X | |
| 07/02/77 | New York, NY | p | 1 | "Welcome to the Machine" | Liberated Bootleg | X |
| 07/04/77 | New York, NY | All? | 2 | a2 > cdr3 | X | |
| 07/06/77 | Montreal, Canada | All | 2 | Liberated Bootleg | X | |
| 02/28/80 | New York, NY | All | 2 | "Home Piggy Home" | ANA(1) > DAT > WAV > SHN | X |
| 08/06/80 | London, England | All | 2 | "The Show Must Go On" | AUD > 1st gen clone of master CDs | X |
| 02/14/81 | Dortmund, West Germany | All | 2 | "Tear Down The Wall 1981" | Liberated Bootleg | X |
| 06/17/81 | London, England | All | 2 | Complete The Wall | Liberated Bootleg | X |
| 09/16/87 | Cleveland, OH | All | 3 | "Echoes By the Lake" | AUD > Boot CD > WAV > SHN | X |
| 09/19/87 | Philadelphia, PA | All | 3 | w/07/01/88 soundcheck | Liberated Bootleg | X |
| 09/19/87 | Philadelphia, PA | p | 1 | "Hand of Fate" | SBD(?) > ? > Silver CD > EAC > FLAC | X |
| 09/21/87 | Toronto, Canada | All | 2 | Walkman D-6, mics unknown > 1st generation cassette > PC (edited with sound forge and CD Architect) > My Master CD > EAC > FLAC | X | |
| 09/28/87 | Chicago, IL | All | 2 | "Now and Forever" | Liberated Bootleg | X |
| 04/25/88 | Phoenix, AZ | All | 2 | AUD > Realistic 33-1063 Mics > Realistic Stereo Cassette > Nakamichi BX-1 > HHB 850 Professional Burner > EAC > GoldWave > Flac | X | |
| 04/28/88 | Irving, TX | All | 2 | Analog > DAT > SHN | X | |
| 07/06/88 | Torino, Italy | All | 2 | "Pink Elephant Flew Over Torino" | Liberated Bootleg | X |
| 08/19/88 | Uniondale, NY | All | 2 | AKG 414 -> Sony F1 PCM/SL2000 > PCM > My DAT Sony 60ES > Waveterminal U2A > CDWAVE > mkwACTSHN | X | |
| 08/23/88 | Uniondale, NY | All | 2 | Audience ECM-909 > Cass Master (D6/MX-90) > Nak Dragon > DAT (Dig Eq/DTC1000ES) > unk DAT gens (48kHz) > Waveterminal U2A (48 > 44.1) > CDWAVE > mkwACT SHN | X | |
| 06/10/89 | Lahti, Finland | All | 3 | AUD > DAT > SHN (part from 2nd gen > CDR) | X | |
| 07/15/89 | Venice, Italy | All | 2 | "Venetia Night" | Liberated Bootleg | X |
| 06/30/90 | Hertfordshire, England | All | 1 | "Of Promises Broken" | CDR(2) > EAC > FLAC | X |
| 09/18/93 | East Sussex, England | All | 1 | "Cowdray Ruins Concert" | AUD | X |
| 03/16/94 | San Bernadino, CA | p | 1 | "Just Warmin' Up"; rehearsal | gold cd > secure extraction via iTunes > wav > flac (xACT) | X |
| 03/30/94 | Miami, FL | All | 2 | low > cdr | X | |
| 04/16/94 | Pasadena, CA | All | 2 | "Your Favorite Disease" | Liberated Bootleg | X |
| 04/21/94 | Oakland, CA | All | 2 | Disc II requires an 80min CD | Mono VHS > CD > SHN | X |
| 04/21/94 | Oakland, CA | All | 2 | Some cuts | Unknown mics > D6 > Cassette Master > Marantz CDR500 > CD > WAV > Peak 3.21 (retracking, editing) > shntool > SHN | X |
| 05/20/94 | Boston, MA | All | 2 | LOW > CDR > WAV > CDWAVE > SHN | X | |
| 06/04/94 | Philadelphia, PA | All | 3 | 1st gen copy of the Master DAT onto 2 90 min Fuji DR-II cassettes Technics RS-TR333 cassette deck-> Sony DTC-700 DAT deck-> Audiophile2496 soundcard to HD-> Soundforge 5.0-> WAVtracker-> SHN | X | |
| 06/10/94 | New York, NY | All | 2 | "N.Y.1994" | Liberated Bootleg | X |
| 06/11/94 | Bronx, NY | All | 2 | "The Bell Gets Louder' | AUD > Silver CD > EAC > WAV > FLAC Frontend > FLAC | X |
| 07/17/94 | East Rutherford, NJ | All | 2 | "The Giants at the Giants" | AUD > Silver CD > CDR > WAV (eac, secure mode) > SHN (mkwACT) | X |
| 07/30/94 | Paris, France | All | 2 | AUD > Boot CD > CDR > WAV > Peak (retracking) > shntool > WAV > SHN | X | |
| 08/13/94 | Hockenheimring, Germany | All | 3 | "The Sound Surrounds" | AUD > Sony DAT -TCD 100 > PC > SHN | X |
| 08/29/94 | Oslo, Norway | All | 2 | AUD > Boot CD > WAV > SHN | X | |
| 09/03/94 | Rotterdam, Holland | All | 2 | "First Bell in Rotterdam" | analog master > anaolog copy > wav > CoolEdit > CDWave > SHN | X |
| 09/04/94 | Rotterdam, Holland | All | 2 | "Softly Spoken Magic Spells" | AUD > Boot CD > CDR > WAV > SHN | X |
| 09/05/94 | Rotterdam, Holland | All | 2 | "Last Bell in Rotterdam" | analog master > anaolog copy > wav > CoolEdit > CDWave > SHN | X |
| 10/29/94 | London, England | All | 2 | "The Last Bell" | Liberated Bootleg | X |
| ROGER WATERS | ||||||
| 06/17/84 | Stockholm, Sweeden | All | 2 | "Swedish Neurotica"; w/Eric Clapton | Liberated Bootleg | X |
| 03/07/02 | Buenos Aries, Argentina | All | 2 | "Comforting Rain" | Liberated Bootleg; FM | X |
| LED ZEPPELIN | ||||||
| N/A | Studio | N/A | 1 | Stairway Sessions | Silver CD > EAC Secure Mode > WAV > FLAC Frontend Level 8 with verify > FLAC | X |
| 12/30/68 | Spokane, WA | All? | 1 | First known recording | Original Silver CD > .wav files via EAC > .shn files via mkw | X |
| 01/10/69 | San Francisco, CA | All? | 1 | only known For Your Love | Master > Cassette > Cassette (2nd generation) | X |
| 01/11/69 | San Francisco, CA | p | 1 | SBD > Master reel > DAT | X | |
| 01/12/69 | San Francisco, CA | All? | 1 | Master > Cassette > DAT (1st generation) | X | |
| 03/15/69 | Denmark | All | 1 | Afternoon and evening sets; "Led Zeppelin is a Gas" | Original Silver > EAC Safe Mode > WAV > SHN | X |
| 04/24/69 | San Francisco, CA | All? | 1 | AUD > CD > EAC > MKWact > SHN | X | |
| 04/26/69 | San Francisco, CA | All? | 2 | Silver CD > EAC > MKW > SHN | X | |
| 04/27/69 | San Francisco, CA | All? | 2 | "Collage" | AUD + SBD combo | X |
| 06/24/69 | London, England | All? | 1 | Silver CD > EAC > MKW > SHN | X | |
| 07/25/69 | Milwaukee, WI | p? | 1 | "Stroll On" | AUD > CDR > EAC (secure) > FLAC (level 7) | X |
| 03/21/70 | Vancouver, Canada | p | 1 | "Ultimate Mudslide" | SBD > ? > CD > SHN | X |
| 04/07/70 | Raleigh, NC | p | 2 | "American Accents" | CD(M) > CDR > wav (EAC) > shn (mkw) | X |
| 09/02/70 | Oakland, CA | All | 2 | "Another Night on Blueberry Hill" | AUD > Silvers > EAC > WAVE > SHN | X |
| 09/06/70 | Honolulu, HI | All? | 1 | "In Exotic Honolulu" | AUD > Silver > CDR > EAC (secure) > FLAC (level5) | X |
| 00/00/71 | Various | p | 1 | "We're Gonna Groove"; 3/21/70 Vancouver and 9/4/71 Toronto | Liberated Bootleg | X |
| 09/14/71 | Berkeley, CA | p? | 1 | "Going to California" | Liberated Bootleg | X |
| 09/27/71 | Hiroshima, Japan | All? | 2 | "Live in Japan" | 1st gen AUD > ? > CD > SHN | X |
| 06/19/72 | Seattle, WA | All | 3 | 2nd Gen Audience > CDR > EAC > mkwACT SHN | X | |
| 06/22/72 | San Bernardino, CA | All | 2 | AUD > 2nd Gen Cassette > CDR > EAC > WAV > FLAC | X | |
| 10/10/72 | Kyoto, Japan | All | 2 | "Last Campaign" | AUD > Silvers > EAC > WAVE > SHN | X |
| 01/15/73 | Stoke-On-Trent, England | All? | 2 | 1st gen SDB reel > DAT > CDR | X | |
| 03/16/73 | Vienna, Austria | All | 2 | "ZD4" | AUD Master > DAT > CDR | X |
| 03/24/73 | Offenburg, Germany | All | 2 | AUD 2nd gen > DAT > CDR | X | |
| 05/13/73 | Mobile, AL | All? | 2 | 1st gen SDB reel > DAT > CDR | X | |
| 05/26/73 | Salt Lake City, UT | All | 2 | "Georgia On My Mind" | SBD > Silvers > EAC > WAVE > SHN | X |
| 05/28/73 | San Diego, CA | All | 2 | "Three Days Before" | Original Silvers > FLAC > FLAC CDR > FLAC CDR | X |
| 06/02/73 | San Francisco, CA | p | 1 | "Led Five" | ? | X |
| 06/02/73 | San Francisco, CA | All? | 2 | "Takka, Takka" | Liberated Bootleg | X |
| 07/15/73 | Buffalo, NY | p | 2 | SBD > CD-R > EAC 0.9 pb 11 > .wav > mkwACT 0.97b > .shn | X | |
| 07/28/73 | New York, NY | All | 3 | "Out From The Movie" | SBD > Silvers > EAC > WAV > FLAC | X |
| 03/25/75 | Inglewood, CA | All | 3 | "Deep Throat I" | Silvers > CDr(2) > EAC (with correct offsets) > wav > mkw > shn | X |
| 03/25/75 | Inglewood, CA | All | 3 | "Deep Throat II" | Silvers > CDr(2) > EAC (with correct offsets) > wav > mkw > shn | X |
| 03/27/75 | Inglewood, CA | All | 3 | "Deep Throat III" | Silvers > CDr(2) > EAC (with correct offsets) > wav > mkw > shn | X |
| 04/09/77 | Chicago, IL | All | 1 | Cut short due to Jimmy Page getting sick | AUD > Unknown gen. Cassette > WAV > CoolEditPro2.0 remastering > FLAC | X |
| 05/30/77 | Landover, MD | All | 3 | "Running On Pure Heart And Soul" | Original Silver > cd-r > EAC (secure) > SHN | X |
| 06/21/77 | Inglewood, CA | All | 3 | "Listen To This Eddie - Definitive Edition" | AUD - (AKG mics > Nakamichi Stereo cassette deck) + (Unknown aud splice in TYG) > CD > SHN | X |
| 08/04/79 | Stevenage, England | All | 3 | "Welcome To The 1979 Knebworth Festival" | SBD > Silvers > EAC > WAVE > SHN | X |
| 06/30/80 | ? | All | 2 | SBD > Silvers > EAC > WAVE > FLAC | X | |
| 07/07/80 | Berline, Germany | All? | 2 | Liberated Bootleg | X | |
| NEIL YOUNG | ||||||
| 01/21/71 | Boston, MA | All? | 1 | Early show | Silver CD > EAC > WAV > mkwACT > SHN | X |
| 07/07/76 | Providence, RI | All | 2 | Stills-Young Band | AUD > silver-pressed CD bootleg > EAC > WAV > CD-R > EAC > WAV > SHN | X |
| 11/22/76 | Boston, MA | All | 2 | cdr > cdparanoia > shn | X | |
| 11/21/86 | Daly City, CA | p | 2 | FM | X | |
| 08/27/88 | Wantaught, NY | All | 2 | "Blue Notes" | Liberated Bootleg | X |
| 09/22/92 | Los Angeles, CA | All | 2 | Sony D6 w/Sonic Studios DSM-6p mics > Analog master > DAT > WAV > SHN > WAV > CoolEdit > FLAC | X | |
| 07/04/93 | Werchter, Belgium | p | 1 | "Tuning My Guitar Right" | AUD > Original silver CD > WAV > SHN (using xACT) | X |
| 09/18/94 | New Orleans, LA | All? | 1 | SBD? > CDR > EAC > SHN | X | |
| 10/01/94 | Mountain View, CA | All | 1 | Bridge School Benefit; "Frisco" | Liberated Bootleg | X |
| 08/23/95 | Caesaria, Israel | All | 2 | w/Pearl Jam | Unknown > CD-R > EAC v0.9 prebeta 7 > mkw A.C.T. 0.96f > .shn | X |
| 05/23/96 | Princeton-By-The-Sea, CA | All | 2 | schoeps mk4 > ? > SHN | X | |
| 10/19/96 | Mountain View, CA | All | 1 | Bridge School Benefit | AUD > DAT > SHN | X |
| 07/25/97 | Noblesville, IN | All | 1 | AUD > cassette (2 or more gen) > ? > tracking, EQ > CD > EAC > SHN | X | |
| 04/21/01 | Charlottesville, VA | All? | 1 | AKG c3000 > BPS1 > SBM1 > D8 > Archive Python DDS/dat2wav > .wav | X | |
| 10/21/01 | Mountain View, CA | All | 1 | Neil and Crazy Horse at Bridge School Benefit 15 | Aud DAT > CDR > SHN | X |
| 01/10/02 | San Francisco, CA | All | 2 | CSHEB > D100 > 44k dat > cooledit200 wav > shn | X | |
| 01/11/02 | San Francisco, CA | All | 2 | CSHEB > D100 > 44k dat > cooledit200 wav > shn | X | |
| 01/20/02 | Rio de Janeiro, Brazil | All | 2 | Rock in Rio III Festival | Direct TV > ? > SHN | X |
| 03/01/02 | Los Angeles, CA | All | 1 | A Night For Gloria Benefit | ? | X |
| 06/01/02 | Glasgow, Scotland | All | 2 | Pioneer CM-S50 mic > Sharp 831 Mini Disc Recorder > Phillips CDR570 audio recorder through Behringer Ultramiser-Pro DSP1400P > WAV (Magix mp3 maker) > SHN (MKW audio compression tool) | X | |
| 05/21/02 | London, England | All | 2 | Recording Sonic Studio Mics > Sony Pro Portable DAT > Tascam DAT > Sharp 831 minidisc (Optical Transfer) > Behringer Ultrmiser Pro Processor > Phillips CDR 570 (analog Transfer to audio CDRs) PlexorCDrom > EAC > Nero V 5.5.7.2 > Plexor CD writer | X | |
| 09/21/02 | Burgettstown, PA | All | 1 | Farm Aid | DPA (B&K) 4022s > Sound Devices MP-2 > Sony D100 > Sony D8 > Emagic EMI 2|6 > Apple iBook > Coaster 1.1.3 > SoundEdit16 2.07 > shntool 1.2pre4 | X |
| 04/22/03 | Stockholm, Sweeden | All | 2 | Sony ZE700 DAT > Tara Labs-Prism 3 kabel > Sansui SE-8 Graphic Equalizer (10 bands ) > Tara Labs-Prism 3 kabel > Marantz CDR630 pro stand alone CD-burner > EAC > WAV > SHN | X | |
| 04/23/03 | Oslo, Norway | All | 2 | CSB's (flat response, no bass roll-off) > Sony D7 DAT > Opcode DATPort > WAV > Cool Edit Pro > SHN | X | |
| 04/25/03 | Bergen, Norway | All | 2 | CSB's (flat response, no bass roll-off) > Sony D7 DAT > Opcode DATPort > WAV > Cool Edit Pro > SHN | X | |
| 04/29/03 | Hamburg, Germany | All | 2 | OKM/IIP > A3 > Sony D 100 > CDR > SHN | X | |
| 05/01/03 | Frankfurt, Germany | All | 2 | DPA 4060's > DPA MPS6020 p/s > Sony SBM-1 (@ 48.0 kHz) > Sony TCD-D100 > Sony PCM-R300 > coax cable > Midiman Delta DiO2448 > Cool Edit Pro v1.2a (resampling, fade in/out) > T-Racks 24 v2.0 (mastering**) > CDWave v1.6 (trackmarks) > mkw ACT v0.97 b1 > shn | X | |
| 06/13/03 | Manchester, TN | All | 2 | Josephson C42mp (XY) > MP-2 > D100@44.1 > A6 > Datport > P3-550mhz > CDWav > mkwACT | X | |
| 07/22/03 | Los Angeles, CA | All | 2 | AT 853 > DAT > CDR | X | |
| 07/29/03 | Morrison, CO | All | 2 | AUD > DAT > SHN | X | |
| THE WORD | ||||||
| 01/14/02 | Boulder, CO | All | 2 | B&K 4011 > V2 > AD2K > HHB (@44.1K) > D8 > Waveterminal 2496 > Soundforge > CD Wave > mkwACT | X | |
| 01/15/02 | Boulder, CO | All | 2 | B&K 4011 > V2 > AD2K > HHB (@44.1K) > D8 > Waveterminal 2496 > Soundforge > CD Wave > mkwACT | X | |
| 01/23/02 | San Francisco, CA | All | 2 | AKG480/CK61 > V2 > AD2k+ > DA-P1(44.1kHz) FOB > Audiophile 2496 > Soundforge 5.0 > CDWave > SHN | X | |
| BILLY JOEL | ||||||
| 05/06/77 | Brookville, NY | All | 2 | FM > CD > SHN | X | |
| 12/11/77 | Uniondale, NY | All | 2 | WNEW FM stereo radio broadcast > BR master cassette > 2cdr > EAC > Sound Forge 6.0 > CD Wave > 2shn (seekable) | X | |
| 05/26/90 | London, England | All | 2 | "Welcome to the Show" | FM > CD > SHN | X |
| 11/13/93 | Syracuse, NY | All | 2 | CD > SHN | X | |
| 06/18/94 | Frankfurt, Germany | All | 2 | "The Final Night" | Original Silver CDs > PIONEER DVD-ROM DVD-303 > EAC(v0.9 beta 4) > WAV(44.100 Hz; 16 Bit; Stereo) > SHN-MKW | X |
| 04/20/99 | East Rutherford, NJ | All | 2 | Sony D8 + Sony ECM 16t mics -> Soundblaster Live -> Saw32 (import)-> Soundforge (chop) | X | |
| 12/12/99 | Ames, IA | All | 2 | AUD > CD > SHN | X | |
| BILLY JOEL AND ELTON JOHN | ||||||
| 02/08/02 | Hartford, CT | All | 3 | DSBD > DAT > CD > SHN | X | |
| 03/14/03 | Columbia, SC | All | 3 | DPA4022 > Sonosax SX-M2 > D100 > Tascam DA-P1 > Emagic Audiowerk2 > Dell Dimension 8200 > Soundforge v4.5 > mkwACT 0.97 Beta 1 > SHN | X | |
| PIXIES/BLACK FRANCIS/FRANK BLACK | ||||||
| 00/00/00 | N/A | N/A | 1 | "Give Me Ecstacy"; Pixies Doolittle Demos | CDR > cdparanoia > shn | X |
| 1985-1997 | N/A | N/A | 1 | Various Pixies/Black Francis demos, live, outtakes | Liberated Bootleg | X |
| 1987-1991 | N/A | N/A | 1 | "Rough Diamonds"; unreleased studio and BBC Pixies recordings | Silver CD > EAC > WAV > FLAC (Level 8) | X |
| 01/18/87 | Boston, MA | All? | 1 | Pixies | FM/ANA > CD > SHN | X |
| 06/03/88 | Minneapolis, MN | All | 1 | Pixies | Wmd3 > 2nd gen on XLII > WAV via wt2496 > Track Split on CDWAV > SHN | X |
| 05/03/89 | Liverpool, England | All? | 1 | Pixies | SBD or FM > CD > cdparanoia >SHN | X |
| 08/08/89 | London, England | All | 1 | Pixies | Liberated Bootleg | X |
| 08/10/89 | Chicago, IL | All | 1 | Pixies | Unknown | X |
| 03/24/90 | Irvine, CA | All | 1 | Pixies | WM D3 > 2nd gen on XLII > wt2496 > WAV > SHN | X |
| 10/05/90 | Bradford, England | All | 1 | Pixies | Wmd3 w/mini mic > 2nd gen xlII > egosyswt2496 > wavelab > shn | X |
| 02/05/91 | New York, NY | All | 1 | Pixies | Sony WMd6 > 1st gen tape > egosys wt2496 > Wavelab > CDR > SHN | X |
| 03/22/91 | Santa Montica, CA | All | 1 | Black Francis; 80 min CD; much with Joey Santiago | My friend's Walkman > my tape > DAT @44.1k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV > SHN (no extraction) | X |
| 06/26/91 | London, England | All | 1 | Pixies | Master video off Satellite > 1st gen Hifi Video Dub > wt2496 > wavelab > shn | X |
| 07/11/91 | Switzerland | All | 1 | Pixies | SBD | X |
| 11/23/91 | New York, NY | All | 1 | Pixies | Sony WMd6 > 1st gen tape > egosys wt2496 > Wavelab > CDR > SHN | X |
| 12/17/91 | Seattle, WA | All | 1 | Pixies | SONY WMD3DAT > Sonic Studios DSM MICS > DAT MASTER > Metal Cassette 1st gen > CDR > EAC > SHN | X |
| 12/20/91 | San Francisco, CA | All | 1 | Pixies | wmd3 master > wt2496 > wavelab > shn | X |
| 12/22/91 | Los Angelees, CA | All | 1 | Pixies | FM | X |
| 04/16/92 | San Francisco, CA | All | 1 | Pixies | ? | X |
| 06/14/96 | Sweeden | All | 1 | Frank Black | FM > ? > CD > SHN | X |
| 11/02/02 | Toronto, Canada | All | 2 | Frank Black | CSC > Zefiro Inbox > Sony PCM-M1 > Tascam DA-45H R> Tascam CDRW 700 > EAC > CDWAV > mkwACT > SHN V.3 | X |
| 04/13/04 | Minneapolis, MN | All | 2 | Pixies | SBD > CD-R > EAC > FLAC | X |
| 04/14/04 | Winnipeg, Canada | All | 2 | Pixies | SBD > CD-R > EAC > FLAC | X |
| 04/15/04 | Regina, Canada | All | 2 | Pixies | SBD > CD-R > EAC > FLAC | X |
| 04/17/04 | Saskatoon, Canada | All | 2 | Pixies | SBD > CD-R > EAC > FLAC | X |
| 04/29/04 | David, CA | All | 2 | Pixies | SBD > CD-R > EAC > FLAC | X |
| 05/01/04 | Indio, CA | All | 1 | Pixies | AT831 (SP-CMC-2) > SPSB-1 w/ rolloff @ 69Hz > Nomad Jukebox 3, Line in (not mic), 16 bit 44.1kHz, +4 db gain > firewire > CD Wave Editor > Creative Wave Editor (for fades) > flac | X |
| BECK | ||||||
| 10/18/02 | Chicago, IL | All | 2 | Includes Flaming Lips opener | Sony ECM-MS907 stereo mic> Sharp MD-MS702 minidisc> Echo Mia sound card> Sonic Foundry Vegas Pro> MKW compression to SHN | X |
| 10/30/02 | New York, NY | All | 2 | DPA (B&K) 4022s > Lunatec V3 @ 16/44.1 > Sony D100 > Tascam DA-20mkii > Emagic EMI 2|6 > Apple iBook > Coaster 1.1.3 > Sound Studio 2.0.6 > shntool 1.2.0-rc1 | X | |
| 11/12/02 | Austin, TX | All | 2 | Audio Technica 853 > bass roll off @ 888 > Sony MZ-R500 > SBLive! > Cool Edit Pro > MKW Audio Compression Tool | X | |
| MILES DAVIS | ||||||
| 05/17/58 | New York, NY | p? | 1 | "Miles Davis All Stars Live in 1958-59 with John Coltrane" | FM | X |
| 11/06/67 | Paris, France | All? | 1 | Liberated Bootled > CD > EAC > SHN | X | |
| 07/25/69 | Antibes, France | p? | 1 | ? | X | |
| 11/03/69 | Paris, France | All | 1 | Early show | SBD (Tascam DAT) > HHB CDR 800 | X |
| 04/11/70 | San Francisco | p? | 1 | Miles Davis Sextet | ? | X |
| VARIOUS SHOWS | ||||||
| 08/30-09/01/69 | Lewisville, TX | All | 13 | Texas Internation Pop Festival | Liberated Bootleg | X |
| 06/15/86 | East Rutherford, NJ | p | 1 | Amnesty Internation concert; U2 and Police sets | CDR > EAC (Secure mode) > mkw 0.97 Beta > SHN | X |
| 01/23/88 | Oakland, CA | All | 2 | Blues for Salvador; w/Garcia, Tower of Power, Santana, Weir, Chester Thompson | AUD > Cd > eac > shntool > shnv3 | X |
| 10/15/88 | Buenos Aires, Argentina | p | 1 | Peter Gabriel and Sting; Amnesty International | FM | X |
| 12/04/88 | Oakland, CA | All | 4 | Bridge School Benefit II | SBD > DAT > CD > EAC > mkw > SHN | X |
| 07/28/96 | Mountain View, CA | All | 4 | HORDE Festival - Lenny Kravitz, Rusted Root, DMB, BT | CM300's w/CP4's > D5 > D8 @48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (normalize/downsample) > WAV > SHN | X |
| 07/30/96 | Mountain View, CA | All | 6 | Further Festival | Nak CM300's w/CP4's > D8 @48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (normalize/downsample) > WAV > SHN (no extraction) | X |
| 05/21/97 | Burlington, VT | All | 2 | New York - Trey Anastasio, Mike Gordon, James Harvey, Tom Lawson, Pistol Stamen | SBD > DAT > CDR > EAC > SHN | X |
| 12/19/98 | Berkeley, CA | All | 5 | Blues Against Blindness | AUD > DAT > CD > TAE (overlap) > Peak (retracking/normalizing) > WAV > SHN | X |
| 04/27/99 | Santa Rosa, CA | All | 3 | Open Nature Benefit | B&K 4061 (7th row center) > Sonosax SX-M2 > SBM-1 > D-100 > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN | X |
| 12/06/00 | New York, NY | All | 1 | Warren Haynes, Page McConnell, Micki Rafael | Coresound Binaurals > D8 > Echo Gina > Soundforge > Adaptec 3.5 > CDR > DAE via Adaptec 4.02 > MKWact > SHN | X |
| 12/21/00 | Ashville, NC | All | 5 | Christmas Jam | Microtech Gefell's M210 > Oade P/S > SBM1 > D-8 > PCM R-500 > MasterLink burner > SHN | X |
| 03/30/01 | San Francisco, CA | All | 2 | Spur of the Moment | FOB 9 feet from stage, mics 8' high > Schoeps CMC6/MK4 > Lunatec V2 > Sony SBM1 > DAT > D8 > Delta DiO 2496 > Soundforge 4.5 > CDWAVE > SHNv3 | X |
| 10/21/01 | Mountain View, CA | All | 6 | Bridge School Benefit XV | AUD > DAT > SHN | X |
| 10/02/02 | New York, NY | All | 6 | 2002 Jammys | schoeps mk4v > kc5 > cmc6 > apogee AD1000 > tascam da-p1@44.1kHz > dat masters in tascam da-20mkII > rme digi96 > 8pst > cdwaveditor > flac1.0.4 > SHN | X |
| 11/29/02 | London, England | All | 2 | Complete Concert For George Harrison | Sonics DSM65 (Recorded from 25th row orchestra) > Sony TCM100 > CD > WAV > Peak (retracking) > shntool (sector boundaries) > SHN | X |
| 10/25/03 | Mountain View, CA | All | 4 | Bridge School Benefit XVII | Schoeps CCM4 > Aerco > SBM1 > D8 | X |
| 10/26/03 | Mountain View, CA | All | 5 | Bridge School Benefit XVII | Schoeps CCM4 > Aerco > SBM1 > D8 | X |
| 03/16/04 | New York, NY | All | 4 | Jammy Awards | AKG 391 > Edirol UA5 w/Oade presence mod > DA-P1 @ 48.khz > M-Audio Audiophile 2496 USB > CDWAV > Goldwave > mkWACT > SHN | X |
| 10/24/04 | Mountain View, CA | All | 9 | Bridge School Benefit XVIII | Schoeps > DAT > optical > WAV > FLAC | X |